With just over a month to go until the release of highly anticipated EP ‘Good People. Bad Habits.’ Dan Bettridge has gifted us with another slice of what we can expect, in the form of latest single Sign.
Following a hiatus from releasing music since 2019. The dawn of 2021 saw the appearance of initial ‘Good People. Bad Habits.’ offering, Habitat. The electro style composition was unheard of from Dan Bettridge before now. Yet, layering synths against a cool percussion provided a fresh vibrance, and the ability to add a new genre, into an already impressive repertoire. Alongside EP co-producer Minas, Dan Bettridge is embracing a bold experimental style, and we like it.
Sign affirms what had been pre-empted from gorgeously emotive April release Love Ain’t For Everyone. Heavy in sentiment and flooded with memories. Dan Bettridge evokes a softer, more sultry sound, that certainly knows how to get pulses racing.
Placing vocals at the forefront, the emphasis is lyrical, captivated by moody blue vocals. Stirring our senses and brooding nostalgia. With co-lyricists Hannah Graceand Martin Luke Brown at his side, it was clear that Sign was destined to swim with emotional depth.
Having awakened a new era within his music. Dan Bettridge stands unapologetic and unafraid. Brave and bold. Words can barely emphasise the evolution we have witnessed from this musician.
Whether it is a period of growth, or a period of reflection. Old stirring emotions or a contemporary change. What remains, is that Dan Bettridge has the ability to tap into our most inner emotions. Capturing fleeting moments of his life in sheer beauty through the medium of music.
We await ‘Good People. Bad Habits.’ with bated breath.
Stream ‘Sign’ on all platforms now via Channel Analog Records
Sultry and slow burning. Delve into the intoxicating confessions of Vienna-based musician Fleming, through latest single Guilt and Pleasure. Led by a seductive blend of electronic percussion, mixed by Grammy nominated producer ill Factor. Slinky piano keys glide against drawn-out guitars, to brood among ambient atmospheric vocal pitches. There is an undeniable sleek, professionalism present. So authoritative and impactful, we are swept off our feet.
Exploring the experience of a simultaneously playful and powerful relationship. Guilt and Pleasure mirrors its musical intensities, as exquisitely as its lyrical prowess. By style and sound, we are captivated within this rousing contemporary track. Submerging soft R&B with soulful, modern blues. Fleming exudes energy similar to the late-great Prince, with a slant in sound towards Childish Gambino or Steve Lacy.
Guilt and Pleasure is a soundscape that fizzes with a passionate, eloquent vibrance. Lyrically entangled in the reckless lust of youth, yet rooted in nostalgic 1970s notes. Fleming chimes “Just take me back to the hotel room, and let me love you” as lyrics swathe against a gorgeous, simmering retro-authenticity. Swaddled are woozy synths, with hazy distorted vocals. Adding considerable body and depth to a track that consciously balances the chaotic current day, with a homage to decades and genres past.
Dark romantic notions linger, as though Fleming is hunting the forbidden source of his desire. Under late-night hazy skies, that merge with crowded smoke-filled rooms. Wine glasses gleam under golden spotlights, where stolen glances are exchanged. Guilt and Pleasure teases at sentiment and hooks our attention. Certain are its demands that Fleming is one to watch, with a tender yet mischievous nature.
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