Living, rehearsing and recording amidst Tottenham’s bustling warehouse community. Musical-outlet World News have clear intentions of becoming an indie band on the rise. With latest single ‘Lend Me Your Brain’ pairing hooking basslines to rhythmic jangled guitars. Low-pitched vocal purrs provide the final ingredient, to create a sound that is blisteringly direct.
There is no denying that this band know exactly what they want, and there is a sense of certainty that they will soon achieve it. With such a bold style rooted to their music. We can feel the soul of its very core. Notes of nostalgia hum from lead vocalist Alex Evans, particularly in the subtle understatement to his voice, remnant of years gone by. While smooth basslines glide in close comparison to The National. Faster-paced segments hone the slightly unhinged approach of main inspiration, Squid. With just enough lo-fi distortion creating character, World News may have a sound that is direct, but it is far from monotonous.
Subtle tempo changes and moving rhythmic pitches, allow the track means of flow and direction. Matching in tempo, to its lyrics. Written during the breakdown of a relationship, ‘Lend Me Your Brain’ explores peaks and troughs of anxieties as they bubble away, whilst coincidingly battling painstaking doubt, and a reckless abandonment of one’s own self. Yet all the while, remaining eerily grounded. As the music flows, so do thoughts, feelings and emotions. Brushing against the grind of daily life. The bass rumbles on like the rattle of the underground tube, vocals simmer like the swirls of fumes that clog the air. Condensed in sound, as though packed into the claustrophobic warehouse confinements. Lyrics are brought to life by their music.
It is these pops of sheer genius, that set World News apart from anyone else. Runaway brooding segments, in which the bass takes over and rampages throughout the track, like an emotional train wreck. Vocal drones that demand attention, like a jilted lover needing to be heard. World News are taking control of their sound and style with brilliant assurance. As Debut EP ‘Job and Money’ is set for release on 18th September. Dominating the indie genre, is surely next on their agenda.
‘Lend Me Your Brain’ is available to stream on Soundcloud now
Streaming on Spotify from 18th September, along with their Debut EP ‘Job and Money’
Sultry and slow burning. Delve into the intoxicating confessions of Vienna-based musician Fleming, through latest single Guilt and Pleasure. Led by a seductive blend of electronic percussion, mixed by Grammy nominated producer ill Factor. Slinky piano keys glide against drawn-out guitars, to brood among ambient atmospheric vocal pitches. There is an undeniable sleek, professionalism present. So authoritative and impactful, we are swept off our feet.
Exploring the experience of a simultaneously playful and powerful relationship. Guilt and Pleasure mirrors its musical intensities, as exquisitely as its lyrical prowess. By style and sound, we are captivated within this rousing contemporary track. Submerging soft R&B with soulful, modern blues. Fleming exudes energy similar to the late-great Prince, with a slant in sound towards Childish Gambino or Steve Lacy.
Guilt and Pleasure is a soundscape that fizzes with a passionate, eloquent vibrance. Lyrically entangled in the reckless lust of youth, yet rooted in nostalgic 1970s notes. Fleming chimes “Just take me back to the hotel room, and let me love you” as lyrics swathe against a gorgeous, simmering retro-authenticity. Swaddled are woozy synths, with hazy distorted vocals. Adding considerable body and depth to a track that consciously balances the chaotic current day, with a homage to decades and genres past.
Dark romantic notions linger, as though Fleming is hunting the forbidden source of his desire. Under late-night hazy skies, that merge with crowded smoke-filled rooms. Wine glasses gleam under golden spotlights, where stolen glances are exchanged. Guilt and Pleasure teases at sentiment and hooks our attention. Certain are its demands that Fleming is one to watch, with a tender yet mischievous nature.
Through a pulsing guitar, we are hurtled into the fast-paced, loud and untamed music of South Wales’ Alternative Rock Band Feverjaw. Since bursting onto the scene last year, they are a band that have made an impact, and their music continues to be very well received by fans and the industry alike. Therefore, it should come as no surprise that they are planning to unveil their debut album very soon. With first single Bloodwork due to be released this Friday (4th September).
As boisterous guitars meet the clash of drums. Sparks fly on their tantalising latest track. With an opening riff that is strong and punchy, Feverjaw ensure we are hooked within the very first few seconds. Gritty rock music, delivered in a fresh and exciting new way. Bloodwork is fuelling and gloriously energetic.
Vocals from lead Dale Hawkins blaze through with bold ferocity. Providing that biting satisfaction, as this track roars to life. Exuding an undeniable air of confidence, Feverjaw are unflinching in the message they wish to convey. Brooding lyrics thrive over intense instrument playing, meandering between menacing and subtle melancholy. There is a definite ‘fight over flight’ fury that is uplifting and inspiring. The raucous music tearing throughout the track, ensures Feverjaw can be heard loud and clear. As Bloodwork shines to become an anthem of positivity.
Stirring and vibrant, Feverjaw are undoubtedly giving us a little more than just rousing rock music alone. With lyrics laced in thoughts and feeling, this sense of self and empathy that burns throughout their music, adds a layer of depth to your typical rock n’ roll façade. As we discover a band capable of becoming a beacon of hope. Feverjaw grasp rock music with all of its chaotic energy, and channel this to confront chaotic emotions head on.
Bloodwork is out on 4th September via Tone Burn Records
Combining cool, crisp vocals with a mellow soundscape. Welcome to the gloriously creative world of musician Matthew Barton. The release of EP Queen of England on a limited run of cassettes, affirms a spark of eccentricity, whilst a gorgeous vintage nostalgia flows through his music.
With simple bass hooks and tender guitar strums. Music is chilled yet quirky, basking in subtle looped-rhythms and tantalising pops of synth. DIY percussion patters throughout, and we are instantly transported to hazy days in Laurel Canyon. Sat around a smoky campfire sunset, ready for this roaring retro-trip. Just visualise that washed out sepia grain in your favourite old photograph. It is clear to see that Barton creates music as though it is a cherished snapshot in time, reincarnated in 2020.
Opening the EP with Cruising. Barton utilises varying vocal and guitar pitches, to create a mysterious ambience. Laced with lyrics of jealousy, longing and lust. The track introduces us to an ingenious aspect of musical experimentation, as Barton combines sinister high points with delirious ‘crooner’ vocal lows. As the tape flows through to second track Queen of England, we propel forward with a prominent percussion beat and an upbeat charm. Marrying oddly well with Barton’s jesting lyrics, that take a jab at the monarchy and state of the world. An impressive vocal range is once again displayed in majestic fashion, along with that undeniable flair for self-production. Showcasing numerous instruments played and recorded. Barton charges forward with a kaleidoscope of musical influence, ranging from the grunge of PJ Harvey to Spector 60s surf-pop.
Next track Lady Jane Days is a short interlude, at just over a minute long. It cools us down, and delves into the delectable laid back sound that dominates the overall style of this EP. Stripping the soundscape back to crunching guitars and subtle piano keys, Barton crafts a tender yet biting track, reminiscent of TheDoors, as track Barb bursts with 60s Rock Revolution. So rooted is this gritty vocal delivery,Bartonshines as a captivating muse, through rousing lyrics and a suave musical style.
Signature ballad of the EP Alcatraz, has a lyrical slant towards memories and ‘the grass is always greener’ concept. It’s a white picket fence nightmare, cradling what we have in one hand, with what we desire in the other. Barton’s vocals are serenely soft and almost chilling, brooding over this thought-provoking tune. We feel the turn of the key, as he unlocks himself from those shackles of day-to-day constraint, spilling secrets and thoughts, in harmony with his detuned guitar. The longest track of the EP, Alcatraz flows so fluidly in its tender format, with simple beginnings in gentle playing, building to become raucous and rampant as the track deepens.
Penultimate track Judy Garland perfects its fizz of 60s pop. With radio crackles and vintage vibrance to boot. Lo-fi beauty displayed in all its ambience. The track has an abundance of lovelorn groovy vocals and melodious harmonies. Gifting that brilliant Beatlesque sound, one could only dream of! Guitar and drum pitches are repetitive and rhythmic, creating a song that is catchy and charming. As the EP comes to a close through final track When I Was Young. Tempos glide by in a yearning lullaby, to cast our minds out to the horizon and drift away on a gentle breeze. Melancholy, vintage blues wash over our consciousness. Caressed by Barton’s soothing soundscape. The beautiful lead-single of the EP, praised by BBC Introducing for its “Stevie Nicks-style” sound.
There is no denying that Queen of England sets a striking musical scene. A culmination of stories, moments and memories, embodied through rich vocals steeped in nostalgia and a sun-kissed charm. The variety of instruments used only enhance the gorgeous eccentricity, with a self-produced realness captured on the lo-fi four track recording.
Through Barton’s self-confessed “postcard from quarantine” we are swept away to another place and another time. A clever musical escape, that will surely resonate with many.
Queen of England is available to stream and purchase now via Knifepunch Records
Exploring emotion and self-expression in such a profoundly beautiful way. Discover the latest EP from Rosehip TeahouseChillin in the Void. Led by the breathtaking vocals of Faye Rogers, Rosehip Teahouse hold our hand through their wonderous journey. Gifting music that swells with woozy love songs, earnest daydreams and intense emotion.
Gorgeously soft vocals set against twinkling synths and instruments, to create the loveliest blend of indie-pop. Emotive lyrics are woven with care, resulting in music that is tender and nurturing. Ensuring a comforting warmth wraps around us like a hug. No strangers to addressing fragile subjects; Rosehip Teahouse strip emotions bare, presenting them in their rawest and most vulnerable state. With an honesty so stark, their music is undoubtedly tinged with sadness. However, the resounding amount of empathy overwhelms any other disposition.
Chillin in the Void contains three previously released singles; It’s The Wrong Time,Regretting It and Thought Number 3. Alongside two brand new tracks; Space to Think and Lightfooted, for Once. Each exquisitely written, is home to its own unique message, meaning or purpose. Such sincerity sparks from their unflinching honesty in harnessing everyday thoughts, feelings, and struggles. Alluding that the ordinary is indeed rather extraordinary.
Magic found from within nostalgia and pondering, when thoughts are turned into lyrics.
You can stream or purchase Chillin in the Void via Sad Club Records
Ahead of the release of their debut single Key Largo. I caught up with Cardiff-based indie pop band Angel Hotel, to find out how life has been for them since lockdown and what their plans are for the future!
Hi Guys! So first of all, I have to ask how are you all coping during lockdown? I hope you’re alright and staying safe and well!
Hiya Becky! We’re great thanks and thank you so much for including us in your blog!
How have you found the current situation? Has it impacted your music and how you all create as a band? Or have you managed to find a way to make it work?
Like a lot of bands dealing with the current state of the world – we’ve been doing our very best to make the most out of a bad situation. Not being able rehearse as a full band, let alone play live shows, has been detrimental to so many of us but on the plus we’ve been using this opportunity to write as much new material and refine our live set to the best of our ability given the bizarre restrictions. Simply put, we are VERY excited to start playing live again!
Eagle-eyed music lovers would have noticed that you have recently made the decision to change your band name! Formerly known as Apostle, you are now the newly formed Angel Hotel!
What were your reasons behind this? Can we expect an exciting new sound from Angel Hotel?
The change in name primarily came from an evolution in sound. The initial concept of Apostle would be a solo project, but as the music developed – and so did the band – we no longer felt that it was a suitable name to call the outfit. In addition to this we felt that the name Angel Hotel was a better representation of our sound, branding and artistic vision. As well as it being our new name, Angel Hotel is also a famous Cardiff landmark that’s housed a litany of international artist. It’s a Welsh icon, and is as Welsh as Bara brith! We’re inspired by our city and we’re proud to represent it.
Who would you say are your biggest influences in music, both previously and going forward?
The writing process behind Angel Hotel songs have always been inspired and in part influenced by existing films soundtracks, while also adding our contemporary twist to a classic sound. We love 80s films! We are trying to encapsulate the way they make you feel rather than the way they are sonically – It’s the sound of nostalgia. It’s the sound of hearing something for the first time as a kid and falling in love the way it made you feel. The easiest way to categorise our genre would be under the umbrella of power pop, with the audience likening us to that of alternative pop and even grunge. Others have said that we have a sound reminiscent Bruce Springsteen crossed with the high energy Blink-182. Whatever the comparison, we hope people enjoy it.
Your debut single as Angel Hotel ‘Key Largo’ will be out very soon!I’d love to hear all about your ideas behind writing it, and what fans can expect to hear from your new single?
It’s a contemporary love letter littered with introspective reflections and a poignant hindsight, combined with a drinking sesh haha. The song isn’t our most energetic recording recently, however I think it showed a coherency that was more representative of our overall direction.
With the release of a new single, a new sound, and a new band name to go with it! Are you hoping to record your debut EP soon?
Our EP has actually already been recorded! We are beyond excited with the results and it was an absolute honour to be able to record at the legendary Long Wave Studios earlier in the year. We’re just so happy that we not only got to work with producer Tim Woodcroft but we also managed to finish the whole thing in two days, long before lock down restrictions were enforced so we are undoubtedly counting our blessings. The plan so far is to release the EP as individual singles – possibly three our four – and then release another full EP a little later down the line. Artists tend to release one song at a time because of how Spotify has taken over! Wish we could go back to the old days of releasing a full album! We’re chuffed nonetheless.
As well as being the lead vocalist of Angel Hotel, Sion has also just released a brilliant single as a part of Taf Rapids Stringband, and his own solo music! How are you finding juggling different musical projects with being in a band? It must be a lot of fun, but a lot of hard work too!
I [Sion] have found it a lot easier with the introduction of lock down to be honest. Since I lost all of my gigs I have found time to write. Taf Rapids Stringband is a blue grass venture completely different to my other projects but a style of music I’ve always loved playing. There hasn’t being a huge amount of other stuff to get on with so it’s been a fantastic excuse to get stuck in with as much music related work as possible.
It is clear to see how much love and passion you all have for music! Looking back over just a short space of time, you’ve had your own tour, have supported the likes of Dan Bettridge and most recently performed for free in aid of flood relief in our South Wales valleys, which was extremely kind hearted of you! What would you say has been your favourite show to date?
To be honest we’ve only had four gigs! We had a lot more planned this year with festival season looming. But sadly due to the virus all the festival plans were inevitably cancelled. Sad times! However, back in February we were fortunate enough to play a headline slot at The Moon on Womanby Street [In Cardiff]. It was great to see so many faces in attendance and gave us a taste of what’s to come and a great motivator to focus on the band going forward. We’ve definitely put all of our energy into writing the past few months and have managed to put together a library of new potential tunes, hot and ready to record.
It was also great to see so many local bands coming together for a great cause during the flood fundraiser. Cardiff is host to a plethora of fantastic bands and the Moon Club has always been one of the best places in the city to discover new grass roots bands.
What are your ideas for Angel Hotel after lockdown? Can you share with us any hints of your dream album in the works, or any future tour plans?
We’d love to work more with Tim [Woodcroft] and it would be an honour to do loads more recording at Longwave Studios. We plan for making up for lost time, and we intend on doing this by booking as many gigs as we can as soon as lock down is lifted. The long-term plan is to continue to produced music of a high quality and live performances of an exciting nature. We are looking to forward to catching up with as much live music as we can as soon as restrictions lift. With so incredible local bands to pick on, we’re spoilt for choice! We’re willing to bet there’ll be plenty of shows in the pipeline.
The Debut Single from Angel Hotel Key Largo will be out on 14th August
Follow Angel Hotel on their socials below
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Exuding intoxicating charm, woozy emotion, and a dose of witty humour. Be prepared to swoon over latest EP Madhouse from Matt Maltese. Dreary everyday notions and nostalgic thoughts combine to create the most exquisite music, when paired with the sombre song-writing capabilities of this enchanting musician. Oozing an array of delectably smooth tracks, Madhouse hones notes of jazz, indie and Maltese’s classic bedroom DIY style.
From the dizzying romantic highs of Queen Bee to the agonising lows of Sad Dream. Maltese remains the reigning king of hearts, and if this recent vocal rendezvous is anything to go by, his reign is unlikely to end anytime soon. With eclectic yearn, Madhouse culminates to linger amongst late-night lovers and that sultry summer moonlight.
Breathing a new lease of life into music reminiscent of the past. Maltese’s modern musings schmooze against slinky piano keys and lo-fi tones, with fizzes of seventies pop for good measure. Vocals are crisp and effortless, and from a purposefully lounging lacklustre delivery emerges nothing shy of perfection, within these soft yet stirring songs. Met with the warmth of backing vocals from Asha Lorenz(Sorry) and guitars by Brian D’Addario(The Lemon Twigs).
MojoJNR is the alias of South Wales Musician Josh David-Read. Pairing the dreamiest of summer soundscapes, with husky vocal musings. His canvas of creativity spans far and wide, crafting music that will surely delight any listener. With a deep and unique approach to indie-pop, composed from the world around him. Josh harnesses a brave expression of his own thoughts, feelings and emotions. Utilising a vibrant spectrum of personal experience, to share his colourful musical universe with us. Friends and those he meets along the way may play a helping hand in what finally culminates as Mojo JNR. Yet the driving force, evoking and breathing life into the project, truly is Josh himself.
Sophomore single Peach Out is a clever play on words. Written about holistic methods of coping with anxiety. The idea for the track was originally derived from a text sent by Josh, with Peace Out, having been auto-corrected to Peach Out. This little quirk looped around in Josh’s mind, and together with a bit of research, he stumbled upon a crystal called peach aventurine. Discovering its benefits to soothing stress and worry, the concept behind Peach Out was born.
Josh explains how “Peach Out is essentially a light-hearted bedroom-pop track, focusing on how difficult it is to relax, even when you are doing nothing.” With swirling thoughts around anxiety, coupled with lockdown. Josh found himself determined to write the lyrics for the track, record, and self-release it by the end of July. Achieving that and more, Josh has proven himself to be a complex and motivated musician. It is truly awe-inspiring to behold his creative flow, from start to finish.
Peach Out pairs husky soulful vocals with simmering instruments and synths. With lead vocals from Josh harmonising exquisitely with backing vocals of fellow-musician Ci Gofod (Jack ThomasDavies) who features on the track. As the two vocals gently brush off one another, their overall warmth combined with keeping the pitch fairly low, results in a sultry summer-time track. Peach Out will perfectly resonate with fans of folk-rock singer Paolo Nutini, as well as the power-pop musings of an 80s Bowie.
Instruments are not overbearing, but instead infuse with the gorgeous vocal musk concocted, to create a soft yet rousing track. Without being raucous or loud, Peach Out is a woozy exploration of self-expression, evoking imagery of moody sunset blues.
Peach Out swiftly follows Mojo JNR’s debut offering Miles Away, which was released back in May. A brooding and slower guitar-fuelled love song, Miles Away stirs our senses, bringing to the forefront that one person we all need to move on from. With a smooth ability to easily transcribe a breadth of emotions, into lyrics. Josh is a remarkably keen songwriter, and it is clear to hear this talent reflected through his music. Miles Away is a marriage of music to lyrics, and a strikingly beautiful debut.
Mojo JNR is certainly one to watch, and amongst many others, I find myself incredibly excited to behold what the future has in store for this musical muse.
Peach Out and Miles Away are available to stream on Spotify
3:00am. Despite the stillness of the night, you find yourself lying awake. Looking again for the hundredth time, at the hand crawling around the clock. “Tick-Tock, Tick-Tock!” rattles through your brain like a dull ache. Bleary eyed and tired. Your inner monologue just won’t stop tonight. Sleep would be nice, but the thoughts are too loud.
Latest single Thought Number 3 from Rosehip Teahouse embodies those lonely hours we share with the moonlight. Basked in nothing but our own thoughts. Sleep will not come, because we are too exhausted by our minds.
Peering in through the glass of Rosehip Teahouse, we steal a glimpse at the thoughts keeping lead vocalist and songwriter Faye Rodgers awake. What begins as gentle musings, soon spiral.
Wrapping sincere lyrics within soft, delicate sounds. Rosehip Teahouse create emotional music, without any crushing weight to it. Instruments are kept light, and twinkling synths sparkle throughout the track like stars.
The woozy, dreamlike soundscape sets a scene of calm and tranquillity. Lyrics highlight Faye’s gorgeous song-writing abilities, and flawless vocals remain perfectly harmonious. The soft nature of the song, almost for a moment, allows for an escape from the sadness behind the words sung to us. Until we are jolted by the poignant finale.
Pairing opposing elements, of deep sadness and soothing music, together so beautifully. Fragile emotions are cradled and vocals lullaby soft. As though warming us with a comforting glow in the darkness.
At just over a minute and a half long; Thought Number 3 is a tender little indie-pop track, with huge emotional, poetic, and personal reach. For Rosehip Teahouse to have conveyed music so moving and resonate within such a short duration of time, is truly wonderous.
Thought Number 3 is available to stream now via Sad Club Records
Grasped by a guitar riff, we dive straight into latest single Can’t Go Back from London-based indie outlet Medium Love. Despite its initial heaviness, the biting riff soon softens when accompanied by an unexpected but glorious, pop of synths. Adding a light-hearted twist to the track.
Swaddling a mean guitar riff with synths could seem an odd combination at first. However the brilliant mixture of instruments Medium Love harness, showcases a unique sound, setting them apart from the very get-go. A ripple of personality breezing through within the first 5 seconds, certain to hook anyone in.
Can’t Go Back pairs perfectly with summer sunshine. As a snaking bassline pulses throughout, drums clash with guitars, creating a raucous rhythmic dreamscape. Pop-punk vocals from Kacey Underwood lift the track to dizzying heights, and once met by co-vocalist Heather Eaton, the duos varying harmonies combine to provide a rich vibrance. Reminiscent in sound to Childcare and The XX.
These vocal harmonies contrast exquisitely, not just with one another, but with their own individual tempos. Matching breathless woozy moments with intense shouted sections. Again, we see a build on that medley of sound Medium Love are delivering throughout their debut.
This mash-up of genres could risk coming off speckled and jarring, but Medium Love manage the balance just right. To present a track that is polished and professional, with just a dash of DIY-bedroom-pop vibe, which we all love!
Perhaps their professionalism spans from experience, as Medium Love are not entirely new to the music scene. Founding member Kacey Underwood was formerly of BigDeal, a band who achieved success amongst the grassroots movement between 2013-2016. Based between California and London.
Striking out anew with Medium Love, we feel that all involved are really beginning to channel their own unique styles. It truly is wonderful to behold! Especially when compared with the pure punk-rock that dominated the sound of Big Deal.
This flair and spark of individuality now at home within Medium Love, will surely stand them in good stead and I highly anticipate their upcoming EP release in just a weeks’ time.
To bottle an emotion, is to capture a moment. Holding on to a feeling, entwines memories within it.
Through Debut EP Open Up, Honey. GILLIE is completely in tune with her emotion.
Each song is a delicate glass jar. The contents of which are raw and sweet, yet a sharpness exists.
Pairing rich, earthy vocals with sweeping guitar sounds. GILLIE bares her soul through the most beautiful indie-folk music.
I had the overwhelming joy of premiering first track Winter Girl ahead of the release of Open Up, Honey. Engulfed with a love of GILLIE’s unwavering lyrics and gorgeous vocals. Her ability to expose such intense feeling is awe-inspiring.
Winter Girl resides as a song for growth. Recognising a difference in ones-self is a moment of freedom, yet with that freedom also exists a harsh undertone of deprecation. Past mistakes, doubts over your own identity, and cutting truths can rise to the surface. Winter Girl truly struck a chord with me. As Gillie admits to those bleak moments that often never meet the eyes of others, through her music.
For the EPs next track, Hear You Say, verses build to an intense chorus. Vocals rise to crescendo. Calmness breaks into a storm to be reckoned with, as GILLIE’s lyrical admissions deepen. Guitars pulse through the track like a heartbeat, and we feel our skin flush and emotions pivot from such raw honesty. Wounds from undeserving lovers are often deep, and GILLIE does not hide from her scars. Hear You Say is nothing shy of exquisite bravery. A beautiful song embodying the strength of wearing your heart on your sleeve.
Closing track Pleasant Thing is eerie by how well it resonates. A blend of soothing tones, gentle guitars and whispering vocals pry open the track. Leading us towards muted lyrics, cutting through like poetry. The poetic sombre nurtured by GILLIE, is once again achingly honest and so sublime.
Vocals lace through the mind of the listener delicately, yet the truths pouring through them awash all else. Soft, rhythmic instrument patterns compliment these vocals gracefully, whilst giving the track body and motion. Pleasant Thing soars to swoon in its breezy chorus, that yearns with sheer lust and longing. A gorgeous alternative love song. Pulling away from, yet pulling towards desire.
Each track presented within Open Up, Honey holds its uniqueness so well. Varying vocal pitches and depths convey such staggering emotion. I have no doubt, that each will hit home with their listeners in different ways.
Speaking of her Debut EP, Gillie explains;
This EP is based around the feeling of emerging from a grey, low place and rediscovering a place of certainly and comfort.
Overall, crafting an EP that is stunning, both vocally and lyrically. Pairing such refined vocals with gentle instrument playing has allowed for gorgeous juxtaposition.
Open Up, Honey is sublime in every way it could possibly be.
Recorded at Abbey Road Studios with Jean-Francois Machet. Consisting of Gillie Rowland on vocals, Ailsa Tully on bass and Finlay O’Hara on drums.
Open Up, Honey is available to stream now via Skivvy Records
Ahead of the release of her strikingly-beautiful Debut EP Open Up, Honey which will be outthis Friday (24th July). GILLIE has shared with me the EPs lead single Winter Girl, which I am beyond delighted to introduce to you today.
Combining rich earthy tones, with a sheer and beautiful whimsicality. GILLIE blends a variance of sound to create the most sublime music.
Winter Girl is heartfelt and staggering. A stunning debut, from a very promising EP.
A lyrical journey of change. The track encapsulates growth from a pained past. Yet bravely explores elements often unspoken, through recognising that progression may not be easy.
Flourishing in the freedom of her self-expression. The track provides hope and clarity, whilst not hurrying past moments of doubt and angst. Recognising that in time, one can move forward with them.
GILLIE’s songwriting is raw and truthful. Encasing this within delicate yet fiercely unwavering vocals, and finessing amongst the gentle strums of a guitar. GILLIE has self-produced a track that is open, and enriching.
Providing a wonderful welcome of what we can expect to hear from Open Up, Honey upon its release on 24th July.
Listen to the first track Winter Girl exclusively here
Lancaster rockersMassive Wagons are set to soar, with their latest album House of Noise debuting at an impressive NUMBER 1 on the iTunesUK Rock Chart. With a can-do attitude and an unapologetically loud lust for life. Massive Wagons have won over the hearts of fans (including myself) up and down the country. That is before we even mention the fact, they are bloody brilliant musicians.
With shredding guitar riffs and scorching vocals from frontman Baz (Barry Mills). House of Noise hurtles us head-first into exactly what Massive Wagons are all about. Crazily energetic live performances, a dedicated love for their fanbase and a heap of good old-fashioned rock n’ roll. All embodied within this firecracker of an album. Which, as the title suggests, needs to be played loud and proud.
Through tongue-in-cheek lyrics (I’m looking at you The Curry Song), laced with an underlying ferocity at heartbreak, politics, and any act of being kicked while you’re down. Massive Wagons swoop in on those mighty rockin’ horses and pick us straight back up. House of Noise will have you chanting, singing, and head-banging until your heart’s content.
Undeniably a band for the people. Massive Wagons take what we are all thinking, and project it from a stage with force. Stand up and shout anthems that reverberate with so many, are just one of the reasons this band are so good at what they do. Several superb crowd-pleasers on their latest album, including Bangin’ in Your Stereo and title-track House of Noise, actually gave me goosebumps at the thought of witnessing live music again.
Baz’s distinguishable vocals and infectious energy are equally matched by hard-hitting instrument playing. You only need to listen to the gorgeously gritty intro of Hero to gather that. So much is driving this album on towards greatness. Really holding its own, House of Noise is an album that kicks everything we’ve known already about Massive Wagons, up a gear. Song after song, we’re met with music as bold as it is brilliant. Even in the woozy comedown of Matter of Time, I caught my breath, and listened in awe.
Watching Baz completely own a stage before was mesmerising enough, NOW I can only dream of the onslaught Massive Wagons will parade with when they take House of Noise on the road next March.
House of Noise is OUT NOW via Earache Records
Follow Massive Wagons on their socials below
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Through a happy-go-lucky swirl of sound, we are swept away by latest single This Side of Luv from Cardiff-based band KEYS. Honing inspiration from psychedelic pop of the 60s and 70s, their music is a glorious clash of instruments with the grooviest lovelorn vocals from lead Matthew Evans. Bedroom recording at its best, the track is a glowing example of plug in and play. In no way overthought or finely tuned. Instead This Side of Luv took shape during the recording process and came to life using cassette four-track machines during lockdown.
Reflecting on Britain in the early 70s, KEYS recall how joyous music emerged from bleak moments. Pondering over its effect on history, they express how music has the power to lift the spirit, and hope to achieve this with their very own modern-retro sound in 2020. Without any shadow of a doubt, This Side of Luv is a song capable of boosting any glum mood. Seeking beauty in heartbreak, the track radiates fun and happiness in the brightest of technicolour. I long for the moment I can dance around to a spinning KEYS vinyl.
With an unmistakable early Beatles vibe, KEYS provide a perfect nod of nostalgia, but shake things up with a new-age bang. Rhythmic drums and guitar hooks flow marvellously throughout the track. Yet without drawing on any formalities, it is safe to say that this is simply a great piece of music.
KEYS have blown me away with a brilliant blend of vintage vibrance for This Side of Luv, that commanded my attention from start to finish.
This Side of Luv is out now via Libertino Records
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Fun, flamboyant and wearing the best 70s fashion you could ever behold. Cardiff’s very own Buzzard Buzzard Buzzard have strutted their way through 2020, with a string of singles in tow. The grand finale is the welcomed release of their highly anticipated The Non-Stop EP.
Culminated over several years. The Non-Stop EP is the epitome of Buzzard Buzzard Buzzard. Containing classics from their colourful catalogue, that date back to their formation. Taking time and effort to carefully curate this EP, has undoubtedly been worthwhile. Spellbindingly professional, without curbing any of that wonderful spirit and energy that Buzzard Buzzard Buzzard are so cherished for. Songs fans have adored at shows, are now presented in a glistening new light. Meaning that we will all be doing the Double Denim Hop around our living rooms before we know it.
Keeping old classics company on the EP, are numerous brand-new singles, such as What Is Hate? and Sugarloaf Mountain Crucify Me. Charged with as much exuberant energy as I had dreamed. Buzzard Buzzard Buzzard have blazed through with guitar-driven anthems, fuelled by lyrics equally as passionate from lead singer-songwriter Tom Rees. Creativity has spanned from politics and history, to love and life. With a sound so unique and exciting, their musical capabilities seem endless.
There is no denying that asides from being in the same room as them; every morsel of Buzzard Buzzard Buzzard’s chaotic brilliance is encapsulated within this EP. Late Night City can be turned up loud for a dance, or we can have a little cry to Long Day/Free Day. With a whopping ten tracks in total to listen to, this extended play is nothing shy of album quality.
The Non-Stop EP is available to stream and purchase now via Communion Records
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Upbeat swirls of indie-pop flutter amongst emotive lyrics. Yet again, Rosehip Teahouse swoon with latest sad bop Regretting It. Gorgeously distressed acoustic guitars marry beautifully against lead vocalist Faye Rodgers’ lovelorn lyrics, as we drift along in this dizzy daydream.
A wonderfully intricate songwriter, Faye is able to wrap sincerity and truths within her music. Yet there is undeniably such a wholesome care to her craft. With lyrics so unwavering and pertinent; carefully and delicately delivered. Such sweetness is derived from a conscientious nature, resulting in the glorious music we are led to behold from Rosehip Teahouse.
The ability to convey sadness with uplifting music is no easy task, certainly if you want to do it well. However, Rosehip Teahouse have balanced this to perfection. In one hand cradling the emotional weight of the track, and in the other ensuring the track remains bubbly, by nurturing its musical sound to light acoustics and a pop of synths.
Little whistles and claps provide Regretting It with a kind-hearted lift. Helping soothe an affirmation in my mind, that despite the majority of us continuing to experience difficult feelings and struggles at the moment. If we try our best to hold onto a little positivity and happiness in our lives, then somehow we can get through this. However small and gentle these little pieces of happiness may be.
Regretting It is available to stream on all platforms now via Sad Club Records
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Since the acclaimed success of Moonshine Freeze in 2017. A further album from mesmerising folk band This Is The Kit has been highly anticipated. Having teased fans with new songs during shows for over a year now. Today, our first real glimpse into This Is The Kit’s 6th studio album Off Off On was given. Exclusively through BBC6Music, the band debuted the upcoming albums lead single This Is What You Did.
Unmistakably folk music at its best, the single bursts to life with gorgeous banjo playing, before the sweet vocals of Kate Stables weave through. A song embodying entrancing thoughts and excess time to ponder. Lyrics depict being trapped within yourself and the deprecating thoughts that accompany those feelings of isolation. Swirling rumination, paranoia and a cycle that repeats itself, in a saga of sleepless nights and endless days. More prominent now than ever for many of us.
Described by Kate Stables herself as a panic attack within a song. The message and lyrics are both incredibly emotive. Yet, the song is just so beautifully delivered, you can’t help but reach for that play button over and over again.
A stunning introduction to what is set to be an incredibly beautiful album. I am so eagerly excited for any future releases to come.
Off Off On is scheduled to be released on 23rd October 2020 via Rough Trade Records
Spirited and sassy, Welsh rockers Chroma are back with their latest single Head in Transit. Since hearing the powerhouse that is Girls Talk, I have eagerly anticipated and devoured each single released. Head in Transit has certainly not disappointed, in fact I am yearning for more, as my adoration of this band only grows.
Filled with as much fire as I expected. The single begins with a shredding guitar riff, before powerful vocals from front woman Katie Hall scorch their way through. Embodied with all of the richness of her glorious Welsh accent, Katie projects an impressive vocal range, at every possible altitude. Lullaby softness quickly breaks into furious, heartfelt vocals. Screaming through with as much passion as fans had longed for.
Unapologetically loud, Chroma have such a way of clashing together rampant guitars with gorgeous pragmatic vocals. Energetic, with just the right amount of chaos thrown in for good measure. Lead vocalist Katie is surely set to become a fiercely talented icon of female-fronted rock, for the next generation.
Even more admirably so, what really gives Head in Transit the most clout, is the deeply emotional message it conveys. Having written from her own personal experience, Katie has shared in an open letter that the context of Head in Transit surrounds a very poignant time in her life, when she worked in a Call Centre. Emotional phone calls, difficulties of work pressure, cruel bosses, and various other aspects all culminated to have a detrimental impact on her mental health.
In our current time of crisis, Katie has shared Head in Transit in the hopes it will urge people to be more empathetic towards those who are continuing to work hard, ultimately to help us. Treating these individuals as though they are nothing more than just cogs in a machine, is selfish and wrong.
Head in Transit showcases Chroma in all their glory. I applaud Katie for having the courage to share this deeply personal track.
It is undeniable that musically, Head in Transit is brilliant; vocally sublime, rooted and charged by heavy, ‘rock n’ roll’ instrument playing. However, it is ultimately the moving lyrics and fundamental message behind the track that have resonated with me, and I hope others, the most.
Head in Transit is available to stream on all platforms now
As affirming, as it is agonising. The Debut EP Our Heaviness from Manchester Based singer-songwriter Lindsay Munroe is completely entrancing. With an ability to openly evoke a stirring sense of emotion. Each song conveys such a deep personal outpouring of herself, that one cannot help but explore their own traits, reflected through her.
An anti-spiritual awakening. Our Heaviness exudes itself upon us with prelude Opening. An eerily soothing piece of music that washes over the listener, Lindsay invites us in to her soul with strengthened yet calmed vocals, planting the seed for the heights vocally possible. Opening is unnerving in its welcomed truths and rhetorical questions. Lindsay does not shy away from smudging out the whimsicalities of any delicate notions. As we proceed to understand, Our Heaviness is in no way delicate.
My personal favourite of the EP is Split. Hauntingly beautiful, it sends shivers down my spine every time I indulge in listening, by how agonisingly raw it is. Beginning with soft strums of a guitar. Split bestows a portrait of how Lindsay perceives herself upon us. Painful in capturing almost despised parts of herself, rooted within her past. Lindsay shares her shame, her fears, her anxieties; and divulges them so beautifully. Split really affirmed in my mind, that Lindsay is a fiercely brave songwriter, as well as a singer. I keenly admire her capabilities to explore every fragment, so boldly.
By exposing herself so openly, through tracks such as Split and River. Possibly without even realising, Lindsay has harnessed a strength from her very bones, by stripping out of her previous skin. Denouncing the shackles of her past and welcoming a whole new being. Her music provides the listener with a rousing sense of self-belief. Yet also cradles the need to explore those hidden, painful parts of ourselves, by allowing us to realise that owning them is in no way wrong.
These softer songs are moving and bold in their sentiments. Laced amongst them are tracks Mirror and Easieron You which build the tempo of Our Heaviness. Without knocking the sound off-balance, instead the two heavier tracks compliment the overall tenderness as the guitars are low pitched and rhythmic, providing a woozy rush. Closing the EP, Mirror exhorts a rush of strength and clarity, that Our Heaviness whispers throughout.
A Debut EP that is beyond the beauty of what I could ever put into words. Our Heaviness breathes life into the most shameful dust-ridden corners of our mind, and rejuvenates them. Lindsay Munroe’s vocals possess a gorgeous newness, and any flaw or break found within them, only adds to the earnest honesty of her music.
Our Heaviness is out now
Stream on all platforms or purchase directly below:
Unflinching honesty exposed bare, through the gorgeously soft, yet fiercely brave vocals of Ailsa Tully.
By a brooding bass line, we are drawn into the world of Ailsa Tully. Husky musings pry open latest single Edge as we learn an unexpected truth. On a hazy, glowing twilight of London’s riverbank, an evening full of laughter and life; painstaking anxiety is all that consumes her inner monologue.
As though the river flows calmly, Edge carries the listener along in delicate ripples and waves that never break. Despite the swell of emotive depth conveyed within the track, the music remains soothing and soft. Purposefully evoking a sense of numbness, against racing thoughts and a quickened heartbeat. When a mind cannot stop thinking, there eventually exists an odd state of tranquillity in the confusion, where one is simply lost amongst the chaos. As the brooding bass line plays on and the lull of the nightlife hums steadily in the background. Set against Ailsa’s stunning vocals, the music is reflective of that peculiar state where we feel everything, yet nothing. The surrounding world is meaningless, as our thoughts are all that exist.
The deliberate stark contrast between the music and lyrics is staggeringly beautiful. Creating a dreamlike, lullaby nightmare in Edge, that is nothing short of captivating. As we meander through the song, musical traction is picked up towards the end as the bass heavies and a drumbeat ensues, but an overall eerie sense of calm remains.
Vocally Ailsa heightens her range in parts, as peaks in her worries amplify in reflection of her lyrics. Edge is such a raw, honest, and brave expression of herself, that presents gorgeous vocal capabilities. Ensuring we behold Ailsa Tully as a hauntingly brilliant singer and songwriter.
A deep level of empathy and reflection exists within her music. As listeners, we too feel as though we are wandering the streets of London’s nightlife. Woefully lost amongst the ‘normality’, whilst consumed by our own thoughts and a desperate search for clarity. Yet somehow, we are swallowed by a soft heady calmness that could be our outer appearance to the world. I am completely in awe of the fascinating vocal delivery and backstory of Edge. I cannot wait to hear more from Ailsa Tully.