Sultry and slow burning. Delve into the intoxicating confessions of Vienna-based musician Fleming, through latest single Guilt and Pleasure. Led by a seductive blend of electronic percussion, mixed by Grammy nominated producer ill Factor. Slinky piano keys glide against drawn-out guitars, to brood among ambient atmospheric vocal pitches. There is an undeniable sleek, professionalism present. So authoritative and impactful, we are swept off our feet.
Exploring the experience of a simultaneously playful and powerful relationship. Guilt and Pleasure mirrors its musical intensities, as exquisitely as its lyrical prowess. By style and sound, we are captivated within this rousing contemporary track. Submerging soft R&B with soulful, modern blues. Fleming exudes energy similar to the late-great Prince, with a slant in sound towards Childish Gambino or Steve Lacy.
Guilt and Pleasure is a soundscape that fizzes with a passionate, eloquent vibrance. Lyrically entangled in the reckless lust of youth, yet rooted in nostalgic 1970s notes. Fleming chimes “Just take me back to the hotel room, and let me love you” as lyrics swathe against a gorgeous, simmering retro-authenticity. Swaddled are woozy synths, with hazy distorted vocals. Adding considerable body and depth to a track that consciously balances the chaotic current day, with a homage to decades and genres past.
Dark romantic notions linger, as though Fleming is hunting the forbidden source of his desire. Under late-night hazy skies, that merge with crowded smoke-filled rooms. Wine glasses gleam under golden spotlights, where stolen glances are exchanged. Guilt and Pleasure teases at sentiment and hooks our attention. Certain are its demands that Fleming is one to watch, with a tender yet mischievous nature.
Becky and the Bands 