Punk rock is infamous for its love of rebellion. Rule-breaking, non-conformity and an unwavering bold stance in both style and substance. It is a genre that regularly depicts a state of turmoil, and hits back at society with a vengeance. As global politics and the state of the world at large, are currently tipping the scales. There is no denying that punk is the musical outlet we need at the moment.
Eager to shake up society and our music scene, are the fiery Pseudo Cool. Possessing all of the grit and grunge you could desire; this band have a sound that is edgy and untamed. Led by siblings Cathy Bastian (lead vocals, bass) and Lloyd Bastian (backing vocals, guitar), family ties run deep throughout their music. Lead guitarist Dylan Howells, and drummer Shay Bevan complete the lineup.
Bursting out of the South Wales town of Maesteg, Pseudo Cool blazed onto our radar just this year. As 2020 has seen them release not one, but three new singles. All of which have received heavy praise, including backing from BBC Radio Wales and Horizons Cymru, as well as a string of music blogs, publications and podcasts. With tongue-in-cheek lyrical jabs and jangled guitars, Pseudo Cool inject humour into their music. Yet add just enough of that raw punk-bitterness, to sharpen our taste buds.
First single ‘Modern Man’ released in July, gave us a first glimpse of what to expect from Pseudo Cool. Debuting their edgy punk sound to the world, the band certainly kicked off in style. With unapologetic lyrics poking fun at modern 21st century masculinity. ‘Modern Man’ is a satirical quip, that delves into the strives and struggles of your everyday relationship. Delivered in a rhythmic blend of riffs, instruments glide along with Cathy Bastian’s muted almost spoken vocals, which interject that brooding tone we adore. Reminiscent of female punk fiends such as Siouxsie and Debbie Harry.
Progressing only further with sophomore single ‘Wrong’, at the end of September. Pseudo Cool rose the tempo of their music higher, breaking previous vocal and instrument boundaries they had set for themselves. As their muted brooding sound, gave way to a punk-rock charm; Bastian flexed her pitches and flaunted her vocal flair on this track, and it is truly a delectable transformation to behold. Proving her to be a multi-tonal, and very capable vocalist. Seeking influence from the likes of Lily Allen, with the grit of popular Dublin newcomers Fontaines D.C.
Exploring every branch of punk is certainly on this band’s agenda, as they prove their worth yet again on latest track ‘I’d Like To Watch’. Released just this month [October], with a sound so ominous and dark, it sizzles from a sinister twist. Abolishing the punk-rock prowess of the predeceasing ‘Wrong’. Pseudo Cool have built a bass-driven track, that is entirely different to the previous two guitar dominated singles. Raw, grungy and heavy, ‘I’d Like To Watch’ reflects the muted brooding of ‘Modern Man’. Although any satirical comedy that was present, is now long gone. Replaced instead with a sensual, simmering atmosphere. Unnerving, yet so deliriously exciting.
Pseudo Cool break the rules, refuse to conform, and stand bold in both their style and substance. Modern rebels of the music scene, their sound embodies the true spirit of punk, and they are a dose of EXACTLY what we need to hear right now. Set to release more singles before the year is out, it appears that the chaos of 2020 has delivered us a band so chaotically brilliant.
Listen to Pseudo Cool on all platforms now!
All tracks were Produced and Mixed by Cody Reynolds-Shaw of Trenova Sound
Meet the Cheshire band, providing all the bite of a classic rock sound, with an intriguing modern twist. The Moondogz tether gritty instrument playing to moody vocal blues, and latest album ‘What’s Done Is Done’ will spark the curiosity of any classic rock fan, and grab the attention of all who dare to listen.
No strangers to the music scene. The Moondogz pack a punch with their 80s influence, and it is clear to hear the adoration they possess for that classic rock style. As a wealth of musical experience has culminated to craft their latest album. The vast amount of hard work and dedication put into it, has clearly paid off. Through progression of their distinct sound, you can feel your skin prickle from the sheer enthusiasm of their energetic guitar playing. Drums clash in time with your heartbeat, and that growl in the vocals of lead singer Anthony Machin, will nestle into your mind for a long time to come.
From the very get go, The Moondogz set the pace of what we can expect to hear from ‘What’s Done Is Done’. As opening track ‘Better Man’ blares out. Rampant guitar playing and a throbbing bass line create music just demanding to be played loud. Whilst lyrics are equally as bold, home to all the brashness of unapologetic rock n’ roll. Although, there is no denying that raucous riffs are what really drive this album forward. Shining in all their furious glory, on tracks such as ‘Leave The Light On’, ‘Summer Rain’ and ‘Running Down a Dream’. These ear-bleedingly heavy focal points, are what make the album such a strong contender for future rock greatness.
Unflinching, loud and choked full of crazed guitars. ‘What’s Done Is Done’ barely catches its breath, from the start to the very finish. It’s one hell of a rollercoaster ride, promising thrills, and certainly delivering them. As The Moondogz plough through grungy rock ballad after ballad. There is a familiarity in their classic rock comforts, yet such braveness in their injection of this beloved sound, straight into 2020. We see a rock n’roll style lace among modern eccentricities, and are introduced to a band that have successfully fused an effortlessly elegant debut rock album.
Stream ‘What’s Done Is Done’ on all platforms now!
As Cardiff continues to produce an array of exciting and talented musicians. Meet Static Inc. A three-piece alternative rock group, who are crossing borders not only musically, but also where language is concerned.
Combining both English and native Welsh within their debut track. Latest single ‘Tangelo’ is enriched by its varied blend of tongue, adding an interesting perspective. Lines interchange their language seamlessly, meaning verses are coolly multi-lingual, in an effortless transition.
Often musicians sing in just one language during a track, but to hear two very different languages laced together in such a way, is a breath of fresh air. Despite drawing on lyrics that are solemn and moody. The gritty realness that exudes from this debut is refreshing, as Static Inc place heart and personal experience within their music.
Based on a bedrock of rumbling alt-rock. Static Inc build truly expansive music, as they progress through their multi-layered track. Standing at an impressive seven minutes, ‘Tangelo’ is segmented with upbeat, catchy guitar solos, that schmooze against fizzing drums. Musical correlations flow from one part to the next, and motions are fluid-like within this rock-operatic daydream.
Varying sections create a single that is digestible and easy to listen to. Even with its lengthy playtime, ‘Tangelo’ never falters. Faint hums of influence spark from Queen’s 6-minute ‘Bohemian Rhapsody’ and Green Day’s ‘American Idiot’, with similar styles that only deepen in intensity as the minutes progress.
As a strong instrumental closure brings ‘Tangelo’ to its crescendo. Drums clash with an industrial fury and guitars pulse along in a medley of sound. Incorporating an entirely different style, when compared to the multi-lingual lyrical moodiness of the opening few minutes. These purely playful 4 minutes, allow for such a profound instrumental pitch, that charges the track with a new lease of energy.
Static Inc are clearly a budding new band, out to prove that language is certainly no barrier when it comes to music. All whilst harnessing a unique and intriguing sound. Capable of telling a story entirely its own, without the use of any words at all.
Through a pulsing guitar, we are hurtled into the fast-paced, loud and untamed music of South Wales’ Alternative Rock Band Feverjaw. Since bursting onto the scene last year, they are a band that have made an impact, and their music continues to be very well received by fans and the industry alike. Therefore, it should come as no surprise that they are planning to unveil their debut album very soon. With first single Bloodwork due to be released this Friday (4th September).
As boisterous guitars meet the clash of drums. Sparks fly on their tantalising latest track. With an opening riff that is strong and punchy, Feverjaw ensure we are hooked within the very first few seconds. Gritty rock music, delivered in a fresh and exciting new way. Bloodwork is fuelling and gloriously energetic.
Vocals from lead Dale Hawkins blaze through with bold ferocity. Providing that biting satisfaction, as this track roars to life. Exuding an undeniable air of confidence, Feverjaw are unflinching in the message they wish to convey. Brooding lyrics thrive over intense instrument playing, meandering between menacing and subtle melancholy. There is a definite ‘fight over flight’ fury that is uplifting and inspiring. The raucous music tearing throughout the track, ensures Feverjaw can be heard loud and clear. As Bloodwork shines to become an anthem of positivity.
Stirring and vibrant, Feverjaw are undoubtedly giving us a little more than just rousing rock music alone. With lyrics laced in thoughts and feeling, this sense of self and empathy that burns throughout their music, adds a layer of depth to your typical rock n’ roll façade. As we discover a band capable of becoming a beacon of hope. Feverjaw grasp rock music with all of its chaotic energy, and channel this to confront chaotic emotions head on.
Bloodwork is out on 4th September via Tone Burn Records
Lancaster rockersMassive Wagons are set to soar, with their latest album House of Noise debuting at an impressive NUMBER 1 on the iTunesUK Rock Chart. With a can-do attitude and an unapologetically loud lust for life. Massive Wagons have won over the hearts of fans (including myself) up and down the country. That is before we even mention the fact, they are bloody brilliant musicians.
With shredding guitar riffs and scorching vocals from frontman Baz (Barry Mills). House of Noise hurtles us head-first into exactly what Massive Wagons are all about. Crazily energetic live performances, a dedicated love for their fanbase and a heap of good old-fashioned rock n’ roll. All embodied within this firecracker of an album. Which, as the title suggests, needs to be played loud and proud.
Through tongue-in-cheek lyrics (I’m looking at you The Curry Song), laced with an underlying ferocity at heartbreak, politics, and any act of being kicked while you’re down. Massive Wagons swoop in on those mighty rockin’ horses and pick us straight back up. House of Noise will have you chanting, singing, and head-banging until your heart’s content.
Undeniably a band for the people. Massive Wagons take what we are all thinking, and project it from a stage with force. Stand up and shout anthems that reverberate with so many, are just one of the reasons this band are so good at what they do. Several superb crowd-pleasers on their latest album, including Bangin’ in Your Stereo and title-track House of Noise, actually gave me goosebumps at the thought of witnessing live music again.
Baz’s distinguishable vocals and infectious energy are equally matched by hard-hitting instrument playing. You only need to listen to the gorgeously gritty intro of Hero to gather that. So much is driving this album on towards greatness. Really holding its own, House of Noise is an album that kicks everything we’ve known already about Massive Wagons, up a gear. Song after song, we’re met with music as bold as it is brilliant. Even in the woozy comedown of Matter of Time, I caught my breath, and listened in awe.
Watching Baz completely own a stage before was mesmerising enough, NOW I can only dream of the onslaught Massive Wagons will parade with when they take House of Noise on the road next March.
House of Noise is OUT NOW via Earache Records
Follow Massive Wagons on their socials below
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Saytr Play are nothing shy of complete craziness. Madchester by birth and mad by nature, this band know how to make music and have a good time doing so. They thrive on loud guitar riffs, stage dives and vocals that pour from front man Fred Farrell who leads the charge. Saytr Play are a burst of energy, and always bring electricity to their live performances. Their engagement with their crowds is euphoric and as for what they do on stage, well, I’m talking climbing speakers, swinging from the ceiling, and almost anything else you can think of. I am pretty sure it won’t be long before this band become infamous for their stage antics, as well as their music.
The bands name Saytr Play is a twist on “Satyr Plays”. These were Ancient Greek tragicomedies, full of drunken antics and sexual deviance, designed to delight their audiences. Quite fitting to the playful nature of our modern-day Saytr Play, don’t you think?
Well Christmas is almost upon us, and the end of the year is in sight. The festive season is often a period of reflection for many of us. For me, this means an opportunity to look back on all of the amazing gigs I’ve had the pleasure of attending in 2019. Live music is a big part of my life. A couple of years ago I made a promise with myself not to miss out on gigs I wanted to go to. I started going to more gigs in local venues, and it has honestly been one of the most rewarding things I’ve ever done. I’ve gotten to know so many new bands, and discovered some incredible music, along with meeting the loveliest people.
I thought I’d share with you, 5 of my favourite gigs from the past year.
Peter Doherty & The Puta Madres – Sin City, Swansea, February 2019.
Peter Doherty and The Puta Madres are a fantastically talented band of musicians, that perform blissfully well together. They really are a must-see. Their origins as a band derive from playing together during a string of festivals. At which time they whipped up a frenzy with fresh, exciting music, and firmly squashed rumours that they were merely a side project for Peter Doherty.
In February of this year, I was ecstatic to have the opportunity to see them for myself. In typical fashion, the gig was running late, door staff had informed me. Peter was out walking his dogs along the Swansea coastline at sunset, and who could blame him? It is beautiful. Once we were allowed in, I remember being puzzled for a second, as the band were already on stage. It took a moment for me to realise what was going on, and then I noticed Peter moving amps around and Jack tuning his guitar – it was soundcheck. They’d let us walk in on soundcheck. It was such an amazing experience. You could see the band were enjoying the unexpected early attention. With the gig being in the heart of Swansea, it gave Trampolene front man (AKA Puta Madres guitarist) Jack Jones, the opportunity to play up to a home crowd, reciting one of his most popular poems ‘Pound Land’. Pete also treated us to a few chords from beloved Libertines tunes, that really got the crowd going. There was no doubt in my mind then that this was going to be something extraordinary.
When the band came back on for their main performance, it was wonderful to see how chaotically perfect they were together. Resembling a gypsy punk-band, The Puta Madres are a spectacular sight to behold. As their debut single ‘Who’s Been Having You Over’ blared out to the crowd. Keyboard player Katia was a stunning free-spirit on stage. Drummer Rafa was the best kind of crazy. Needless to say, if you have read my previous posts you will know the adoration I have for guitarist Jack. Violinist Miki was kind and gentle amongst the madness. Bass player Miggles was more sensible on stage, but was wonderfully close to them all. I got the impression The Puta Madres are a band of friends, a band of lovers even. They have an adoring relationship with each other, and this is reflected beautifully in their stage performance.
The band sang and laughed, engaging with the boisterous crowd throughout the night. To hold on to my barrier position was hard, but by God there was no way I was giving that up. They introduced us to new single ‘Paradise is Under Your Nose’ and other soon to be album tracks. As well as performing hits from The Libertines and Babyshambles. As a treat for Jack’s birthday, Pete also gave him a moment on the microphone where he performed a stunning song ‘Lighter than Paper’, that is still yet to be released.
Honestly, I cannot explain to you just how much I enjoyed this gig. It was different, it was wild. I cannot recommend The Puta Madres enough.
This is The Kit – Clwb Ifor Bach, Cardiff, August 2019.
This gig was a real standout for me, because believe it or not, before that night I’d never heard a single song of theirs. I went to see This is The Kit with someone who adores them, in Cardiff’s Clwb Ifor Bach, and I decided to treat myself to the rare experience of hearing a band for the first time on stage. No spotify binging desperately trying to learn lyrics, no frantic searches for past set-lists. I just wanted to enjoy seeing them fresh in front of my eyes.
Honestly, the performance was sublime. Kate Stables, singer and founder of the band has an exquisite voice that really shone under the spotlight the night I saw them. Speaking openly, I’d say I was transfixed for most of that evening. Without questioning her vocal talent, she is also a wonderfully gifted songwriter. The lyrics in her songs are beautiful, and work stunningly well when placed against her voice, and the soft soothing playing of her instruments, whether it be the guitar or banjo. I remember being lost in songs such as ‘Bullet Proof’ and ‘Solid Grease’. I was frantically asking the person next to me as soon as they would finish, “What is this song called?” I went into the gig with an open mind, and it was sublimely rewarding. I was met with a beautiful band, in which all members are gloriously talented. Aside from Kate Stables, other band members such as Rozi Plain, are vocally talented in their own rights. Rozi has a growing solo-career ahead of her too, having recently played Cardiff’s Sŵn festival, amongst other locations.
You can clearly see during a This is The Kit gig, how in love with them their fans are. They have a niche cult following, that I’d guess they have acquired from dedicated festival going. This band can silence a room with their purely gorgeous soft songs, and in the next breath make them dance and sing with fan favourites such as ‘Moonshine Freeze’. All of which I had the glory of beholding for the first time. I watched how adored they were by those that knew them, and I too was captivated.
Now, I cannot even begin to tell you how desperate I am to see this band again.
This is The Kit are a gem certainly not to be missed.
The Amazons – Clwb Ifor Bach, Cardiff, February 2019.
Before I begin, I just have to say that this gig really was something special. I’d only managed to find out about it a few days before. The Amazons weren’t playing at many venues and had kept their announcements rather low-key. Probably because they were channelling much of their energy into the new album, but being as dedicated to music as they are, of course they wanted to treat us to a ‘little something’ before the release. I remember frantically searching to see if any tickets were still available, and to my relief, thankfully there were. I was so excited. Especially as I knew the venue was smaller, which makes all the difference. Although, of course I do go and see bands in larger venues, I much prefer a smaller gig, as the band are not lost on the stage and lighting. They are there, right in front of you. No huge barrier gap, no security guards in your way. It’s just you and the band. I think that was what I enjoyed most about that night. The atmosphere was just so intimate. To have the honour of seeing a successful band like The Amazons on a stage at my level, not high in the sky. It was fantastic. Honestly, if you go and see any band you love in Clwb, trust me when I say you will not be disappointed, but The Amazons really took the roof off the place!
I remember the night vividly, the room was awash with dedicated fans, all eagerly waiting for the band to take the stage. On a cold February night, the turnout was brilliant, and it was so great to see. It had been a couple of years since the release of their debut self-entitled album, and at this point in time, us fans had only been graced with new album Future Dust’s first single ‘Mother’. With the new album due in May, anticipation lingered strongly amongst the crowd. We were all anxiously waiting, desperate to hear any new material, and of course the classic tunes that we all knew and loved. The Amazon’s certainly obliged our request, by scattering new songs amongst our favourites. Us fans rejoiced. Any Amazon’s gig would be fantastic, but it really felt exclusive to see them playing in the small but mighty venue that is Clwb. We hung off every word that fell from Matthew’s mouth. Lyrics were sang adoringly back to the band, and they revelled in it. The room was alive, Clwb was alive.
Everyone was there for one reason, to witness the sheer amazing power of The Amazons.
They certainly delivered this, and more.
I remember the ending of this gig was phenomenal. Having kept us waiting, craving throughout the entire setlist. We were hit with it. ‘Junkfood Forever’. Mine, and I’m sure many others, favourite Amazons song. It was fantastic. The room completely blew up, and I’d say going to this gig was worth it just for this song if nothing else. That’s how good it was.
The All-Dayer (Headlined by Matt Maltese) – Clwb Ifor Bach, Cardiff, November 2019.
This all day gig was a real treat. Starting earlier than usual, it was a jam-packed line up born from a collaboration between Council Records and So Young Magazine. Bands including Rosehip Teahouse, Drug Store Romeos, Talk Show and Happyness took to the stage. Headlining last but not least of course was the king of wounded lovers, Matt Maltese.
The first band I saw that evening, Rosehip Teahouse, are a wonder to behold on stage, their performances are beautiful every time, and this gig was certainly no different. Personally, I find them so endearing as a fresh, new band that I’ve written about them in more depth in my post on 10 Emerging Welsh Bands.
Drug Store Romeos were a new band on me, but their sound was so unique and different to anything I had heard before. To put it simply, they were nothing short of mesmerising. Lead single ‘Now You’re Moving’ was stunning, and Sarah was fascinating to watch perform, with her ability to sing and play piano, all whilst dancing and engaging with the crowd at the same time.
Despite this gig having a lengthy line-up, the intervals between each band were kept short and concise. I think this is what made everything run so smoothly, the gig was constantly moving, and there was never a point at which the evening lost momentum. In the intervals where bands were not on stage, I could see it was a fantastic opportunity for networking. Event organisers and representatives from the magazine and label mingled in with the crowd of fans, and band members who were also watching each others’ set. People were chatting, and getting to know each other. It really seemed as though there was a community spirit here, and that this was something more than a gig. Something rather special, I’d say.
The next band to take the stage were Talk Show. The lights were completely dimmed, and it was at that moment I felt the atmosphere change. I could see lead singer Harrison limbering himself up to take to the microphone, as if preparing for an exorcism. Holy hell did the devil take hold. Trust me when I say, I was blown away. Talk Show switched the night up in seconds, turning it into an eery, energy-filled punk show. Honestly, this band ripped my heart out of chest and stuffed it back in again with their music. Possessing a real “hold on for your life” feeling. They dominated that stage, and their performance. Talk Show hail from South London, and are similar in style to Slaves or Idles, but with more of a frightening twist to their lyrics and sound, that makes them so much better.
I wasn’t sure where the night was going to go after this, as Talk Show were so different to what I was expecting, given the style of previous bands and the subsequent headliner to come, Matt Maltese. I think that was the reason why, unfortunately the next band Happyness didn’t do it for me after that. I can understand how the mood needed to be changed, due to the complete contrast between Talk Show and Matt Maltese, but for me Happyness just didn’t work here. I hate to review anything negatively, and this is not a reflection on them as a band at all, as I could see how their sound was fun, and catchy, but it was just not right for this segment of the line-up I’m afraid. This is just my personal taste though; the crowd seemed to love them.
Last in the line-up was Matt Maltese. I absolutely adore this man and his music. I discovered him following the release of his single ‘Greatest Comedian’. Matt’s album ‘Bad Contestant’, dominated my summer last year and was mostly all I listened to for the remainder of 2018 if I’m being honest. On vinyl, it is an absolute masterpiece. Matt was at the top of my lists for artists I needed to see, so I was beyond delighted when I realised he was coming to headline this all-day gig in Cardiff.
Matt’s music is very close to my heart, so to say I was excited would be a sincere understatement. His music means so much to me, to describe how I felt waiting for him to come on stage, well I’d say I felt emotional more than anything else. I’d played his vinyl over and over, I’d cried, I’d laughed. Matt felt like more of a companion to me than a musician. So, to be faced with the fact that any moment now he was going to be performing the songs I adored so much, merely inches away from me, it was completely overwhelming but utterly blissful. It is an unreal sensation, which I’m sure you’re all familiar with, when you know you’re going to be in the same room with someone whose music honesty means that much to you. It could have accompanied you through the happiest or the saddest times in your life. I think this highlights why I feel so passionately about the live music scene. These artists are there for us when we could be completely alone, and to then be able to see them and treasure their songs and the memories attached to them in our own lives, is stunningly beautiful. This is what musicians need to hold on to and cherish about their fanbases.
Matt’s setlist that night was utterly gorgeous. To be able to watch him play piano and sing, so closely. Honestly it took my breath away. Matt played songs from ‘Bad Contestant’ including the incredible ‘Like a Fish’, and mixed in songs from his newly released album ‘Krystal’, which is of course a triumph, and I’d argue more emotional in its content than its predecessor ‘Bad Contestant’. My favourite from this album is the track bearing the same name, which I was also lucky enough to hear him perform live that night.
Matt even made time to run his own merch table, and greet fans after the show. Of course I went bounding over, and introduced myself. How could I not? I really felt as though Matt went the extra mile in this gig, not only with his stunning performance, but all by how approachable and personable he was. It really made me smile, ironic really, with lyrics so heart-breaking.
Massive Wagons – Patti Pavilion, Swansea, October 2019
I just had to choose this gig as one of my favourites! I love a good rock show, and Massive Wagons made sure I experienced one in all its glory. I’ve had the pleasure of seeing this band a couple of times now. The first gig was on a whim, as we had booked tickets for a Saturday night out. A few drinks and some good music. The added bonus was that I got to see this amazing band! Their live music was great, and during the days that followed I listened to their albums and I was hooked. I had to wait a few months to be able to stream the other songs I’d heard live, as they were touring prior to the release of their next album ‘Full Nelson’. It was this album that really cemented my love for Massive Wagons.
When their next headline show was announced a year later, there was no way I was going to miss out! Although I’ll admit I did have some difficulty getting hold of my tickets due to a local disgruntled ticket supplier, but I was determined not to let anything dampen my spirits! Massive Wagons were coming back to Swansea, and I was so looking forward to it. The Lancashire rockers put on an incredible show, as I knew all too well from when I last saw them. This time though, I loved the songs, I knew the lyrics and I couldn’t wait to be down at the front.
Billed as an evening of rock and roll, there were several bands performing before Massive Wagons took to the stage. Ryders Creed, Scarlet Rebels and Ravenbreed got the crowd ready for what was to come. The room wasn’t packed, but it was a Sunday night and to be honest we were having a such a good time. Who needs a boring Sunday in, when you can go to a rock show?
Massive Wagons stormed the stage. Baz’s hat introduced them, by making a perfect landing on the coat stand, which made all of us laugh and cheer even louder! One thing I will say that makes Massive Wagons so great, is how fun they are as a band! So many rock bands take themselves way too seriously, but Massive Wagons are a real down to earth and friendly band. You can see within seconds of them being on stage, that they love being there and they work extremely hard for it too. Baz, lead singer of the band, recently wrote a very touching piece on their Facebook page, explaining just how much dedication it has taken to keep the band going. For me this makes going to their gigs a million times more worthwhile. This band absolutely love what they do, and for the price of a ticket to go and see not only a rock band that care, but a rock band that put on one of the best performances I’ve seen. It is worth so much more, and it keeps the dream alive for not only them but us as fans too.
Massive Wagons have a mixed following of all ages, and this could be seen that night in Swansea. They’re the type of band that I love, and my whole family could love. Their reach spreads far and wide, and this is fantastic. Their music consists of classic rock and roll, punchy guitar solos, and one hell of a voice. Massive Wagons are brilliant, and really make you want to get up and get involved. If you want a taste of how great they are, just listen to ‘Hate Me’ or ‘Ratio’, and then come back and tell me what you think. I promise, you won’t be disappointed. Better yet, if they’re coming to your hometown any time soon – go. You’ll see one of the best rock shows around.
Thank you so much for taking the time to read this, I hope you enjoyed hearing all about my favourite gigs of this past year. Of course there were so many more I enjoyed, and I wish I could write about them all. If you would specifically like to hear about any other gig that I went to, please feel free to get in touch! Alternatively, if there were any gigs you loved in 2019, please share them with me! It would be lovely to hear from you!
I hope you all have a wonderful Christmas, and I wish you lots of love, music and happiness in 2020.
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