5 Of My Favourite EPs From 2020

5 Of My Favourite EPs From 2020

Despite the unprecedented challenges that 2020 has brought upon music, I have been incredibly inspired by the continued efforts of musicians and the entire industry. Those who have dedicated so much of themselves to creating. Doing all that they can to bring joy, in the darkest of times.

To celebrate their unwavering determination, I am so pleased to share with you, a list of 5 of my favourite EPs from this year.


Rosehip Teahouse ‘Chillin in the Void’ 

Wrapped in serenity and sweetness, Rosehip Teahouse’s first EP of 2020 quite literally transports its listeners away to another realm. From the softest twinkles of synths, to dreamy lullaby vocals from lead singer Faye Rogers. ‘Chillin in the Void’ is a completely mesmerising offering from the Cardiff-quintet. In tune with both music and emotion, Rosehip Teahouse infuse gentle instruments against tender lyrics. Enabling them to create a blend of indie-pop, that is poignant, but oh so pleasant. Yet, if one EP wasn’t enough, swiftly following ‘Chillin in the Void’ was latest EP ‘Fine’, another gorgeous slice of music goodness from Rosehip Teahouse.

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Buzzard Buzzard Buzzard ‘The Non-Stop EP’ 

Bursting with all of the brilliant enthusiasm and flamboyance that we have grown to expect from Cardiff’s Buzzzard Buzzard Buzzard. ‘The Non-Stop EP’ is home to seventies power struts and a cool retro vibe. Certainly a delight to discover during a rather desolate year. Buzzard Buzzard Buzzard have a keen sense of embracing music from the past, but ensure they bring it bang up to date, with their own unique twist. Dancing with modern-day politics and an unabashed jest. We groove from the fun Double Denim Hop to the satirical quips of Hollywood Actors. With ‘The Non Stop EP’ catapulting this rising band headfirst into the spotlight. 

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Lindsay Munroe ‘Our Heaviness’ 

Hauntingly beautiful, Manchester musician Lindsay Munroe entrances through debut EP ‘Our Heaviness’. Set against the backdrop of a rigid religious past, Munroe bestows her anguish in gorgeous confession. Pairing eerily muted vocals with a beguiling soundscape, ‘Our Heaviness’ is an EP bearing tracks that latch onto their listeners, and resonate within our very core. With Munroe evoking such a bold honesty, her music is profoundly moving, particularly the track Split. There is a captivating literary-feel present throughout her songwriting, that implores us to pry deeper into her inner-psyche. Proving that Munroe is not only a wonderful musician, but a fascinating muse. 

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Talk Show ‘These People’

London-based Talk Show have been acquiring a stirring buzz around their music for some time now. From a reputation for fearsomely frantic live shows, to brooding new single releases. 2020 saw the band present their highly anticipated EP ‘These People’. Boasting brash anger and unwavering lyricism, ‘These People’ is in full grasp of its gritty sound. Frontman Harrison Swann, an intoxicating enigma, standing centre stage among a band who channel all of their energy into these fast-paced, unforgettable anthems – look no further than Petrol Head, if you need clarification. Dominating a sinister charm, Talk Show rouse an indescribable impulse, dragging listeners kicking and screaming toward their addictively fierce new breed of punk. 

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Phoebe Green ‘I Can’t Cry For You’ 

Bittersweet and bold, Phoebe Green portrays the delirious intimacies of a corroding relationship on latest EP ‘I Can’t Cry For You’. Taking the listener on a hypnotic thrill ride, Green rebounds from the hard-driven indie of Golden Girl, to the distorted psychedelia in Grit. Unhinging senses and pushing the boundaries of every comfort zone, on her lyrically bruising but brilliant EP. Awakening a new persona, Green glows with flame-orange hair and a witty humour. As ‘I Can’t Cry For You’ bares a musician not afraid to toy with our inner-most thoughts and feelings.

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Phoebe Green Releases EP ‘I Can’t Cry For You’

Phoebe Green Releases EP ‘I Can’t Cry For You’

2020 has seen Phoebe Green literally “Reinvent” herself. From a striking new single in July, to her current EP release. The Manchester based singer-songwriter has awoken a new persona, and she is certainly not one to be messed with. Possessing flame orange hair, and a dark witty humour, Green is flourishing. All while raining a glorious revenge down on whoever wronged her. As her latest EP ‘I Can’t Cry For You’ stands bold, beautiful and brilliant. Green is turning heads, and it is clear to hear why. 

Each track on the EP delivers an unwavering frank lyricism. Echoing a similar approach from her 2016 album ‘02:00am’, yet Green appears scorned on this latest release, and there is no denying the reflection of that within her music. ‘I Can’t Cry For You’ is a phenomenal depiction of a decaying relationship, captivating the listener throughout. On opening track Reinvent, Green adopts a dark and brooding vocal approach. Bittersweet as it meanders through a turbulent scenario, exploring the self-identity struggles that arise when this finally ends. Instruments are kept low and biting, adding to the moody ambience that builds throughout. We feel this intensity deepen further on Grit. With Green’s vocals descending to an almost delirious, hazy lull. The entire atmosphere becomes unnerving, conveying the deranged feelings that can often accompany a narcissistic relationship. 

Switching the tempo back up on Golden Girl, Green’s familiar light-hearted vocals return. An upbeat, but direct track. Golden Girl snipes at its subject, as though Green is directly addressing a disgruntled ex-lover. With a fierce femme approach, Green asserts herself beautifully. Standing out as an ‘I Can’t Cry For You’ anthem for getting over someone. Closing the EP is final track A World I Forgot, another hypnotic psychedelic indulgence from the indie musician. Matching the vibrant orange and green splatters that adorn the EP’s cover art. Green sways between hardened indie power-pop and swirling psychedelia, instantaneously. Highlighting the emotional and psychological challenges, that can be inflicted by a chaotic lifestyle and undeserving lovers. 

Whether it is through a satirical swirl of synth, or the clout of a full band. Green’s vocals shine, wherever she lends her voice. With an ever-growing confidence, ‘I Can’t Cry For You’ has seen Phoebe Green soar.

We wait with bated breath, to marvel at the heights a sophomore album will soon take her. 

Stream ‘I Can’t Cry For You’ on all platforms now via Chess Club Records

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Rosehip Teahouse Release Latest EP ‘Fine’

Rosehip Teahouse Release Latest EP ‘Fine’

Cradling tender emotion in the palm of their hands, is a skill that Cardiff indie-pop band Rosehip Teahouse have completely perfected. Boasting a back catalogue of gorgeously cathartic music. Latest EP ‘Fine’ merges old and new tracks, entwining memories, thoughts and feelings into just shy of a blissful 15 minutes. 

Swooning vocals from lead singer Faye Rogers glide ever so delicately across a soundscape of lightly placed instruments. Twinkling keyboards shimmer among a subtle pop of synths. While guitars nip, and drums dance, adding just enough grandeur to collate that “full band” sound. Rosehip Teahouse carefully ensure their blend of instruments is not overpowering, but instead provide a sound that is wholesome and pleasant to the palate.

It is a delight to rediscover gems such as ‘No Gloom’ and ‘Summer Sleep’ from very early demo recordings, alongside new singles ‘I Meant What I Said’,  ‘A Million Times’ and ‘I’m Not Whole’.  We hear a progression in songwriting style as Rosehip Teahouse have grown, yet cherish the emotions forever present within their music. Embodying such poignant pleasure, from their very conception as a band. 

Of Rosehip Teahouse’s latest EP, Faye expresses; “The fine EP is a collection of moments that span from 2016 to now. They cover love, losing love, fighting an eating disorder that wanted to take me over completely, my unregulated emotions, dreams (both literal and metaphorical) finding some sort of meaning amongst it all and coming out the other side, slightly stronger as a result of it. A lot of the songs are re-arrangements of the very earliest Rosehip demos and it’s been really cathartic and really special to let them free with the help of the rest of the band. I hope people can relate to the songs, give them a home for a bit and feel at least a little supported in the struggles we all have staying grounded in this overwhelming world.” 

‘Fine’ is without doubt, another firm favourite, more than capable of capturing hearts and bottling heartbreak. Exquisite in its fragile delivery of unwavering lyrics, Rosehip Teahouse share a true depiction of our innermost self-doubts and worries. Swathed within the most beautiful music. 

Stream ‘Fine’ on all platforms now via Big Indie Records

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Matthew Barton Releases EP Queen of England

Matthew Barton Releases EP Queen of England

Combining cool, crisp vocals with a mellow soundscape. Welcome to the gloriously creative world of musician Matthew Barton. The release of EP Queen of England on a limited run of cassettes, affirms a spark of eccentricity, whilst a gorgeous vintage nostalgia flows through his music. 

With simple bass hooks and tender guitar strums. Music is chilled yet quirky, basking in subtle looped-rhythms and tantalising pops of synth. DIY percussion patters throughout, and we are instantly transported to hazy days in Laurel Canyon. Sat around a smoky campfire sunset, ready for this roaring retro-trip. Just visualise that washed out sepia grain in your favourite old photograph. It is clear to see that Barton creates music as though it is a cherished snapshot in time, reincarnated in 2020. 

Opening the EP with Cruising. Barton utilises varying vocal and guitar pitches, to create a mysterious ambience. Laced with lyrics of jealousy, longing and lust. The track introduces us to an ingenious aspect of musical experimentation, as Barton combines sinister high points with delirious ‘crooner’ vocal lows. As the tape flows through to second track Queen of England, we propel forward with a prominent percussion beat and an upbeat charm. Marrying oddly well with Barton’s jesting lyrics, that take a jab at the monarchy and state of the world. An impressive vocal range is once again displayed in majestic fashion, along with that undeniable flair for self-production. Showcasing numerous instruments played and recorded. Barton charges forward with a kaleidoscope of musical influence, ranging from the grunge of PJ Harvey to Spector 60s surf-pop.

Next track Lady Jane Days is a short interlude, at just over a minute long. It cools us down, and delves into the delectable laid back sound that dominates the overall style of this EP. Stripping the soundscape back to crunching guitars and subtle piano keys, Barton crafts a tender yet biting track, reminiscent of The Doors, as track Barb bursts with 60s Rock Revolution. So rooted is this gritty vocal delivery, Barton shines as a captivating muse, through rousing lyrics and a suave musical style. 

Signature ballad of the EP Alcatraz, has a lyrical slant towards memories and ‘the grass is always greener’ concept. It’s a white picket fence nightmare, cradling what we have in one hand, with what we desire in the other. Barton’s vocals are serenely soft and almost chilling, brooding over this thought-provoking tune. We feel the turn of the key, as he unlocks himself from those shackles of day-to-day constraint, spilling secrets and thoughts, in harmony with his detuned guitar. The longest track of the EP, Alcatraz flows so fluidly in its tender format, with simple beginnings in gentle playing, building to become raucous and rampant as the track deepens.

Penultimate track Judy Garland perfects its fizz of 60s pop. With radio crackles and vintage vibrance to boot. Lo-fi beauty displayed in all its ambience. The track has an abundance of lovelorn groovy vocals and melodious harmonies. Gifting that brilliant Beatlesque sound, one could only dream of! Guitar and drum pitches are repetitive and rhythmic, creating a song that is catchy and charming. As the EP comes to a close through final track When I Was Young. Tempos glide by in a yearning lullaby, to cast our minds out to the horizon and drift away on a gentle breeze. Melancholy, vintage blues wash over our consciousness. Caressed by Barton’s soothing soundscape. The beautiful lead-single of the EP, praised by BBC Introducing for its “Stevie Nicks-style” sound.

There is no denying that Queen of England sets a striking musical scene. A culmination of stories, moments and memories, embodied through rich vocals steeped in nostalgia and a sun-kissed charm. The variety of instruments used only enhance the gorgeous eccentricity, with a self-produced realness captured on the lo-fi four track recording.

Through Barton’s self-confessed “postcard from quarantine” we are swept away to another place and another time. A clever musical escape, that will surely resonate with many. 

Queen of England is available to stream and purchase now via Knifepunch Records

Follow Matthew Barton on Socials

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Rosehip Teahouse Release New EP ‘Chillin in the Void’

Rosehip Teahouse Release New EP ‘Chillin in the Void’

Exploring emotion and self-expression in such a profoundly beautiful way. Discover the latest EP from Rosehip Teahouse Chillin in the Void. Led by the breathtaking vocals of Faye Rogers, Rosehip Teahouse hold our hand through their wonderous journey. Gifting music that swells with woozy love songs, earnest daydreams and intense emotion.

Gorgeously soft vocals set against twinkling synths and instruments, to create the loveliest blend of indie-pop. Emotive lyrics are woven with care, resulting in music that is tender and nurturing. Ensuring a comforting warmth wraps around us like a hug. No strangers to addressing fragile subjects; Rosehip Teahouse strip emotions bare, presenting them in their rawest and most vulnerable state. With an honesty so stark, their music is undoubtedly tinged with sadness. However, the resounding amount of empathy overwhelms any other disposition.

Chillin in the Void contains three previously released singles; It’s The Wrong Time, Regretting It and Thought Number 3. Alongside two brand new tracks; Space to Think and Lightfooted, for Once. Each exquisitely written, is home to its own unique message, meaning or purpose. Such sincerity sparks from their unflinching honesty in harnessing everyday thoughts, feelings, and struggles. Alluding that the ordinary is indeed rather extraordinary.

Magic found from within nostalgia and pondering, when thoughts are turned into lyrics.

You can stream or purchase Chillin in the Void via Sad Club Records

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Matt Maltese Releases Madhouse EP

Matt Maltese Releases Madhouse EP

Exuding intoxicating charm, woozy emotion, and a dose of witty humour. Be prepared to swoon over latest EP Madhouse from Matt Maltese. Dreary everyday notions and nostalgic thoughts combine to create the most exquisite music, when paired with the sombre song-writing capabilities of this enchanting musician. Oozing an array of delectably smooth tracks, Madhouse hones notes of jazz, indie and Maltese’s classic bedroom DIY style.

From the dizzying romantic highs of Queen Bee to the agonising lows of Sad Dream. Maltese remains the reigning king of hearts, and if this recent vocal rendezvous is anything to go by, his reign is unlikely to end anytime soon. With eclectic yearn, Madhouse culminates to linger amongst late-night lovers and that sultry summer moonlight.

Breathing a new lease of life into music reminiscent of the past. Maltese’s modern musings schmooze against slinky piano keys and lo-fi tones, with fizzes of seventies pop for good measure. Vocals are crisp and effortless, and from a purposefully lounging lacklustre delivery emerges nothing shy of perfection, within these soft yet stirring songs. Met with the warmth of backing vocals from Asha Lorenz (Sorry) and guitars by Brian D’Addario (The Lemon Twigs).

Madhouse is available to stream and purchase now

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Music Premiere: Gillie ‘Winter Girl’ Ahead of EP Release

Music Premiere: Gillie ‘Winter Girl’ Ahead of EP Release

Ahead of the release of her strikingly-beautiful Debut EP Open Up, Honey which will be out this Friday (24th July). GILLIE has shared with me the EPs lead single Winter Girl, which I am beyond delighted to introduce to you today.

Combining rich earthy tones, with a sheer and beautiful whimsicality. GILLIE blends a variance of sound to create the most sublime music.

Winter Girl is heartfelt and staggering. A stunning debut, from a very promising EP.

A lyrical journey of change. The track encapsulates growth from a pained past. Yet bravely explores elements often unspoken, through recognising that progression may not be easy.

Flourishing in the freedom of her self-expression. The track provides hope and clarity, whilst not hurrying past moments of doubt and angst. Recognising that in time, one can move forward with them.

GILLIE’s songwriting is raw and truthful. Encasing this within delicate yet fiercely unwavering vocals, and finessing amongst the gentle strums of a guitar. GILLIE has self-produced a track that is open, and enriching.

Providing a wonderful welcome of what we can expect to hear from Open Up, Honey upon its release on 24th July.

Listen to the first track Winter Girl exclusively here

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The Debut EP from Gillie Open Up, Honey will be released on 24th July via Skivvy Records

Buzzard Buzzard Buzzard Release The Non-Stop EP

Buzzard Buzzard Buzzard Release The Non-Stop EP

Fun, flamboyant and wearing the best 70s fashion you could ever behold. Cardiff’s very own Buzzard Buzzard Buzzard have strutted their way through 2020, with a string of singles in tow. The grand finale is the welcomed release of their highly anticipated The Non-Stop EP.

Culminated over several years. The Non-Stop EP is the epitome of Buzzard Buzzard Buzzard. Containing classics from their colourful catalogue, that date back to their formation. Taking time and effort to carefully curate this EP, has undoubtedly been worthwhile. Spellbindingly professional, without curbing any of that wonderful spirit and energy that Buzzard Buzzard Buzzard are so cherished for. Songs fans have adored at shows, are now presented in a glistening new light. Meaning that we will all be doing the Double Denim Hop around our living rooms before we know it.

Keeping old classics company on the EP, are numerous brand-new singles, such as What Is Hate? and Sugarloaf Mountain Crucify Me. Charged with as much exuberant energy as I had dreamed. Buzzard Buzzard Buzzard have blazed through with guitar-driven anthems, fuelled by lyrics equally as passionate from lead singer-songwriter Tom Rees. Creativity has spanned from politics and history, to love and life. With a sound so unique and exciting, their musical capabilities seem endless.

There is no denying that asides from being in the same room as them; every morsel of Buzzard Buzzard Buzzard’s chaotic brilliance is encapsulated within this EP. Late Night City can be turned up loud for a dance, or we can have a little cry to Long Day/Free Day. With a whopping ten tracks in total to listen to, this extended play is nothing shy of album quality.

The Non-Stop EP is available to stream and purchase now via Communion Records

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Buzzard Buzzard Buzzard Release Latest Single ‘Hollywood Actors’ and Announce Debut EP

Buzzard Buzzard Buzzard Release Latest Single ‘Hollywood Actors’ and Announce Debut EP

Buzzard Buzzard Buzzard have such a high volume of energy that they bring to all of their music.

There is no stopping Buzzard Buzzard Buzzard. Even in the strangest of times, they are still working hard alongside their record label Communion, to create music. Today the band announced not only a new single, but also joyous news of impending ‘The Non-Stop EP’ that’s scheduled for release in July. The EP has a LOT of tracks, and although it isn’t labelled as such, it’s very close to being our first album offering from the band which is incredibly exciting. One of the tracks we can expect to hear is previous single ‘John Lennon is my Jesus Christ’ from February, which I loved. The EP will also include their latest single, and classic Buzzard Buzzard Buzzard tracks ‘Double Denim Hop’ and ‘Late Night City’, besides half a dozen of new songs. Therefore we can already get a pretty good feeling of how brilliant this EP is going to be.

Buzzard Buzzard Buzzard have such a high volume of energy that they bring to all of their music. This is no exception for latest single ‘Hollywood Actors’. Their flare is flawless, and once again they successfully blend in that retro rock twist, that makes anyone want to get up and dance. Although, this is the heaviest release I’ve heard from the band to date.

The electric guitar pulses throughout this track and it features a stunning solo, but the melody driving the song isn’t quite as upbeat as you would have come to expect from them. Vocals from lead singer Tom take on wider pitches, drums bite and lyrics jab at famous faces. This all combines to form a far more expansive sound for the band, and of course it is a little different, but I think it’s great to have enlightened upon this slightly darker shade of their music and progression is clearly present. Buzzard bring all of their flavour, and add a little extra spice to this track. 

I am highly anticipating Buzzard Buzzard Buzzard’s EP release in July, along with their headline tour, which will now be taking place at venues across the UK in September instead of April.


Talk Show Release Debut EP ‘These People’

Talk Show Release Debut EP ‘These People’

If you haven’t listened to Talk Show yet, then you seriously need to. The bands brand new EP ‘These People’ is out today, and is available to stream on all platforms. It contains four singles, that will stir your subconscious and invade your mind. 

On this punchy new release, Talk Show simmer to boiling point with their edgy punk sound and lyrics that snare your senses. I have been eagerly waiting the EP since we were graced with our first taste back in January. The initial single Banshee quickly entranced me, and was a stark reminder of the incredible capabilities this band possess. 

Talk Show relish in a madness that is able to function absurdly well. 

Talk Show are a fascinating enigma to behold, and their onstage presence is unlike anything I have ever witnessed before. Blending edgy punk with something far darker, their latest EP is a glowing example of how they cleverly clash genres and sounds, to create a form of punk that is in many ways a breed of their own. Their songs are eery and distorted in their lyrical approach which knocks you off balance in a woozy bliss, but as quickly as you are lost are you then swept back up again and thrown into the frantic, chaotic frenzy of their fast paced, energetic tempo. Instruments collide and screech in this fuelled riot, with vocals tearing through in a crazed harmony that I can’t imagine any other band fusing together so well. Talk Show relish in a madness that is able to function absurdly well. 

My personal favourite from ‘These People’ is Petrolhead. Talk Show always have a way of building their songs up brilliantly, but Petrolhead is nothing shy of an explosion. It’s charged and gloriously angry, and I cannot wait to hear it live. 

You can catch Talk Show on their headline tour in September. They are also going to be playing across Wales for IVW with Panic Shack, postponed tour dates are yet to be confirmed.

Keep up to date by following Talk Show on their socials:


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