Music thuds through the walls, and the building shakes from the blaring pulse of the speakers. As doors fly open, and countless people weave in through the darkness. The packed-out gig is hot and humid. Filled with laughter and noise, beer and chanting. Livelier than any stadium, a wall-to-wall show at Fuel promises to please. The band on stage certainly do not disappoint. Gritty guitar work, blaring vocals, and clashing drums engulf the room, delighting the eagerly awaiting crowd.
An atmosphere that is surely engrained within heavy metal band SouthBound, who celebrated the release of their debut EP ‘Even Angels Sin’, to a packed-out show at Cardiff’s Fuel Nightclub in January. Determined not to let lockdown deter their spirits, the band have been working hard on creating their sophomore release. Proudly presenting, latest single ‘Bermuda’ to the world.
A gritty guitar anthem, you can really sink your teeth into. ‘Bermuda’ roars with feminine ferocity. Lead vocalist Megan Jenkins sets the tone, as ravaging guitars and drums whir around her. Choosing to keep pitches low and biting to begin with, the band allude to that sinister tension, building throughout their music.
Providing sublime guitar pitches, substantial enough to satisfy any rock n’ roll fan. Classic influence from giants such as Slipknot, Slayer and Avenged Sevenfold are clear to be heard, and evoke this bands hungry desire. Resulting in the grungy, alternative soundscape that charges ‘Bermuda’.
Rooted within the heart of the Welsh Valleys, a passion for music runs deep in the veins of SouthBound. There is such resonating energy present, that rings clear through their music. Instruments are pushed to breaking-point, with a fearless style of playing. Vocals are steeped in Megan’s rich Welsh accent. It is these bold touches of home, that push SouthBound forward in Cardiff’s metal scene, and ‘Bermuda’ is certainly a promising catapult.
Living, rehearsing and recording amidst Tottenham’s bustling warehouse community. Musical-outlet World News have clear intentions of becoming an indie band on the rise. With latest single ‘Lend Me Your Brain’ pairing hooking basslines to rhythmic jangled guitars. Low-pitched vocal purrs provide the final ingredient, to create a sound that is blisteringly direct.
There is no denying that this band know exactly what they want, and there is a sense of certainty that they will soon achieve it. With such a bold style rooted to their music. We can feel the soul of its very core. Notes of nostalgia hum from lead vocalist Alex Evans, particularly in the subtle understatement to his voice, remnant of years gone by. While smooth basslines glide in close comparison to The National. Faster-paced segments hone the slightly unhinged approach of main inspiration, Squid. With just enough lo-fi distortion creating character, World News may have a sound that is direct, but it is far from monotonous.
Subtle tempo changes and moving rhythmic pitches, allow the track means of flow and direction. Matching in tempo, to its lyrics. Written during the breakdown of a relationship, ‘Lend Me Your Brain’ explores peaks and troughs of anxieties as they bubble away, whilst coincidingly battling painstaking doubt, and a reckless abandonment of one’s own self. Yet all the while, remaining eerily grounded. As the music flows, so do thoughts, feelings and emotions. Brushing against the grind of daily life. The bass rumbles on like the rattle of the underground tube, vocals simmer like the swirls of fumes that clog the air. Condensed in sound, as though packed into the claustrophobic warehouse confinements. Lyrics are brought to life by their music.
It is these pops of sheer genius, that set World News apart from anyone else. Runaway brooding segments, in which the bass takes over and rampages throughout the track, like an emotional train wreck. Vocal drones that demand attention, like a jilted lover needing to be heard. World News are taking control of their sound and style with brilliant assurance. As Debut EP ‘Job and Money’ is set for release on 18th September. Dominating the indie genre, is surely next on their agenda.
‘Lend Me Your Brain’ is available to stream on Soundcloud now
Streaming on Spotify from 18th September, along with their Debut EP ‘Job and Money’
Through a pulsing guitar, we are hurtled into the fast-paced, loud and untamed music of South Wales’ Alternative Rock Band Feverjaw. Since bursting onto the scene last year, they are a band that have made an impact, and their music continues to be very well received by fans and the industry alike. Therefore, it should come as no surprise that they are planning to unveil their debut album very soon. With first single Bloodwork due to be released this Friday (4th September).
As boisterous guitars meet the clash of drums. Sparks fly on their tantalising latest track. With an opening riff that is strong and punchy, Feverjaw ensure we are hooked within the very first few seconds. Gritty rock music, delivered in a fresh and exciting new way. Bloodwork is fuelling and gloriously energetic.
Vocals from lead Dale Hawkins blaze through with bold ferocity. Providing that biting satisfaction, as this track roars to life. Exuding an undeniable air of confidence, Feverjaw are unflinching in the message they wish to convey. Brooding lyrics thrive over intense instrument playing, meandering between menacing and subtle melancholy. There is a definite ‘fight over flight’ fury that is uplifting and inspiring. The raucous music tearing throughout the track, ensures Feverjaw can be heard loud and clear. As Bloodwork shines to become an anthem of positivity.
Stirring and vibrant, Feverjaw are undoubtedly giving us a little more than just rousing rock music alone. With lyrics laced in thoughts and feeling, this sense of self and empathy that burns throughout their music, adds a layer of depth to your typical rock n’ roll façade. As we discover a band capable of becoming a beacon of hope. Feverjaw grasp rock music with all of its chaotic energy, and channel this to confront chaotic emotions head on.
Bloodwork is out on 4th September via Tone Burn Records
MojoJNR is the alias of South Wales Musician Josh David-Read. Pairing the dreamiest of summer soundscapes, with husky vocal musings. His canvas of creativity spans far and wide, crafting music that will surely delight any listener. With a deep and unique approach to indie-pop, composed from the world around him. Josh harnesses a brave expression of his own thoughts, feelings and emotions. Utilising a vibrant spectrum of personal experience, to share his colourful musical universe with us. Friends and those he meets along the way may play a helping hand in what finally culminates as Mojo JNR. Yet the driving force, evoking and breathing life into the project, truly is Josh himself.
Sophomore single Peach Out is a clever play on words. Written about holistic methods of coping with anxiety. The idea for the track was originally derived from a text sent by Josh, with Peace Out, having been auto-corrected to Peach Out. This little quirk looped around in Josh’s mind, and together with a bit of research, he stumbled upon a crystal called peach aventurine. Discovering its benefits to soothing stress and worry, the concept behind Peach Out was born.
Josh explains how “Peach Out is essentially a light-hearted bedroom-pop track, focusing on how difficult it is to relax, even when you are doing nothing.” With swirling thoughts around anxiety, coupled with lockdown. Josh found himself determined to write the lyrics for the track, record, and self-release it by the end of July. Achieving that and more, Josh has proven himself to be a complex and motivated musician. It is truly awe-inspiring to behold his creative flow, from start to finish.
Peach Out pairs husky soulful vocals with simmering instruments and synths. With lead vocals from Josh harmonising exquisitely with backing vocals of fellow-musician Ci Gofod (Jack ThomasDavies) who features on the track. As the two vocals gently brush off one another, their overall warmth combined with keeping the pitch fairly low, results in a sultry summer-time track. Peach Out will perfectly resonate with fans of folk-rock singer Paolo Nutini, as well as the power-pop musings of an 80s Bowie.
Instruments are not overbearing, but instead infuse with the gorgeous vocal musk concocted, to create a soft yet rousing track. Without being raucous or loud, Peach Out is a woozy exploration of self-expression, evoking imagery of moody sunset blues.
Peach Out swiftly follows Mojo JNR’s debut offering Miles Away, which was released back in May. A brooding and slower guitar-fuelled love song, Miles Away stirs our senses, bringing to the forefront that one person we all need to move on from. With a smooth ability to easily transcribe a breadth of emotions, into lyrics. Josh is a remarkably keen songwriter, and it is clear to hear this talent reflected through his music. Miles Away is a marriage of music to lyrics, and a strikingly beautiful debut.
Mojo JNR is certainly one to watch, and amongst many others, I find myself incredibly excited to behold what the future has in store for this musical muse.
Peach Out and Miles Away are available to stream on Spotify
3:00am. Despite the stillness of the night, you find yourself lying awake. Looking again for the hundredth time, at the hand crawling around the clock. “Tick-Tock, Tick-Tock!” rattles through your brain like a dull ache. Bleary eyed and tired. Your inner monologue just won’t stop tonight. Sleep would be nice, but the thoughts are too loud.
Latest single Thought Number 3 from Rosehip Teahouse embodies those lonely hours we share with the moonlight. Basked in nothing but our own thoughts. Sleep will not come, because we are too exhausted by our minds.
Peering in through the glass of Rosehip Teahouse, we steal a glimpse at the thoughts keeping lead vocalist and songwriter Faye Rodgers awake. What begins as gentle musings, soon spiral.
Wrapping sincere lyrics within soft, delicate sounds. Rosehip Teahouse create emotional music, without any crushing weight to it. Instruments are kept light, and twinkling synths sparkle throughout the track like stars.
The woozy, dreamlike soundscape sets a scene of calm and tranquillity. Lyrics highlight Faye’s gorgeous song-writing abilities, and flawless vocals remain perfectly harmonious. The soft nature of the song, almost for a moment, allows for an escape from the sadness behind the words sung to us. Until we are jolted by the poignant finale.
Pairing opposing elements, of deep sadness and soothing music, together so beautifully. Fragile emotions are cradled and vocals lullaby soft. As though warming us with a comforting glow in the darkness.
At just over a minute and a half long; Thought Number 3 is a tender little indie-pop track, with huge emotional, poetic, and personal reach. For Rosehip Teahouse to have conveyed music so moving and resonate within such a short duration of time, is truly wonderous.
Thought Number 3 is available to stream now via Sad Club Records
Grasped by a guitar riff, we dive straight into latest single Can’t Go Back from London-based indie outlet Medium Love. Despite its initial heaviness, the biting riff soon softens when accompanied by an unexpected but glorious, pop of synths. Adding a light-hearted twist to the track.
Swaddling a mean guitar riff with synths could seem an odd combination at first. However the brilliant mixture of instruments Medium Love harness, showcases a unique sound, setting them apart from the very get-go. A ripple of personality breezing through within the first 5 seconds, certain to hook anyone in.
Can’t Go Back pairs perfectly with summer sunshine. As a snaking bassline pulses throughout, drums clash with guitars, creating a raucous rhythmic dreamscape. Pop-punk vocals from Kacey Underwood lift the track to dizzying heights, and once met by co-vocalist Heather Eaton, the duos varying harmonies combine to provide a rich vibrance. Reminiscent in sound to Childcare and The XX.
These vocal harmonies contrast exquisitely, not just with one another, but with their own individual tempos. Matching breathless woozy moments with intense shouted sections. Again, we see a build on that medley of sound Medium Love are delivering throughout their debut.
This mash-up of genres could risk coming off speckled and jarring, but Medium Love manage the balance just right. To present a track that is polished and professional, with just a dash of DIY-bedroom-pop vibe, which we all love!
Perhaps their professionalism spans from experience, as Medium Love are not entirely new to the music scene. Founding member Kacey Underwood was formerly of BigDeal, a band who achieved success amongst the grassroots movement between 2013-2016. Based between California and London.
Striking out anew with Medium Love, we feel that all involved are really beginning to channel their own unique styles. It truly is wonderful to behold! Especially when compared with the pure punk-rock that dominated the sound of Big Deal.
This flair and spark of individuality now at home within Medium Love, will surely stand them in good stead and I highly anticipate their upcoming EP release in just a weeks’ time.
Ahead of the release of her strikingly-beautiful Debut EP Open Up, Honey which will be outthis Friday (24th July). GILLIE has shared with me the EPs lead single Winter Girl, which I am beyond delighted to introduce to you today.
Combining rich earthy tones, with a sheer and beautiful whimsicality. GILLIE blends a variance of sound to create the most sublime music.
Winter Girl is heartfelt and staggering. A stunning debut, from a very promising EP.
A lyrical journey of change. The track encapsulates growth from a pained past. Yet bravely explores elements often unspoken, through recognising that progression may not be easy.
Flourishing in the freedom of her self-expression. The track provides hope and clarity, whilst not hurrying past moments of doubt and angst. Recognising that in time, one can move forward with them.
GILLIE’s songwriting is raw and truthful. Encasing this within delicate yet fiercely unwavering vocals, and finessing amongst the gentle strums of a guitar. GILLIE has self-produced a track that is open, and enriching.
Providing a wonderful welcome of what we can expect to hear from Open Up, Honey upon its release on 24th July.
Listen to the first track Winter Girl exclusively here
Through a happy-go-lucky swirl of sound, we are swept away by latest single This Side of Luv from Cardiff-based band KEYS. Honing inspiration from psychedelic pop of the 60s and 70s, their music is a glorious clash of instruments with the grooviest lovelorn vocals from lead Matthew Evans. Bedroom recording at its best, the track is a glowing example of plug in and play. In no way overthought or finely tuned. Instead This Side of Luv took shape during the recording process and came to life using cassette four-track machines during lockdown.
Reflecting on Britain in the early 70s, KEYS recall how joyous music emerged from bleak moments. Pondering over its effect on history, they express how music has the power to lift the spirit, and hope to achieve this with their very own modern-retro sound in 2020. Without any shadow of a doubt, This Side of Luv is a song capable of boosting any glum mood. Seeking beauty in heartbreak, the track radiates fun and happiness in the brightest of technicolour. I long for the moment I can dance around to a spinning KEYS vinyl.
With an unmistakable early Beatles vibe, KEYS provide a perfect nod of nostalgia, but shake things up with a new-age bang. Rhythmic drums and guitar hooks flow marvellously throughout the track. Yet without drawing on any formalities, it is safe to say that this is simply a great piece of music.
KEYS have blown me away with a brilliant blend of vintage vibrance for This Side of Luv, that commanded my attention from start to finish.
This Side of Luv is out now via Libertino Records
Follow KEYS on their socials below
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Since the acclaimed success of Moonshine Freeze in 2017. A further album from mesmerising folk band This Is The Kit has been highly anticipated. Having teased fans with new songs during shows for over a year now. Today, our first real glimpse into This Is The Kit’s 6th studio album Off Off On was given. Exclusively through BBC6Music, the band debuted the upcoming albums lead single This Is What You Did.
Unmistakably folk music at its best, the single bursts to life with gorgeous banjo playing, before the sweet vocals of Kate Stables weave through. A song embodying entrancing thoughts and excess time to ponder. Lyrics depict being trapped within yourself and the deprecating thoughts that accompany those feelings of isolation. Swirling rumination, paranoia and a cycle that repeats itself, in a saga of sleepless nights and endless days. More prominent now than ever for many of us.
Described by Kate Stables herself as a panic attack within a song. The message and lyrics are both incredibly emotive. Yet, the song is just so beautifully delivered, you can’t help but reach for that play button over and over again.
A stunning introduction to what is set to be an incredibly beautiful album. I am so eagerly excited for any future releases to come.
Off Off On is scheduled to be released on 23rd October 2020 via Rough Trade Records
Unflinching honesty exposed bare, through the gorgeously soft, yet fiercely brave vocals of Ailsa Tully.
By a brooding bass line, we are drawn into the world of Ailsa Tully. Husky musings pry open latest single Edge as we learn an unexpected truth. On a hazy, glowing twilight of London’s riverbank, an evening full of laughter and life; painstaking anxiety is all that consumes her inner monologue.
As though the river flows calmly, Edge carries the listener along in delicate ripples and waves that never break. Despite the swell of emotive depth conveyed within the track, the music remains soothing and soft. Purposefully evoking a sense of numbness, against racing thoughts and a quickened heartbeat. When a mind cannot stop thinking, there eventually exists an odd state of tranquillity in the confusion, where one is simply lost amongst the chaos. As the brooding bass line plays on and the lull of the nightlife hums steadily in the background. Set against Ailsa’s stunning vocals, the music is reflective of that peculiar state where we feel everything, yet nothing. The surrounding world is meaningless, as our thoughts are all that exist.
The deliberate stark contrast between the music and lyrics is staggeringly beautiful. Creating a dreamlike, lullaby nightmare in Edge, that is nothing short of captivating. As we meander through the song, musical traction is picked up towards the end as the bass heavies and a drumbeat ensues, but an overall eerie sense of calm remains.
Vocally Ailsa heightens her range in parts, as peaks in her worries amplify in reflection of her lyrics. Edge is such a raw, honest, and brave expression of herself, that presents gorgeous vocal capabilities. Ensuring we behold Ailsa Tully as a hauntingly brilliant singer and songwriter.
A deep level of empathy and reflection exists within her music. As listeners, we too feel as though we are wandering the streets of London’s nightlife. Woefully lost amongst the ‘normality’, whilst consumed by our own thoughts and a desperate search for clarity. Yet somehow, we are swallowed by a soft heady calmness that could be our outer appearance to the world. I am completely in awe of the fascinating vocal delivery and backstory of Edge. I cannot wait to hear more from Ailsa Tully.
Following on from their previous release True Secret to a Happy Life, TJ Roberts are back with yet another slice of indie-rock goodness. Latest single Sinceridipity makes no apologies for its bold entrance, as shredding guitars hurtle us full force into the track. Brooding vocals from front man Tom tear through in the first verse, but there is no hiding from that biting guitar lurking underneath, as the track builds to break in its charged chorus.
Blazing to life, Sinceridipity brands its mark, easily becoming one of the finest indie tracks of the year to date. Instruments stampede in a glorious frenzy but complement one another exquisitely well. The track features Zac White of Buzzard Buzzard Buzzard on guitar. A musical collaboration of dreams, with fellow BBB member Tom Rees having produced the track. The close-knit South Wales Music Community proving yet again, just why it is so good.
Demanding your attention from start to finish. Sinceridipity is undoubtedly a track that needs to be turned up loud. Especially if you really want to enjoy that minute-long guitar solo that powers through to the end. Hushed thought-provoking verses intertwine with the triumphant chorus; showing off impressive combinations of vocal and instrumental prowess that are driving this band to the forefront.
Lyrically Sinceridipity encapsulates adolescence, and those moments of embarrassment, when we somehow find ourselves looking back over an array of fake, but often misinformed, personalities that developed. A time-honoured tradition of barely comprehensible nonsense. Musical inspiration has been sought from the dark-eyed Lou Reed and Eels’ Mark Everett, as well as the rambunctious energy of Dinosaur Jr. and Fugazi.
The track is available to stream on all platforms via Libertino Records.
Lindsay Munroe is a brave a bold lyricist, baring her soul through music. Her previous singles ‘Mirror’ and ‘Split’ resonated with my very core, and I have been eagerly anticipating her next release.
‘River’ washes over the listener instantly, and is breathtakingly stunning. From its very source, the track is deeply emotive but the vocal delivery from Lindsay is so soothing and tranquil. The most quiet and gentle of her songs to date. The melancholy and heartfelt, ‘River’ finds a way to nestle into your mind and make its home there.
With a heavy emphasis on repeating lyrics, Lindsay is brooding over her pain. The song is slow and winding, allowing us to ponder over our emotions, as well as her own. It is a soulful but soft track. The quiet nature of it is nurturing and not harsh or cutting, despite its emotional heaviness. Instead Lindsay’s vocals convey enough emotion through their almost muted tones, as though they are whispering a secret. It is just enough to invite the listener in.
A songwriter who carves out a part of her heart and places it into the soul of her song.
The lyrics themselves are haunting, as Lindsay conveys such yearning through the depth of her words. Exposing so much of her inner most thoughts and feelings, is once again, admirably brave. Lindsay has such an ability of providing fleeting glimpses into her past, and slight reflections of what may have been, divulging just enough to provoke thought and create in many ways, a story for the listener.
Her self-expression is captivating and certainly makes for a fascinating muse. What I hope I am conveying to you, is that ‘River’ is more than just music and lyrics. It is raw and real, and a slice of Lindsay herself. A songwriter who carves out a part of her heart and places it into the soul of her song. Lindsay’s lyrics are vulnerable and open, however, rather than be deterred by her sheer honesty, Lindsay Munroe is helping it build her.
‘River’ begins with awash of subtle guitar strings and moody vocals. As the song progresses, it also incorporates more elements musically, as drums emerge, and guitars are played a little heavier. Synths and pedals are also used. Although the track is in no way crowded and cluttered with a clash of jarring instruments. Instead instruments simply blend in to complement one another. Lindsay’s vocals and the overall tension of the track heightens in its chorus, but ‘River’ remains to be so soft and delicate; the music carries it along beautifully.
My adoration for Lindsay Munroe is deepening with each song I have the pleasure of hearing, and I am waiting earnestly for her debut EP release. I just know that it is going to provide the most beautiful emotional journey.
Lindsay Munroe’s Debut EP ‘Our Heaviness’ has been rescheduled for release on 19th June.
I could not love Panic Shack any more if I tried. Their fierce bad girl attitude, tongue in cheek humour and adoration for chaos, all creates an impressively powerful emerging punk band. How close they are means they are more like sisters than friends, and they are quickly becoming the band that everyone wants to know. Causing carnage with raucous live shows, and acquiring a cult following. Panic Shack have already supported infamous punks Amyl and the Sniffers, and are tearing up Cardiff’s live music scene as they go. Once you have seen Panic Shack perform at a gig, you certainly won’t forget them. A band that were born to break the rules. Combine crazily good music with an infectious amount of energy, and they are able to command a crowd and deliver a gig like no other.
Panic Shack’s debut single ‘Who’s Got My Lighter?’ was a roaring success. The band are renowned for playing a number of unreleased songs at their gigs, so fans already knew what to expect from their loud and untamed debut, and its popularity has continued to soar ever since. At Panic Shack’s headline gig in March the track had its first live outing since its release. A boisterous crowd and a night fuelled with frenzy, meant their debut hit went down a storm, and blew the roof off Cardiff’s Clwb Ifor Bach. Since its release, the single has received airplay on a number of radio stations, including BBC Radio 1. YouTube views are racing up by the day, and streams are continuing to spiral. A lockdown is not going to reckon with the force of Panic Shack.
Today the band are releasing their latest single ‘Jiu Jits You‘. An unapologetic anthem that is as bold as its title suggests. The track tells the tale of a night out, and the idiots encountered along the way. Not shy in speaking their mind, Panic Shack do not hold back on this brilliant spoken-word story and express in no uncertain terms what they would like to do to anyone causing them trouble. In true Panic Shack style it’s all delivered in good humour, proving they are as fun as they are fierce, but you’d still be a fool to think you could mess with them. Especially if they really do know Jiu-Jitsu!
Their ability to blend spoken word stories with rebellious punk music, provides Panic Shack with a unique edge that certainly makes them memorable. Many punk bands can spit out their lyrics with a harshness and throw themselves around a stage, but Panic Shack have a different appeal. Although rebellious and wild, they also bring in a girlish charm and there is a bubble gum pink theme surrounding them. A female-fronted punk rock band with two personalities, that clash gloriously together.
Bringing in an added element of fun with the song’s catchy chorus and shout-out chants, ensures that ‘Jiu Jits You’ really sparks to become a hit that you can sing along to. It is not for the faint hearted, but is fun and fiery, and I love that they make no apologies for that. Guitars blare, and vocals shout out to pack a punch on this screamer of an anthem.
‘Jiu Jits You’ will plant itself firmly in your mind and knock you out by how good it is. It is a very strong follow-up to Panic Shack’s debut single, that shows listeners exactly what they are all about.
You can follow Panic Shack on their socials below:
Forever entwined in some way or another, Wales’ chaotic but lovable indie rock band Trampolene and music-heavyweight Pete Doherty are certainly no strangers. With Pete initially having taken an interest in the bands front man Jack Jones for his poetic flair way back in 2015. The two formed a firm friendship after Jack became the resident tour poet for The Libertines on their 2016 Arena Tour. Jack and Pete have only grown closer every day since, with the pair working continuously together on a number of musical projects.
Pete Doherty is now a family figure to Jack and the band as a whole, almost acting as a mentor for their musical journey. With immense experience fronting one of the most successful UK bands of all time. For a young indie band like Trampolene with stars in their eyes, he’s certainly a very good connection to have.
Over their five year friendship, Trampolene have supported The Libertines across several tour dates already. Front man Jack is also a guitarist and occasional vocalist within Pete Doherty’s new gypsy-punk band The Puta Madres, and Trampolene drummer Jay Bone is also a member of Carl Barat & The Jackals, which is another band of The Libertine’s co-founder Carl Barat.
It is evident to see that within just a short period of time, their ties run pretty deep. Therefore for Trampolene and Pete Doherty alike, it must have been an exciting and engaging prospect to collaborate on a song with one another. Surely a means of cementing their bond, for all to hear. Asides from Jack’s participation in The Puta Madres, for us fans this will be the first time we have the pleasure of listening to Trampolene and Pete performing together on one track.
It is an adoring ode to how close they all are.
It almost feels as though it is full circle from where they began, with Jack’s poetry being that initial spark to ignite their relationship…
Written and performed entirely in isolation. ‘Uncle Brian’s Abattoir’ was given its first spin on BBC Radio 6 this morning. Radio Presenter Chris Hawkins explained how the track consists of poetry recorded by Jack on his phone in Swansea, which was then forwarded on to their producer Mike Moore in London, and finally over to Pete Doherty in Normandy, who added vocals for the chorus and backing. Jack’s poetry is the main focus of the track, so it almost feels as though it is full circle from where they began, with Jack’s poetry being that initial spark to ignite their relationship way back when. It is a glorious and touching sentiment.
To anyone unfamiliar with the works of Pete Doherty and Trampolene, the track may seem a little eccentric. However, to fans its charm will remain undisputed. Jacks existing poems have grown to become so popular amongst followers of Trampolene and The Libertines, they are chanted out at gigs and recited word for word as though they are anthems. I do not doubt that in time, this song will be no different.
Hailing from Swansea in South Wales. Jack’s Welsh accent always shines beautifully throughout his spoken-word poetry. This is no exception for ‘Uncle Brian’s Abattoir’. There is a delightful rhaspiness to Jack’s vocals on this track, which emphasises the songs emotive lyrical content, whilst rightfully demanding the attention of the listener. Contrasting exquisitely with the high pitched and warped vocals that emerge from Pete Doherty during the chorus. Pete’s vocals somehow pour through, and add a light hearted aspect to the track. The giddy oddness of the style in which they’re delivered allows for this, and showcases that unique spirit and personality that runs between the two joyous and loving individuals that are Jack Jones and Pete Doherty.
The idea behind the new track was curated by the marvellous mind of Jack Jones, who was inspired by a painting created by his young cousin. The little artist had depicted a world where animals and humans live as one in harmony, but as is the innocence of a child, had mistakenly called her “farm” painting an “abattoir”.
Being the keen lyricist he is, it wasn’t long before Jack’s mind pondered over those thoughts and ‘Uncle Brian’s Abattoir’ was born. As Jack’s inspiration wound to seek out the skewed aspects from the painting, in its innocent error. The finished track expresses a harmonious existence inspired by the child’s idea on one hand, but also a caged one on another, due to the harsh truths we know to exist within the title. Additional inspiration was sought from the current UK lockdown.
‘Uncle Brian’s Abattoir’ is being released on Friday 22nd May, as a means of celebrating the creation of new record label, Strap Originals
New music, I hear you rejoice! It is my absolute pleasure to introduce you to your new favourite band, Tales In The Shade.
A wonderfully eclectic mix of individuals, with an incredibly expansive and exciting take on music. Hailing from Wales and the South West, Tales In The Shade have performed on and off together locally since 2018, so you may have caught them at a gig or two already. However 2020 will see them release their debut single ‘Elephant’ and I cannot even begin to express to you how great it is.
I’m sure you’re curious to know a little more about them, right?
Well, each band member brings their own unique diverse sound and style to the band, having been a part of numerous other musical outlets over the years. From an ELO tribute band to a heavy metal mash up, Tales In The Shade have the full-colour spectrum of musical influences. Such a rich variance of experience, combined with a can-do attitude and ability to perform so well together, means that Tales In The Shade have created a band of friends, as well as musicians.
The band do not label themselves as being a part of a particular genre, but would rather describe their sound as an abstract, underlying concept. Their varying thought processes and ideas collide gorgeously, to allow them to create songs that they write collaboratively through an initial brainstorming process.
Tales In The Shade breathe more life into their lyrics than your average songwriter.
Before their songs even materialise, Tales In The Shade create their own back-stories, worlds and universes for their songs to be set in. These stories give Tales In The Shade their very own dimension from which they can source characters, and an array of fantastic plot lines, as a basis for their music. Similar in a sense to the works of Creeper and Green Day, where recurring characters and storylines entwine throughout multiple songs. Who knows in the future, Tales In The Shade could have their very own Rock Opera on the way! Move over American Idiot.
The bands front man Sam Griffiths (pictured above) explains their creative approach in more detail;
“We like the idea of not telling a story in a verbatim and obvious way, but to just tell a fragment of a story, an ambiguous hint of a bigger picture. If we were to write a song set in a world of superheroes, we wouldn’t be writing about Batman, we’d be writing about the perspective of the unassuming janitor cleaning away in the next room. ‘Show and don’t tell’ can have tremendous power lyrically.”
Being a writer myself, their creative means of devising song lyrics really appeals to me, and has made the prospect of future releases incredibly intriguing. Recording their music on the brink of lockdown, Sam expressed to me how finessing their debut single within those last few precious hours was “a very profound and memorable way to experience such a devastating event.” The band have had zero human contact with one another since, but are eagerly awaiting the chance to be back in the recording studio as soon as they are able.
Twin Stranger are back with yet another incredibly catchy single. You may recall my adoration for them, following the release of their debut single ‘Tears Of Joy’ back in February. ‘Crushed’ has arrived with as much bold enthusiasm, and more. It’s fantastic.
‘Crushed’ has the huge capability of becoming an instantly recognisable hit, and I am beyond excited about it.
Fuelled by an amazing energy and sound that fires throughout the track. ‘Crushed’ begins by captivating the listener instantly, delivering such a glorious intensity as it bursts into life. Lead Vocalist Alex McConnachie sweep us off our feet, possessing an overwhelming confidence. I continue to be enthralled by his distinct energy. You just know that when a song hooks you within the first 10 seconds of listening, that it’s going to be special. It is clear to me that ‘Crushed’ has the huge capability of becoming an instantly recognisable hit, and I am beyond excited about it.
The track oozes vibes of sunshine, summer-time parties and dancing. It is a proper feel good song and yes, I am just a little bit in love with it already. Bringing joy in strange times, ‘Crushed’ is a song you can turn up loud, and drown out the rest of the world with. Twin Stranger have produced a gorgeously fun track that fizzes with so much life, and I honestly cannot stop listening to it.
I would describe ‘Crushed’ as an alternative type of pop-rock. It has all the power, punch and fun of a blaring pop-rock number, but is in no way overworked, or too full on. Instead its homegrown powerful presence creates something that shines. ‘Crushed’ is certainly impressive, and it’s clear to hear that every element incorporated, from vocals to melodic guitars and drums, collide perfectly together. Personally, I feel the tracks popularity will only grow the more it is heard, and it’s a song that anyone can enjoy listening to.
Despite the upbeat nature and carefree charm of ‘Crushed’, the lyrics are actually an underlying jab at the vane and egotistical sides of humanity; which you’d be forgiven for not noticing straight away. Speaking of the track Alex McConnachie expresses; “Crushed is about realising that some people you know just love listening to the sound of their own voice, and other people’s troubles and feelings only really enter their mind for a split second, then they’re gone again. On a more positive note it’s also about summer time when you’re a teenager, the days blend into one and you’re just hanging out with your friends without a care in the world, just living in the moment.”
From its vibrant sound to its sniping lyrics, ‘Crushed’ is a track that certainly makes an impact. It’s definitely a firm favourite of mine already, so you now know what I’ll be listening to non-stop this summer.
I can’t wait to hear what Twin Stranger bring us next!
Twin Stranger are a Welsh 5 piece power-pop project led by singer and multi-instrumentalist Alex McConnachie. The band’s sound is a mix of hooky bass-driven pop melodies, synth freak-outs and dreamy guitar soundscapes.
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Rory Wynne is the next shining star to burst out of Manchester’s flourishing music scene. Showcasing a unique blend of indie-pop, Rory is not shy in taking charge of his own music career. You’re saying hello to the writer, performer, recorder and producer of his own music, which is certainly impressive.
Already championed by the likes of Radio 1 and NME, Rory is making a bold impact, and his music speaks for itself. Upon embarking on his headline UK tour, Rory wowed avid gig goers. Since then he has secured a string of residency nights in Manchester, as well as playing a show at iconic venue, Jimmy’s.
Echoes of summer nights, and carefree fun scorch through Rory’s whimsical tracks. His latest single ‘Roses’, is another undeniable indie hit. Dusky vocals scatter like petals throughout, but Rory’s sharp lyrical capabilities soon scar us with their thorns, as the track embodies that peculiar sting from lust for love, and ghosts of mistakes that are capable of entrancing us all, especially when they relate to that one person we adore most.
Driven by want and desire, ‘Roses’ is as lyrically dreamy, as it is catchy. Rory’s passion for music is clear to hear; the track is so brilliantly put together. Each verse, chorus, and even the song’s breakdown, are meticulously crafted to grow a truly beautiful track. 80s synth and modern indie clash, as Rory presents us with a singalong hit you’ll be blasting through your speakers in no time.
Rose-tinted by name and by nature, ‘Roses’ really does bloom. Lustful lyrics and vocals are charged by captivating music, that really emphasises the charm of this track. Lyrically and musically, Rory has got it spot on here, and I’m very excited to hear more from him in the future.
‘Roses’ is out now on Very Clever Records, and is available to stream through all platforms
Rosehip Teahouse are back with a beautiful, woozy track written in isolation by lead vocalist Faye Rogers. Always sharing messages of positivity and kindness, Faye is a movingly brave lyricist who sings openly of our innermost human emotions and fragile experiences. Her latest track is a glowing beacon in dark times. Her vocals soar on the DIY single, and it is a delight to listen to.
A slice of indie goodness, soothing and soft. It highlights a tender, delicate subject and wraps it in sweetness.
Faye of Rosehip Teahouse has a gorgeous gift of comforting listeners through her music. ‘It’s The Wrong Time’ is about those self-destructive thoughts that often invade our minds when we are on our own, and linger. Faye has written and performed the song to raise awareness that we are not alone in encountering these frightening feelings, despite feeling like we might be, and to help those who may be struggling during such a strange period of our lives.
Everything about this song is beautiful; its vocals, its meaning, the subtle backing music. The track is simply made, but truly glows. A slice of indie goodness, soothing and soft. It highlights a tender, delicate subject and wraps it in sweetness. Faye’s voice is set against twinkling sounds from a keyboard, which compliments the serenity of her latest single, and swirls us around in a lullaby haven. Although ‘It’s The Wrong Time’ does have lyrics relating to unnerving thoughts, worry and fear woven within it, the song is subtle and so caringly delivered by Faye, it is a beautiful safety net rather than a trigger. Personally, I believe a lot of listeners will find solitude and peace within this blissfully blended track.
I commend Faye for once again having the boldness and bravery to record such a touching, emotional song and perform it with such wonderful composure.
If you enjoy listening to Rosehip Teahouse’s latest single, please do go and listen to their other singles on Spotify, and tune into any livestream sessions Faye is performing on Instagram. Often, you will be able to hear unreleased music that the band are working on, and I assure you these are equally as stunning. The band hail from Cardiff, and have performed a string of gigs locally and further afield over the years. Next time they are playing near you, it would be wonderful if you would go out and see them live. Their shows are completely mesmerising. I featured them as one on the best, emerging Welsh bands that you need to know about, back when I first started my blog in December 2019. You can read that here if you like.
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‘It’s The Wrong Time’ is out now exclusively on Bandcamp.
I always have and always will hold a soft spot for Matt Maltese. His music is melancholy but strangely comforting and it has been a huge part of my life over the last few years. I keep both of his albums, ‘Bad Contestant’ and ‘Krystal’ dear to my heart, so I was delighted to discover that he has shared a new track with us all today.
I need not explain much about the single, for it is entitled Ballad of a Pandemic, and given our current global climate I’m sure you can all guess what it is in relation to. Matt Maltese however somehow breathes joy into our world, with his gorgeously woeful vocal delivery and oddly comedic suggestions; “Help your neighbour even if they’re not nice. Help your neighbour even if they’re hostile” he pleads. The lyrical content of the song is serious, of course it is, and it is without doubt that it sends a very strong message of love and hope for us all to stay safe in these uncertain times, however, I do love Matt for those little elements of madness he incorporates so beautifully; “Sit tight on your couch like a soldier in a dressing gown.”
I have cried to this man’s songs over my lifetime, and I have laughed. Often during the same track, which I know is slightly concerning. However, because of that ability he harnesses to so carefully balance emotion with wit, I believe that he is the only musician able to write a song about this horrific situation we’re all in, and somehow get it right. As I have said before, he is the king of wounded lovers, he guards hearts and he is a bizarre type of comfort blanket to me. I adore him, and I admire his bravery and boldness in releasing this song.
What is most kind-hearted about the release is that Matt is donating any profit made from the single to The Trussell Trust. An organisation which supports a network of food banks across the UK, and provides emergency food and support to people in poverty. A very worthy cause, and it has actually touched me how much of a lovely gesture this is.
Let’s please all help support Matt and this wonderful organisation by streaming and purchasing his latest single ‘Ballad of a Pandemic’
Clwb Fuzz are brooding newcomers to Cardiff’s music scene, and already they are creating a buzz with their fresh, grungy, post-punk sound. The moody tones that surround this band are hot on trend at the moment, and their live performances are preceding them as they are continuing to rise in popularity amongst the live circuit. Channelling the likes of The Breeders for inspiration, Clwb Fuzz provide us with crushing basslines, sniping drums and hushed stirring lyrics from co-vocalist Emily Kocan. Today they are sharing their newly-recorded single ‘No Heaven’ with us, and it is definitely one you will want to listen to.
The track has been a favourite on their live sets already, and it went down a treat during their recent live-streamed gig with Let It Happen via Instagram. The single has been produced by Tom Rees, who has already worked with bands such as Panic Shack, and his own band Buzzard Buzzard Buzzard are taking the music scene by storm. Clwb Fuzz are certainly in good hands here. ‘No Heaven’ has been released through Libertino Records, who already nurture the likes of Adwaith and Los Blancos; they are certainly off to a very promising start.
Clwb Fuzz have nailed getting the balance right between echoing wistful vocals and biting guitars in the verses of ‘No Heaven’, but it is in the build-up that we really feel co-vocalist Emily Kocan’s voice rouse our senses and throttle with its grip.
‘No Heaven’ is a churning, post-punk anthem that will leave you stunned, in the best possible way. Its lyrics are in no way delicate, and remind me of those internal screams that swirl around in our minds when it plays with choking wild thoughts and delusions. These thoughts are captured and bottled by Emily’s initially soft vocal delivery, that could almost trick you into thinking the song is nice on your first listen. When in reality it contains words that snake menacingly around your soul. The moody tension makes it all even more unnerving, but the shudders you experience are glorious. Clwb Fuzz have nailed getting the balance right between echoing wistful vocals and biting guitars in the verses of ‘No Heaven’, but it is in the build-up that we really feel co-vocalist Emily Kocan’s voice rouse our senses and throttle with its grip.
Clwb Fuzz’s menacing moody sound is completely captivating and it is clear to see from this track alone, that they are a wonderfully talented emerging young band. ‘No Heaven’ progresses stunningly well, and I can’t wait to hear more of what they have to offer. I adore how this single, that is at first quiet, wistful and eerie, evolves into a shredding-guitar track with a snarling bite, that will definitely leave a mark.
Clwb Fuzz’s Debut Single ‘No Heaven’ is available NOW on all platforms via Libertino Records