Meet the Cheshire band, providing all the bite of a classic rock sound, with an intriguing modern twist. The Moondogz tether gritty instrument playing to moody vocal blues, and latest album ‘What’s Done Is Done’ will spark the curiosity of any classic rock fan, and grab the attention of all who dare to listen.
No strangers to the music scene. The Moondogz pack a punch with their 80s influence, and it is clear to hear the adoration they possess for that classic rock style. As a wealth of musical experience has culminated to craft their latest album. The vast amount of hard work and dedication put into it, has clearly paid off. Through progression of their distinct sound, you can feel your skin prickle from the sheer enthusiasm of their energetic guitar playing. Drums clash in time with your heartbeat, and that growl in the vocals of lead singer Anthony Machin, will nestle into your mind for a long time to come.
From the very get go, The Moondogz set the pace of what we can expect to hear from ‘What’s Done Is Done’. As opening track ‘Better Man’ blares out. Rampant guitar playing and a throbbing bass line create music just demanding to be played loud. Whilst lyrics are equally as bold, home to all the brashness of unapologetic rock n’ roll. Although, there is no denying that raucous riffs are what really drive this album forward. Shining in all their furious glory, on tracks such as ‘Leave The Light On’, ‘Summer Rain’ and ‘Running Down a Dream’. These ear-bleedingly heavy focal points, are what make the album such a strong contender for future rock greatness.
Unflinching, loud and choked full of crazed guitars. ‘What’s Done Is Done’ barely catches its breath, from the start to the very finish. It’s one hell of a rollercoaster ride, promising thrills, and certainly delivering them. As The Moondogz plough through grungy rock ballad after ballad. There is a familiarity in their classic rock comforts, yet such braveness in their injection of this beloved sound, straight into 2020. We see a rock n’roll style lace among modern eccentricities, and are introduced to a band that have successfully fused an effortlessly elegant debut rock album.
Stream ‘What’s Done Is Done’ on all platforms now!
To bottle an emotion, is to capture a moment. Holding on to a feeling, entwines memories within it.
Through Debut EP Open Up, Honey. GILLIE is completely in tune with her emotion.
Each song is a delicate glass jar. The contents of which are raw and sweet, yet a sharpness exists.
Pairing rich, earthy vocals with sweeping guitar sounds. GILLIE bares her soul through the most beautiful indie-folk music.
I had the overwhelming joy of premiering first track Winter Girl ahead of the release of Open Up, Honey. Engulfed with a love of GILLIE’s unwavering lyrics and gorgeous vocals. Her ability to expose such intense feeling is awe-inspiring.
Winter Girl resides as a song for growth. Recognising a difference in ones-self is a moment of freedom, yet with that freedom also exists a harsh undertone of deprecation. Past mistakes, doubts over your own identity, and cutting truths can rise to the surface. Winter Girl truly struck a chord with me. As Gillie admits to those bleak moments that often never meet the eyes of others, through her music.
For the EPs next track, Hear You Say, verses build to an intense chorus. Vocals rise to crescendo. Calmness breaks into a storm to be reckoned with, as GILLIE’s lyrical admissions deepen. Guitars pulse through the track like a heartbeat, and we feel our skin flush and emotions pivot from such raw honesty. Wounds from undeserving lovers are often deep, and GILLIE does not hide from her scars. Hear You Say is nothing shy of exquisite bravery. A beautiful song embodying the strength of wearing your heart on your sleeve.
Closing track Pleasant Thing is eerie by how well it resonates. A blend of soothing tones, gentle guitars and whispering vocals pry open the track. Leading us towards muted lyrics, cutting through like poetry. The poetic sombre nurtured by GILLIE, is once again achingly honest and so sublime.
Vocals lace through the mind of the listener delicately, yet the truths pouring through them awash all else. Soft, rhythmic instrument patterns compliment these vocals gracefully, whilst giving the track body and motion. Pleasant Thing soars to swoon in its breezy chorus, that yearns with sheer lust and longing. A gorgeous alternative love song. Pulling away from, yet pulling towards desire.
Each track presented within Open Up, Honey holds its uniqueness so well. Varying vocal pitches and depths convey such staggering emotion. I have no doubt, that each will hit home with their listeners in different ways.
Speaking of her Debut EP, Gillie explains;
This EP is based around the feeling of emerging from a grey, low place and rediscovering a place of certainly and comfort.
Overall, crafting an EP that is stunning, both vocally and lyrically. Pairing such refined vocals with gentle instrument playing has allowed for gorgeous juxtaposition.
Open Up, Honey is sublime in every way it could possibly be.
Recorded at Abbey Road Studios with Jean-Francois Machet. Consisting of Gillie Rowland on vocals, Ailsa Tully on bass and Finlay O’Hara on drums.
Open Up, Honey is available to stream now via Skivvy Records
Lancaster rockersMassive Wagons are set to soar, with their latest album House of Noise debuting at an impressive NUMBER 1 on the iTunesUK Rock Chart. With a can-do attitude and an unapologetically loud lust for life. Massive Wagons have won over the hearts of fans (including myself) up and down the country. That is before we even mention the fact, they are bloody brilliant musicians.
With shredding guitar riffs and scorching vocals from frontman Baz (Barry Mills). House of Noise hurtles us head-first into exactly what Massive Wagons are all about. Crazily energetic live performances, a dedicated love for their fanbase and a heap of good old-fashioned rock n’ roll. All embodied within this firecracker of an album. Which, as the title suggests, needs to be played loud and proud.
Through tongue-in-cheek lyrics (I’m looking at you The Curry Song), laced with an underlying ferocity at heartbreak, politics, and any act of being kicked while you’re down. Massive Wagons swoop in on those mighty rockin’ horses and pick us straight back up. House of Noise will have you chanting, singing, and head-banging until your heart’s content.
Undeniably a band for the people. Massive Wagons take what we are all thinking, and project it from a stage with force. Stand up and shout anthems that reverberate with so many, are just one of the reasons this band are so good at what they do. Several superb crowd-pleasers on their latest album, including Bangin’ in Your Stereo and title-track House of Noise, actually gave me goosebumps at the thought of witnessing live music again.
Baz’s distinguishable vocals and infectious energy are equally matched by hard-hitting instrument playing. You only need to listen to the gorgeously gritty intro of Hero to gather that. So much is driving this album on towards greatness. Really holding its own, House of Noise is an album that kicks everything we’ve known already about Massive Wagons, up a gear. Song after song, we’re met with music as bold as it is brilliant. Even in the woozy comedown of Matter of Time, I caught my breath, and listened in awe.
Watching Baz completely own a stage before was mesmerising enough, NOW I can only dream of the onslaught Massive Wagons will parade with when they take House of Noise on the road next March.
Fun, flamboyant and wearing the best 70s fashion you could ever behold. Cardiff’s very own Buzzard Buzzard Buzzard have strutted their way through 2020, with a string of singles in tow. The grand finale is the welcomed release of their highly anticipated The Non-Stop EP.
Culminated over several years. The Non-Stop EP is the epitome of Buzzard Buzzard Buzzard. Containing classics from their colourful catalogue, that date back to their formation. Taking time and effort to carefully curate this EP, has undoubtedly been worthwhile. Spellbindingly professional, without curbing any of that wonderful spirit and energy that Buzzard Buzzard Buzzard are so cherished for. Songs fans have adored at shows, are now presented in a glistening new light. Meaning that we will all be doing the Double Denim Hop around our living rooms before we know it.
Keeping old classics company on the EP, are numerous brand-new singles, such as What Is Hate? and Sugarloaf Mountain Crucify Me. Charged with as much exuberant energy as I had dreamed. Buzzard Buzzard Buzzard have blazed through with guitar-driven anthems, fuelled by lyrics equally as passionate from lead singer-songwriter Tom Rees. Creativity has spanned from politics and history, to love and life. With a sound so unique and exciting, their musical capabilities seem endless.
There is no denying that asides from being in the same room as them; every morsel of Buzzard Buzzard Buzzard’s chaotic brilliance is encapsulated within this EP. Late Night City can be turned up loud for a dance, or we can have a little cry to Long Day/Free Day. With a whopping ten tracks in total to listen to, this extended play is nothing shy of album quality.
The Non-Stop EP is available to stream and purchase now via Communion Records
Follow Buzzard Buzzard Buzzard on their socials below
Yep that’s right mum or debut EP is out now, come and rock along!! Thanks to the @CommunionMusic family, along with our actual, biological families and everyone else along the way, we’ll be rocking live on YouTube at 8pm tonight, come and rock along!!! pic.twitter.com/yMCubxH07b
— Buzzard Buzzard Buzzard (@buzzardbuzzard) July 10, 2020
I have one word to describe this band and their sound, and that is intriguing. I had never encountered Sorry before 925 burst on the scene. I merely saw an album from a band unknown to me, receiving rave reviews on social media. Therefore of course my curiosity was peaked, and it wasn’t long before I indulged my senses with their debut album release.
925 greeted me as a gorgeous medley of sound. Each song is able to capture a different mood and feeling. With every individual element of each song reflecting this. It appeared to me as though they have been crafted meticulously, from their lyrics through to each note of their musical content. Different instruments are used within every song to create a unique vibe for each.
With each song having its own uniqueness, this does mean that overall tracks on the album do contrast. However, I don’t see this as a bad thing. These contrasting sounds blend together to create a kaleidoscope. Complete clarity can never be captured within this album, as we are taken on a wild ride both lyrically and musically, but I believe that is the point. The album is a trippy, euphoric rush. Moods sway and vocals swing. It’s a meticulous, gorgeous high.
I have seen this band described as having an ‘I don’t care’ attitude. Through the album however, personally I struggle to find this. There is a confidence present of course, although, I perceive Sorry as a band experimenting and breaking boundaries through their debut album. 925 is an experiment with impeccable results surely, I am left wondering how there could possibly be any anomalies present?
Whether Sorry constructed 925 on an arrogant social whim, frankly has no impact on me. I can see they have sought inspiration from and interpolated well-known tracks, however I only have admiration for their boldness. To be so blasé, and use popular releases to create something new. Yes it does snub the noses of their predecessors slightly, but they have crafted their influences into their own forms of artwork. In no way are the songs of 925 carbon copies of resembling sounds before them.
The album is meant to be beautifully woozy and dream-like. This is what we should focus on, if we possibly can. Hazy vocals clash with jarring instruments and create songs that shake and wake you up. Vocals are bordering on mundane but, they’re not. I can’t help but feel that lead vocalist Asha Lorenz, purposefully mutes her sound to stir emotions and hook onto the ledge of a feeling.
To hone in and cherry pick my favourite tracks for you to listen to, would not do this album justice. Listeners who capture the spirit of 925 as a whole, will enjoy the freedom it offers from its fluidity, and relish in the mystery of this intriguing band.
If you haven’t listened to Talk Show yet, then you seriously need to. The bands brand new EP ‘These People’ is out today, and is available to stream on all platforms. It contains four singles, that will stir your subconscious and invade your mind.
On this punchy new release, Talk Show simmer to boiling point with their edgy punk sound and lyrics that snare your senses. I have been eagerly waiting the EP since we were graced with our first taste back in January. The initial single Banshee quickly entranced me, and was a stark reminder of the incredible capabilities this band possess.
Talk Show relish in a madness that is able to function absurdly well.
Talk Show are a fascinating enigma to behold, and their onstage presence is unlike anything I have ever witnessed before. Blending edgy punk with something far darker, their latest EP is a glowing example of how they cleverly clash genres and sounds, to create a form of punk that is in many ways a breed of their own. Their songs are eery and distorted in their lyrical approach which knocks you off balance in a woozy bliss, but as quickly as you are lost are you then swept back up again and thrown into the frantic, chaotic frenzy of their fast paced, energetic tempo. Instruments collide and screech in this fuelled riot, with vocals tearing through in a crazed harmony that I can’t imagine any other band fusing together so well. Talk Show relish in a madness that is able to function absurdly well.
My personal favourite from ‘These People’ is Petrolhead. Talk Show always have a way of building their songs up brilliantly, but Petrolhead is nothing shy of an explosion. It’s charged and gloriously angry, and I cannot wait to hear it live.
You can catch Talk Show on their headline tour in September. They are also going to be playing across Wales for IVW with Panic Shack, postponed tour dates are yet to be confirmed.
Keep up to date by following Talk Show on their socials:
Didn’t think we’d actually get to this point but our debut EP ‘These People’ is out today and available to the world. Stream it wherever, blast it out your windows and annoy the neighbours.
Every Bad, the second album from Brighton’s Porridge Radio is in many ways their debut. Previous quietened bedroom recordings paved the way, allowing them to flourish on stage; captivating their audiences and myself. We hear a sound blossomed into music so pure, lead singer and songwriter Dana Margolin’s voice can only be described as incredible. No longer do Porridge Radio hide behind a hushed, whimsical ghost of their former sound. Today Porridge Radio are a reflection of the hurricane we behold on stage, and the storm is phenomenal.
Following their signing to Secretly Canadian, Porridge Radio have toured relentlessly, enabling their music to be heard across the globe, and in turn gaining them a wave of new listeners. I have been a fan of theirs for the last couple of years now and was lucky enough to first watch them performing in a room with no more than 20 others. Dana’s voice captivated me then, with such intensely driven songs. I knew that one day this band would skyrocket. It looks as though that day has come.
‘Every Bad’ is in no uncertain terms, an exquisite album. The eccentrically beautiful collection of jarring songs, compliment one another in the most gorgeous way possible. Lyrically, each is home to their own unique message, but intertwine to become a screaming ode to and advocate of mental health, both for the individual and humanity as a collective.
The album is raw and honest, nothing is hidden. We are graced with truths in their purest forms; hurt is shown to us, shame is shown to us, denial, loss, indescribable self loathing and agony are shown to us. However we are also gifted with self-belief, love, acceptance and strength. We as humans can harbour anxiety, depression and worry inside of us. Through ‘Every Bad’ Porridge Radio explore how we can learn to accept them, and the incredible bravery of this. Dana has written the album drawing vastly on her own experiences and emotions in life. I believe this gives ‘Every Bad’ a wonderfully human aspect.
There isn’t a single song that is anything short of mesmerising. Every detail knitted and woven into each has been carefully stitched, creating an album crafted to evoke feeling. The lyrics are haunting and resonate deeply. Sung with such passion that you are moved from within your very core. ‘Every Bad’ wraps itself around your heart, and lingers longingly in your mind.
Not a single fragment of Porridge Radio’s powerful live sound is lost within it. It is undeniable that as an album ‘Every Bad’ is groundbreaking. I have relished in and written about every single offering provided in the lead up to this album release, and in many ways I feel that Porridge Radio have allowed us to travel on this journey with them.
‘Every Bad’ will hold different emotions and outlooks for each listener. Although the lyrical content of each song will not change, how we perceive it based on our own mindset will vary. Although do not believe that Porridge Radio do not know this. I firmly believe that the album was written for this very reason. ‘Every Bad’ is an experience of reflection, growth and acceptance for each listener it pours upon, from the start to the very finish. A gift in the form of unwavering, brutal honesty. What better way to experience such an intense emotional outpouring, than through the medium of music?
I have to echo my past thoughts, and say that standout favourites of mine remain to be Circling and Sweet. Circling for its unwashed beauty and clarity. The single is just homely and fills me with daydreams of the sea and becoming lost within my own thoughts. Sweet for its sheer impact and intensity, with a sound so hard-hittingly raw. Both songs possess the most captivating lyrics for different reasons. Circling embodies emotions such as love, longing and escapism, whereas Sweet draws on anger, confusion and denial, but in the end these emotions are relinquished and eventually perceived are self-love and acceptance instead.
I was also pleasantly surprised to find a re-recorded version of old favourite, Born Confused, opening the album. This song was at home in my online music library for a while, until it disappeared. I was heartbroken at it being pulled, but believed it could be due to record label reasons. It was such a joy to rediscover the track on ‘Every Bad’. Albeit with a slightly different sound, yet remaining as mesmerising as ever. As is the same for the emergence of older material, in the form of Give/Take and Don’t Ask Me Twice, both of which Porridge Radio fans will already be familiar with.
This familiarity and inclusion of older material on the album, envelopes what I have been saying throughout. Porridge Radio are nothing if not true to themselves. Older songs have allowed them to bloom yet still remain a part of them. Their places on the album are cherished nods to the bands past.
‘Every Bad’ is a journey for Porridge Radio and the listener alike. A kaleidoscope of emotion and feeling which can expand the horizons of your sight and sound, allowing for a sense of awakening. It is an album that pushes Porridge Radio, to showcase every aspect of their incredible talent.
A talent forever beheld on stage, now in our hands. We hold the privilege of being able to immerse ourselves in the glorious music of Porridge Radio, whenever we need to.
If you are following me on Instagram, then you will know that throughout January I have been sharing a series of posts as a part of my Year of Vinyl challenge, through which I have celebrated owning my beloved Crosley Record Player for a year, by sharing with you my favourite albums on vinyl.
Although I didn’t post as many as I’d have liked, I feel that those I have shared with you all are undoubtedly favourites that I own and are a wonderful reflection of my music tastes. Therefore, I feel I have shared quality and not quantity on this occasion, at least in my eyes anyway.
The albums I have chosen were created by artists and bands whom I adore. I will be writing the frank and honest truth about why each vinyl is held so dearly to me, sharing with you the stories of how I came to own each one and the meaning behind them. I will delve into my subconscious and share with you all my reasons for loving each album, as well as giving you more insight into the tracks that I enjoy the most from each and a little more about what to expect in terms of music style from the artists themselves.
Without further ado, the first album I chose to share on my Year of Vinyl challenge was Bad Contestant by Matt Maltese. If I had to pick one vinyl to play for the rest of my life, then I can safely say that this would be it. Bad Contestant is an album I have treasured, the sound is sublime on vinyl, and I relish the crackles and imperfections over any clean-cut studio recording. This was one of the very first vinyls I bought for my player, and was also my first signed one that I came to own. When I first opened it, I knew that this album would be very special to me. Matt Maltese is an artist that was born for vinyl, his vocals hums of the 70s. Vintage, with a modern twist, this album is truly unique in both its lyrical content and overall style. Home to songs that suit every mood, I have laughed with this album and I have cried with this album. It has been spun many a time on my record player, and I could not imagine having had the year without it. I adored this album before I owned the vinyl, so I do not doubt that it will always be one that I cherish and play repeatedly. Stand out favourites for me are ‘Like a Fish’ and the vastly contrasting ‘Less and Less’.
Next up to be shared with you were the striking blue vinyl discs of That’s Your Lot by Blaenavon. An album I have found so beautiful since my very first listen. Although the blue vinyl version was a recent purchase, I already owned this album on standard black vinyl, which I still cannot allow myself to part with. This album has accompanied me through poignant times in my life, and Blaenavon have in turn comforted my many a sleepless night with their soothing songs. Hence why I find myself instinctively drawn to the softer side of this album, with songs such as ‘Let Me See Happens Next’ being held particularly close to my heart. I first discovered Blaenavon through ‘My Bark is Your Bite’, however I initially stumbled upon the acoustic version. Having played this repeatedly via Spotify, it wasn’t until I decided to actually look further that I found That’s Your Lot. To this day, I have no idea why in late 2017, I procrastinated in listening to a band I would find such solace in, for so long. I continue listening to Blaenavon through to the present day, they are a band I completely could not imagine existing without. I have had such an intense love affair with That’s Your Lot. Owning the blue discs was a mini victory for me, having previously dismayed at them being completely sold out. I rejoiced when only last year, this glorious album was restocked in not only blue but was also signed. I think actual tears may have fallen that day.
To say I adore Isaac Gracie would be too weak a sentiment. Isaac Gracie’s music is a part of me and I have grown into the woman I am since discovering his music way back when I was still in university in early 2015. I began listening to Isaac when his music was just early demo releases on Spotify. I have played his pre-album recording of ‘Last Words’ to death, and even now, I still find myself listening to it often. I remember clearly when Isaac announced his debut album release, and again I am certain I cried. Isaac Gracie releasing this stunning album to the world made me feel like a proud mother. It was surreal hearing his music getting radio airplay, when it had previously been with me in my loneliest of times whilst I was away from home. The album consists of a gorgeously, soft, string of melodies. Isaac’s flawless, melting vocals lead us through songs that are deeply emotive, and lyrically poetic. Throughout there is a strong sense that Isaac Gracie is confessing and sharing his secrets with the listener, eluding tales of a broken heart and a wounded relationship. Isaac did so well to release this album that clearly means an awful lot to him, and I remain so immensely proud of his work. Although, I cannot help but feel a wash of sadness when I listen to this album sometimes though, and this is purely for my own selfish reasons, as unfortunately I was not able to make any of Isaac’s live performances on his first tour. Various commitments, fears of travelling and so on, got in the way. I look back now and dismay at why I felt this way at the time. However I hope he will tour again soon. I can assure you I will not miss out a second time. My absolute favourite song from this album, and I would even say of all time is ‘Silhouettes of You’. It is absolutely beautiful and one that I cannot recommend you listen to enough.
Although this is a very new release, I still felt it was fair to include this in my year of vinyl, as I was so highly anticipating this album. My thoughts, and idea of what it was going to be like were in my head long before it was in my hands. Dream On by name and by nature, I myself dreamt of owning Alice Boman’s stunning debut album for months. I first heard Alice’s gorgeously haunting vocals through BBC TV series Wanderlust. The programme itself was a masterpiece of television, capturing so transfixingly the struggles of marriage and love, Alice Boman’s songs laced within the episodes were a match made in heaven, and captured the raw emotion of the programme so beautifully. I found myself completely fascinated with her voice, and as soon as an episode would finish, I would be frantically hunting the song down online. Eventually I’d built up my own little library of Alice Boman songs through her early EP and single releases. Eerily, quiet vocals that scream in your mind, Alice’s music delivers an intense emotional hit that’s also serenely comforting in other ways. I eagerly awaited the release of Dream On as though it was a drug, and I was not disappointed when the dose was administered. My favourite from this album is ‘The More I Cry’ which is an absolutely beautiful piece of music that I will resonate with forever.
Swansea to Hornsey & Pick a Pocket or Two by Trampolene
Where do I start with my next post, an ode to the loves of my life that are Trampolene. Home-grown and oh so beautifully humble for it, Trampolene are without doubt the friendliest band you could ever dream of meeting. I discovered their music initially through Spotify, and was hooked after my first listen. Coming to realise that they were from South Wales like me, I quickly found myself posting on their fan page and it wasn’t long before I was at one of their gigs for the first time. Hand on heart, I would say that this was the best gig I have ever been to in my life, and I’ve been to a lot. Trampolene’s music is fast paced and fantastically driven on bangers such as ‘Alcohol Kiss’, but this band also have the wonderful capabilities to deliver sensitive, acoustic songs, that are so tender and emotional. Look no further than ‘Cinderella’s Shoe’. My heart and mind was stolen from me as I stood directly in front of eccentric front man, and charmer, Jack Jones. A whirlwind on stage and in life, Jack is a fire that burns wildly. His presence is captivating and you cannot help but be drawn in by him. If you go and see Trampolene for yourself I’m sure you too will see how amazing their music and live presence is. Their albums are reflections of this. As an added bonus I also feel it is worth mentioned, that by listening to Trampolene’s music and engaging with the band and their followers, I’ve made a lot of friends, many of which I would say will easily be friends for life, whom I love dearly. I hold the band, those who work with them and their fan base very close to my heart. Trampolene are more than a band to me now, and I feel this highlights the power that music can have in brining people together and creating a sense of not only identity, but community.
Last but not least is the story of how I came to own and love Porridge Radio’s vivid red, energy-packed album that is Rice, Pasta and Other Fillers. Possibly the most simple explanation, is that I found myself experiencing love at first sight. I initially set eyes on two members of Porridge Radio, Dana and Sue, at Coventry Central Library when they were supporting the sweet angel that is Phoebe Green. I had travelled from South Wales to England to see Phoebe for the first time. I was immensely happy about this, and truthfully I hadn’t even factored support acts into my little bubble of excitement. My god, did Porridge Radio show me the error of my ways. Despite lacking their full band for various reasons, Porridge Radio certainly did not lack by any means whatsoever in completely captivating me. Dana was mesmerizing and I fell head over heels in love with her voice. I’ve been to many gigs so far in my lifetime, and have been impressed by many bands on stage, but never before and I doubt ever again will I feel as completely flummoxed and utterly in awe of a band as I did that day. I practically fell over in adoration as I approached the merch table, literally threw my money at them and could hardly speak. An unbelievable effect that I have never forgotten nor would I ever want to. I bought this vinyl that day and became a firm fan of their music. Personal favourites of mine on this album are Eurgh and Barks Like A Dog. I love this band and will support them for as long as they exist, because their music is truly unique, powerful and stunning all at the same time. As well as being emotional, meaningful and riveting. I can exasperate so many adjectives and still not achieve what I truly want to say. All I can stress to you is that please, if this band ever appear on your radar, go and see them. If they don’t appear on your radar, then I urge you to make it so. Porridge Radio are a band you need to hear live. I assure you that their album is equally as magnetic. Porridge Radio’s next release Every Bad is due on 13th March. New singles ‘Lilac’ and ‘Sweet’ from Every Bad are available to stream now.
Well that concludes my Year of Vinyl Roundup. I hope you’ve enjoyed having an insight into my love for music, by learning a little more about these fantastically talented musicians, and myself also.
If you would like any more information on any of these vinyls, or if you’re curious to hear about any other albums I own. Please feel free to leave a comment or message me on any of my social media accounts below, and I’ll be glad to get back to you.
All my love, and thank you so much for reading this rather special (and probably too honest) blog post!
I hope you’ve enjoyed it! Let me know your favourite vinyls too! Xx
Alice Boman confesses most intimately, emotions we have all felt at some point in our lives, but rarely admit to.
What I would easily describe as my most anticipated album of 2020, and we’re only in January. It has been no secret that I was, and continue to be incredibly excited about Alice Boman’s first full-length debut album ‘Dream On’. I’ve fallen deeply in love with Alice’s dreamy vocals following her already successful EP’s ‘Skisser’ and ‘EP II’, so the thought of an album full of her stunning heartfelt songs was overwhelming, and kept me waiting at the door for my post to arrive since the album release date last Friday. On Saturday, the gorgeous vinyl was placed into my hands and I was ecstatic. I’d resisted the urge to stream the songs on Spotify, and now I had the glorious pleasure of listening to this stunning album on its crisp, freshly-pressed sunset yellow vinyl disc.
My first listen was harmonious. Alice Boman’s music is unashamedly heart-breaking, and Alice is a musician I personally adore. Her songs are so beautifully understated, but Alice’s delicate vocals are not shy in cutting sharply with their agonisingly relatable lyrics of wounded love. Alice’s songs on ‘Dream On’ are as poignant, if not more so, than those from her previous releases. From the moment the album starts to play we are met with the touching beginning of ‘Wish We Had More Time’ and as the album progresses, it continues to delve so much further into the tender subjects of love, loss and intimacy.
Songs flow seamlessly in and out of one another. There is nothing harsh or jarring on this album. It is truly tranquil and Alice sings of heartbreak in its purest form. There is no anger or vengeance noted in her lyrics, she simply sings of the agony endured from being hurt by the person you love most. Although very emotive lyrically, the melodies are comforting enough to soothe you to sleep. Tranquil, soft tones are used throughout the album. There is also the sense that it isn’t overly reliant upon instruments, but instead compliments Alice’s sweet vocals with subtle hums of guitar and piano, accompanied by a sound that would make you believe it was recorded in the 1940s/50s, which is a sublime addition to the albums nostalgic ambience, and a credit to album producer Patrik Berger. Songs such as ‘Heart on Fire’ and ‘Who Knows’ stood out to me immediately, falling either side of my favourite on the album, ‘The More I Cry’.
Alice Boman confesses most intimately, emotions we have all felt at some point in our lives, but rarely admit to. When we are going through a breakup, we are often told by those around us to forget about them, to dance away our pain with friends and loud music, and move on. However, what if it’s not that easy? What happens when your support network no longer help you, and you are left missing the person that’s no longer yours? Alice Boman sings of the pain felt when you are unable to move on, or more aptly, when you may not even want to move on. The excruciating agony of missing someone, who you feel is just beyond your reach, may love you half-heartedly, or not at all. We all know them, they’re the one you can’t stop thinking about when you’re trying to sleep, that person you love and want so painfully to love you back. If you are reading this with a stiff upper lip, holding on to the opinion that this doesn’t apply to you, then I feel it is fair to say that Alice Boman’s music may not suit your tastes now, but listen to her if your heart has been broken, and I am almost sure you will find her music so much more compelling.
The truth is, Alice Boman sings of what we are all too afraid to say. Alice doesn’t sing of moving on, getting that bitter-sweet revenge and everything in between that we are meant to feel. Alice sings of what we really feel, and what she can only emphasise so beautifully as an indescribable pain, that certainly doesn’t fade overnight, despite how badly we might want it to.
On an initial listen I found myself describing Alice Boman’s ‘Dream On’ as heart-breaking but truthfully, it is so much more than that. I’d say if anything it has the capabilities to be heart-saving. Although there is an undeniable sadness in the songs, I suspect that when you find yourself in the situation reflected from this album, Alice’s music isn’t a sadness, it becomes more of a comfort blanket. Alice will be a musical figure to lean on, someone who knows what you’re going through. Her music harbours pain, but truly it is soothing to the listener. ‘Dream On’ has the clue in it’s title. The album is a dream, a dream that we are often wrongly ashamed of, to be reunited with our lost love. Alice Boman sings unashamedly of these feelings, and ‘Dream On’ is something we should all have the strength to embody. Love is not a weakness, rather one we perceive to be a weakness. When in truth, love is our strength, love is a dream, and dream on we will.
Here are 3 albums being released this year, that I am most excited to hear.
Alice Boman – ‘Dream On’ due 17th January 2020
Swedish singer Alice Boman has a rare gift. Her vocals and talent for song writing are incredibly unique, and as a listener you can’t help but be captivated by her. Alice has not lost her eerily gorgeous vocals since her introduction to music in 2013. Her early EPs ‘Skisser’ and ‘EP II’ are sublime, and if you haven’t heard them yet then you definitely should. The song ‘Waiting’ actually gave me chills when I first heard it through TV series Wanderlust. The song was so well placed within that particular scene, but it was Alice’s vocals and words that I found haunting me. The song had such resonant lyrics at that time in my life, I was instinctively drawn to finding out who she was and desperately wanted to hear more of her songs. Since then, it’s no surprise that I’ve fallen deeply in love with her music. Alice Boman’s debut album ‘Dream On’ is being released this Friday 17th January. Having already treated us to four beautiful singles, it’s clear that this album is set to be stunning.
My favourite single released to date from the upcoming album is ‘The More I Cry’ which struck a chord with me on my very first listen. I always feel that Alice has somehow gotten into my head, and I will say that her songs are very relatable for anyone who has ever been hurt or has lost someone they loved at some point in their lives. It’s hard not to listen to an Alice Boman song without crying, but honestly they’re so beautiful, the emotional outpouring is worth it. Just think of her music as a way of detoxing your soul. Alice is really one of those artists that has a scary way of putting your most intimate and deepest feelings into a song. It’s clear to me that nothing is hidden in her music, what you are listening to is Alice’s own heart placed into the very core of her music. Her thoughts and feelings are delivered through the most delicate, tender vocals.
The gorgeous sunset yellow vinyl will be Alice’s first full-length album. Describing her latest venture as a journey, Alice has written the lyrics over a number of years, in various locations from London to Stockholm, where the majority of the album was recorded. ‘Dream On’ has been carried through Alice’s life and held dear to her. Now, we too are so close to drifting away in this special album and its lyrics that are so meaningful and heartfelt. I cannot wait. ‘Dream On’ is available to pre-order now. Alice will also be playing a few intimate shows at the end of February, in Brighton, Manchester and London.
The 1975 – ‘Notes on a Conditional Form’ due 21st February 2020
What was instantly a love it or hate it song. ‘People’ gave us our first taste of The 1975’s highly anticipated album ‘Notes on a Conditional Form.’ The 1975 are not shy in shaking up their genres and music style. Their sound can vary between songs, and their ability to play such a range of music is stunningly admirable. In a live show, The 1975 will perform a heart-wrenching acoustic single such as ‘Be My Mistake’ and then make the crowd dance with the likes of ‘She’s American’. Their songs are truly ground-breaking and nothing short of beautiful. The band have inspired so many other musicians and fans alike, spanning across so many genres, it’s wonderful. The band have skyrocketed to fame over the last few years, and I feel their fame and success is so well deserved.
Despite The 1975’s continued success and innovation in their bold song releases. Their first single from their upcoming album, sent shock waves across what felt like the world. ‘People’ was entirely different to anything The 1975 had released before, and many of their fans did not know what to make of it. I have to admit though, I did not hesitate in falling unashamedly headfirst in with those that adored this song. Despite their genre swaying between indie, pop and rock. The 1975 took a huge leap straight into the heart of the rock category with this screamer of a lead single. I absolutely applaud their bravery. Personally, I relished the change. It’s probably an unpopular opinion, but I long for the rest of the album to follow suit. I love the rebellious streak in Matty’s vocals and demeanour. I found it refreshingly different, despite still being a long-time fan of the band and their existing albums.
Change happens, and although we want our favourite bands to stay the way they are, sometimes it just isn’t realistic. Look at the difference in bands like Bring Me The Horizon, and Paramore over the years. Bands directions change, their thoughts, feelings and love of music will develop and grow. Just like our own. If ‘Notes on a Conditional Form’ is a different take on The 1975, then let them flourish with it. Different isn’t necessarily bad. I can’t wait for this album and I hope it does bring a buzz and divides public opinion. I’m sure the band are up to the challenge.
The 1975 did comfort concerned fans with their latest single ‘Frail State of Mind’ that does consist of a more typical sound you’d expect from The 1975, similar in style to their existing single ‘Tootimetootimetootime’, but I must confess that I am still so intrigued by initial single ‘People’. I’m curious to see where they go with this album. Hopefully their next single release will shed more light on the situation for us. You can hear the single ‘Me and You Together Song’ have its first exclusive play on BBC Radio 1 at 7pm this Thursday 16th January, during Annie Mac’s show. The 1975’s album ‘Notes on a Conditional Form’ is available to pre-order now. You can also catch them on tour in February at various locations across the UK.
Creeper – ‘Sex, Death & the Infinite Void’ due 22nd May 2020
Having waited patiently in silence, Creeper made their storming return to music in November 2019 with their latest single ‘Born Cold’. Keeping fans in suspense since then, January 11th saw Creeper make a very exciting announcement, treating us to news of a comeback tour and an album in 2020. Championing the modern emo in all of us, Creeper stab our hearts with their gothic punk-rock tracks. The heartfelt, powerful vocals of front man Will Gould give Creeper a distinct sound and what I’d consider to be an advantage over many bands in the genre today. His vocals are gorgeous, and his impressive range means he can hit the high and low notes with equal strength, as well as possessing an eerie tone that drives the very core of the band.
Their new album’s lead single is a lot darker than those from their first album ‘Eternity in Your Arms’. ‘Born Cold’ is certainly different, but is a strong comeback for Creeper, and proves that they can grow and adapt with their music and style, giving us a taste of what we can expect from their next release. The song pushes their vocal and lyrical boundaries further than they’ve ever gone before, but it still has that unmistakable Creeper sound that we all know and love. It is without doubt that their first album was a triumph and paved the way for a new wave of emo music. Built up with theatrical, bold vocals and lyrics that are as heart-breaking as they are heartfelt. Creeper sing of the pain we endure from living but urge us to carry on. You really get the sense that Creeper sing from their heart and soul. The band put an adult spin on emo music. I’m in my twenties and adore Creeper as much as I would have if I were in my teens.
Personal favourites of mine are ‘Misery’ and ‘Crickets’. The band’s other vocalist Hannah sings ‘Crickets’ incredibly beautifully. These songs have played a significant part in my life over the last few years, and I’m sure were the reason why I clocked up 72 hours listening to the band in 2018, according to my stats from Spotify. Asides from the fact that I was also of course in mourning of them throughout November and December. Being a fan of Creeper provides a roller coaster of emotion, especially after they sent myself and fellow fans into meltdown on November 2nd 2018. Creeper broke up live on stage at The Koko in London, announcing that it would be their last show by discarding of their Callous Heart jackets. Thankfully we know now that this was just a period of change and growth for the band, as on that exact date a year later Creeper returned with an immense comeback show under the guise The Fugitives of Heaven, where they debuted their new look and new single.
Since ‘Born Cold’ has been released, the band have completely cleansed their social media accounts to start a fresh. Combining this with their change of style at their comeback show; along with many others, I’m getting the encroaching sense that this is going to be a new era for Creeper. With such an intense single leading the charge, it suggests a much darker tone will be present within Creepers next album ‘Sex, Death & the Infinite Void’. I for one, cannot wait to see what 2020 brings for this endearing band. I already adore Creeper and hold a lot of their music very close to my heart. I am sure their new album will be one I will also cherish, and hope I can secure tickets to see them on their upcoming tour. Tickets go on sale for venues across the UK on Thursday 16th January for those who have ordered the album, otherwise General Sale is Monday 20th January. ‘Sex, Death & the Infinite Void’ is available to pre-order now.
Thank you for taking the time to read this. If there are any albums you’re looking forward to in 2020, let me know either by leaving a comment or by getting in touch on social media. I’d love to hear from you!
Many of you I’m sure will be wondering why a certain someone wasn’t included in my recent blog post ‘5 of my Favourite Gigs From 2019’. Well, this is because I felt she was worthy of a post dedicated just to her. Phoebe Green is an artist that I personally adore, but asides from my love for her, there is no denying that she has quickly become a rising icon these past 12 months. Absolutely storming 2019 in the process. With a signing to Chess Club Records, 2 new singles, and a string of live shows under her belt. Phoebe Green has certainly made a name for herself. I wanted to celebrate this hugely successful year of hers and explain why Phoebe has taken the crown for 2019 in my eyes, and I’m sure many others’ too.
I’d like to introduce Phoebe Green as an incredibly talented singer and songwriter. Phoebe writes her material herself, and her songs are a reflection of her own existence. This open window into her life, is something to be treasured. A very honest and brave lyricist, who does not hide behind a persona on stage. What you see when Phoebe performs is raw and real, and for me this makes her very special. From a young age, Phoebe has been passionate about music, and this is shown in her lyrics, that reflect as much colour and character as her name and personality. Originally hailing from the small seaside town of Lytham, Phoebe has since moved to follow her music aspirations and is now based in Manchester.
2019 has seen Phoebe take on supporting tours with the likes of Sundara Karma and Swim Deep, and most recently play an arena show with The Courteeners in Manchester. Earlier this year, Phoebe also had her very own headline tour in collaboration with ‘Get it Loud in Libraries’. An organisation that takes the quiet element out of libraries and instead fills them with music of all genres, in locations across the UK. As a result, this meant that Phoebe’s first tour was set to be so incredibly unique. Of course, I was first in the queue to get tickets to attend one of the shows, with the closest to me being Coventry. Asides from Coventry, Phoebe also played at libraries in Huddersfield and Liverpool this past summer. From what I saw; a smaller venue, with a dedicated crowd of fans, allowed Phoebe to shine exquisitely on stage. If I’m being honest, it wouldn’t even be fair to label the shows as being gigs, in my opinion the performances and atmosphere were far more intricate and intimate than that.
In Coventry Central Library, the stage was nestled in amongst the book shelves. It couldn’t have been anymore perfect, and it suited Phoebe so well. I don’t think I stopped beaming from the moment I arrived.
The first band to take to the stage were Porridge Radio. I’d never seen them before, but as soon as their set started I was captivated. Lead singer Dana has an incredible voice. I remember being completely fascinated by her sound and style. The songs they performed were gorgeous. Thanks to this gig I became a huge fan of Porridge Radio. I’ve recently written about them in more detail, congratulating them on their signing with Secretly Canadian Records.
Phoebe’s entrance to the stage was reserved, but beautiful. The room was so quiet you couldn’t hear a pin drop, and in that moment I felt for her. You could see that it wasn’t necessarily nervousness, but more a process of adaptation that was taking place. When you’re used to singing in front of a rowdy crowd that are fuelled on beer, to then be placed in front of people who are all patiently waiting in a library just to listen you. As Phoebe admitted herself, it was a change. Certainly not the environment she is used to performing in, as I’m sure would be the case for many other bands and artists.
As Phoebe began her set and the words of ‘Maniac’ began to echo around the room, you could see any hesitations she may have had melt away for her, as she relaxed into her surroundings. Needless to say, her performance was completely mesmerising. Phoebe has such a talent for song writing, and coupled with her incredibly beautiful vocals, this makes for a sublime pairing. A slight presence, that blooms in song. Phoebe Green is a flower bud, that bursts into life under the sunshine of the spotlight. She is wonderous to hear and behold. I’m not ashamed to say that Phoebe’s music has accompanied me through some of my loneliest, sleepless nights. Her songs have been there for me when I’ve cried, when I’ve overthought situations, and when I’ve simply needed something to listen to. So, to see Phoebe performing on stage, merely metres away from me, was very surreal. Phoebe’s set that evening was better than I could have imagined, and I felt so emotional during and after her performance. It was overwhelming in the best way possible.
To explain a little more about Phoebe’s music itself. Her self-released album 02:00am is gorgeous, and the lyrical content is haunting. It will reverberate with anyone who has ever been hurt or has longed for love. Vocally, most of her songs on this album are delicate to begin with, but the choruses are so powerful. Her songs transfix listeners with lyrics that speak of the frailty of the heart and mind. Encased in Phoebe’s soft vocals are subject matters that are certainly not delicate, but instead incredibly real, and piercing as a result of this. Phoebe sings of hurt, deceit, lust and love. For example, on the opening track of that night ‘Maniac’, Phoebe does not shy away from how weak we can be made to feel when blindingly in love with the wrong person. In contrast ‘Watercolour Envy’ speaks of a woman scorned, and shows beautifully, just how powerfully we can react when wronged by those we hold dearest, especially when infidelity is involved. The sheer raw emotion conveyed in Phoebe’s songs showcase her talents incredibly well. After listening to this album in full, it may come as a surprise that Phoebe had written these songs at just 16 years of age.
02:00am
I know that Phoebe will openly admit she is embarrassed by the content of this album now, from having written the lyrics at a young age. However, despite her uncertainty, I’d like to assure her that for any listener, her songs will always be so relatable and poignant. Although, I can understand why she does feel detached from them. I know if I too were to look back on past relationships, and in turn old feelings that were inscribed within song lyrics, I’m sure I would also suffer embarrassment. Still it needs to be said, Phoebe as an outsider looking in, your lyrics are stunning. 02:00am should always be an album that is celebrated and loved.
Phoebe Green made her long-awaited return to music in March of this year. Prior to this, 02:00am was released in 2016. Her long hiatus from recording music has certainly helped her to grow, with ‘Dreaming Of’ clearly reflecting this. A stand-out, stand up for yourself ballad; ‘Dreaming Of’ lyricises a strong, independent woman who refuses to be put down, and aims to break free from her relationship and escape from a condescending partner. Phoebe projects so beautifully the betrayal that so many of us face, when we come to the realisation that we are in an unloving relationship, which we certainly do not deserve to be in. I’m so pleased to say that the passionate delivery of this new debut single gained Phoebe instant recognition. Clash Music and Pitchfork had both written stunning articles on Phoebe’s success by the end of April, and later in the year Phoebe had an interview with music heavyweights NME.
Phoebe’s new single came hand in hand with her signing to Chess Club Records, who clearly saw her talent and ran with it. Chess Club Records are a well-established name in the music industry, currently home to indie superstars Sundara Karma and Billie Marten. Chess Club also initially started the careers of giants Mumford & Sons, who put out their first EP with the label. This shows the sheer scale of what they see in Phoebe.
As I mentioned earlier, this year really has been the making of Phoebe Green. Being signed with such an expansive label as Chess Club has opened many doors for her, all of which she has gladly walked through. Many supporting and headline tours have kept her schedule busy, along with various festival appearances. Before finally closing the year playing an arena show with The Courteeners, which is certainly not an achievement to be taken lightly. However, Phoebe has remained modest throughout it all. Undoubtedly, one of the nicest people you could meet, Phoebe is so friendly and is genuinely such a kind-hearted person. I’ve been fortunate enough to have the pleasure of meeting her twice now. Initially following the gig in Coventry, I was over the moon to be able to speak to her, and more recently when she toured with Swim Deep at The Globe in Cardiff. Phoebe makes time for her fans and is so appreciative of everyone who speaks to her, and it’s these little sparks in her nature, that make her so wonderful. When I spoke to Phoebe after her set in Cardiff, she remembered when we spoke in Coventry. As a fan, that was so lovely and meant a lot to me. It proved to me that her fans obviously mean as much to her, as she does to us. Despite her clear musical talent, the lovely person that she is makes her all the more special.
I cannot wait for Phoebe to release her new album. As well as ‘Dreaming Of’ and her newest single ‘Easy Peeler’, which is equally as incredible and powerful in it’s emotional depth. I’ve been lucky enough to hear Phoebe perform two other new unreleased songs live. One I believe is called ‘A Song For Alex’ and the other is called ‘Double Vodka Lemonade’, which is my favourite. As soon as the album is released, it is without doubt that I will find myself writing about Phoebe again. But for now, I must congratulate Phoebe on the immense success that 2019 has brought her. It has been such a brilliant year for her, and she should be so proud of everything she has achieved.
I’m sure that 2020 will bring her even more happiness and success.
I’d like to wish you all a Happy New Year. Thank you ever so much for taking the time to read my writing, and for appreciating the incredible bands and artists whom I write about. I wish you all lots of love, happiness and more wonderful music in 2020.
This album was released on Christmas Day. Before this, it was kept a total secret. There were none of the usual pre-album single releases, or marketing strategies to prepare us. We weren’t aware this was happening, until the tweet came through on the bands page and the album was available to stream online. What a present it was.
The surprise element sent fans into melt down, and there was no denying the buzz around this album. So many questions teemed about it from not only fans, but names in the music industry too I’m sure. The release was a completely wonderful surprise. As it was Christmas Day though, I struggled to find a moments peace to listen to the album in full. On Boxing Day morning, I seized my chance. I listened to the album in its entirety, twice for good measure. My first impression? Honestly, it’s just stunning.
This new album has stripped Blaenavon back to their roots entirely. Recorded mainly just using a piano and an acoustic guitar. It consists of pure, raw, emotional lyrics that encapsulate singer Ben’s struggle with anxiety and depression. The album speaks of pain and hurt, but also of recovery and redemption. It’s a stunning vocal outlet of emotion and feeling, gift wrapped in gorgeous piano playing and acoustic melodies.
Stand out favourites for me are ‘Michael’, ‘slow down, cyclist’ and ‘write it down’. I just love how real and simply recorded these songs are. I don’t think I can gush about this album more. The way they’ve left dialogue in from where they’ve conducted the recording session, the emotional conversations, the odd bursts of laughter. It doesn’t appear to me that there were any forced retakes, any attempts at utter perfection. This album is perfect simply as it is. Blaenavon. Ben. Honestly this album is a masterpiece, and you should be very, very proud of it.
The songs are extremely touching and truthful. Whether there is intense meaning behind them, or whether they are simply the produce of a recording whim on the spot. The fact they leave the listener guessing and to draw on their own conclusions is magical in itself. For me, this album isn’t one that necessary needs to be understood and dissected lyric for lyric, as I have seen people calling for. It just needs to be listened to. It’s beautiful.
Demoitis
“What happens when you listen to one version of something so much that when it’s properly recorded it’s difficult to accept.”
Becky and the Bands 
Aww that’s lovely to hear, thanks Becky. I will let you know my thoughts soon too x