As Spring bursts into bloom, our favourite queen of hearts Rebecca Hurn returns with her stunning single, Panic. Due for release on 30th April, but available to pre-save now. The single is a follow-up to the gorgeously festive Something About Christmas and October’s mesmerising Love Like This. Written among the bustling romantic boulevards of New York City, almost 2 years to the date. Asides from an intimate live performance at Bleecker Street’s The Bitter End, Hurn has kept this latest surprise single close to her chest until now.
Deeply personal, Panic is a poignant pop track that explores the highs and the lows that we can go through at the beginning of a new relationship. Hand in hand, Hurn sweeps us away with majestic song writing, cradled by the caress of sweetened vocal chords. Striking the balance just right, between story-telling and song. Instruments are perfectly paired, as gentle acoustics glide across verses, and the chorus breaks with building percussion. Bold enough to make a memorable impact, just as a quickened heartbeat would when caught in the moment.
A singer songwriter drawing largely upon her own experiences for inspiration. Rebecca Hurn divulges music as a memoir. Heartbreakingly honest, leaving no emotion unexplored, or a word left unsaid. Panic is poignant yet perfect, as it captures those inner monologues that we often shy away from expressing ourselves.
Following the intimate debut performance of Panic in New York, Rebecca Hurn described the tracks meaning herself:
“I have this thing where I think…. when I’m like – I start seeing somebody – Oh my God I know how this is going to end and it’s never nice – so I think when it’s good ….I’m like Oh God when is this going to go wrong! So that is what this is kind of about.”
This keen ability to match unhindered lyrics, with a soft and almost delicate soundscape, allows Hurn to truly tap into theemotions of her listeners. There is an air of wonder and magic to her music, with its twinkling acoustic strums and patters of percussion. Yet also that firm grounding from its emotive meaning, and a compellingly raw human aspect that yearns from the aching truth in her vocals. Creating music that makes us feel alive, by making us feel.
Produced and recorded by Cardiff-based Lee Jon House, Panic is a beautiful single from a mesmerising musician. It is with excitement that we wait to behold what the rest of 2021 has in-store for Rebecca Hurn.
With an appearance at The Isle of Wight Festivalset for September. To our delight, it won’t be long until Rebecca Hurn will be enchanting audiences once again.
Mr Bewlay is an eccentric musician, determined to re-define everything that we know about music. From the bright and bubbly Her Name is Juniper to the sombre piano ballads of Fake Yourself. Bewlay is shaking off genres and shaking up our eardrums. Yearning that we explore as many new sounds and styles as possible. Proudly breaking away from any constraints of the mainstream, Bewlay paves his own beautiful path, and it’s a road that we certainly want to join him on.
Latest track Dan “The Don” Wilson introduces itself with a thumping 80s synth line. Pair this with marvellously kooky lyrics about central character “The Don”, and Bewlay strikes gold yet again. From music that is mind-warpingly mesmerising, to a story unusually fascinating. Bewlay makes no apologies for allowing all forms of their creativity to flow free.
On the topic of his latest release, Mr Bewlay discusses:
“Dan “The Don” Wilson is really a deep look into opposites. I teamed up with my old friend Dai Griffiths [producer] again and together we built up this song from fragments and incomplete ideas. At one point we didn’t know where it was heading and let the song guide itself, it was very exciting! I really wanted to convey the stark difference between the commercial instrumentation and the surreal lyrics and I wanted that to be the underlying theme of the track, that of beauty and ugliness.”
Not merely content with releasing music that is any way “normal”, Bewlay shines as a charade character himself. With an ingenious, read between the lines style of song-writing. On this latest track, Bewlay pens lyrics that purposefully don’t make sense.
Off the wall and intentionally strange. Dan “The Don” Wilson unfolds into music that we are not meant to understand. Ingulfed instead by thoughts of “Triple Decker Bacon Supremes” we allow ourselves to be transported into this artist’s colourful world. A place where the ordinary surely becomes extraordinary, Bewlay provides a musical thrill ride full of twists and turns. As a listener, you never know what to expect next, and that is what makes Mr Bewlay so bewilderingly brilliant to behold.
Produced by Dai Griffiths, Dan “The Don” Wilson is the 2nd instalment in Mr Bewlay’s ‘Synthwave Trilogy’. This independent release has incorporated multi-media assets from likeminded independent artists. Including bespoke pieces from Veronika Purplesfinx, Stephanie Gunnz, Emily Irvin and Rose Ashley. The cover art for the single was digitally created by the Irish artist Cor McGowan and fulfils the theme of contrast with the uncanny-valley burger, dripping with meat, grease and cheese.
Stream ‘Dan “The Don” Wilson’ on all platforms now
An EP from Welsh indie-quintet Campfire Social has been highly anticipated for some time now. Following the stirring buzz that swarmed from singles released throughout 2020 and early 2021. Latest EP release ‘Everything Changed’ encapsulates the excitement and intoxicating energy that has exuded from their music.
Taking a big bite out of 90s emo-pop, with a heady injection of 00s indie vibrance. Campfire Social create a sound that reverberates delight across audiences. Tapping into different moods and genres, each song on their brand-new EP showcases its own unique style.
Opening with EP-entitled track Everything Changed, we are catapulted into the melodic atmosphere that Campfire Social create so well. Dual vocal harmonies from lead Tom and co-vocalist Carrie pair gorgeously together, delivering blissful indie goodness to the core.
Lacing guitar-laden melodies against thought-provoking lyrics. It’s Not Goodbye (To Those We Left Behind) has all the charm of indie-pop, with pockets of punk nostalgia. Musically breezy and upbeat, but lyrically emotive and stirring. These two elements curate together so pleasantly, you could be forgiven for dancing over the tracks tear-jerking, deeper meaning.
Stand out favourite, Awake in the Wake of a Wave, builds beautifully. Truly reminiscent of a rolling oceans tide. Delicate and light at first, with minimal instruments and soft-toned vocals. Lyrics focus on the uncertainty and dread that can swallow us when we feel trapped in situations. As the tempo of the track picks up, and the lyrics switch to the hope of finding happiness in new circumstances. The mid-section bursts into life. Combining a variety of instruments, to erupt in euphoric music, that is such a joy to listen to.
To cool the tempo down, Campfire Social proceed with the hazy, dreamlike Speak Louder. Washing over us with the softest, most comforting hints of acoustics. Although do not be fooled, this isn’t a track mistaken for being “entirely acoustic”. Giving us just a subtle taste of the bands ability to explore more ambient soundscapes. It does bring a smile to your face to discover that pop of ingenious flair Campfire Social possess, when you hear an instrument such as a banjo, join the mix.
Although not to disappoint fans of those purely poignant, spine-tingling blues. On the Subject of Death is the EPs most heartbreaking listen. Providing a few minutes to pause and reflect, over what is otherwise a playful and experimental sound. Instruments are stripped-back, vocals soar at the forefront. The track provides clarity and calm, giving us just a moment to capture ourselves before Campfire Social close their EP. Final track Wherever Your Rest Your Head is an ode to American pop-punk, proving to be the perfect musical equivalent of a polaroid snapshot. Embodying jangled guitars and sharp defined vocals, the song sparks memories of first loves and the giddiness of youth.
An emotional rollercoaster ride from start to finish. ‘Everything Changed’ really does shine, celebrating music and all it stands for. Brimming with nostalgic throwbacks, a vibrant medley of sound and inspiring lyrics. Campfire Social have captured our thoughts, feelings and emotions through the medium of song. Tuning into those momentous highs and crushing lows, with each jangled guitar strum or vocal note latching onto our inner-monologue in harmonious symmetry.
Stream ‘Everything Changed’ on all platforms now via Mai 68 Records
After a hiatus from releasing music, Swansea favourites Trampolene return with rousing spoken-word track ‘Come Join Me In Life’.
Fronted by Jack Jones, Trampolene are certainly not a band to shy away from. Boasting music that is unapologetically loud, outspoken, and bold. This 3-piece have garnered a reputation for packed-out, reckless, and brilliant live shows.
Quickly becoming infamous for their ability to combine raucous indie rock music and spoken word poetry, capable of intoxicating any chaos-hungry audience. Future crowd pleaser ‘Come Join Me In Life’ elevates Trampolene even further, as it delights with a no holds barred, gorgeously untamed approach. Definitely one that Jones will have fans reeling back to him at every upcoming Trampolene gig.
Stirring, and at times intentionally and purposefully unsettling. The singer-songwriter addresses us as though we are a boisterous crowd pouring down a flooded street. Jones at the forefront, demanding justice for each and every one of our lives.
A modern-day wordsmith, delivering poignantly punchy points and fiercely frank truths. ‘Come Join Me In Life’ is poetry that invades your mind and overtakes your voice. Etching itself upon your memory, with an eerily divine presence. “I belong in this poem and I belong in this pen. I belong in your head every now and then.” Through gloriously unrefined and powerful words, Jones has made clear impact, as the phrase “working-class hero” surely springs to mind. Aiming to empower and encourage, walking the line between rebellion and redemption, with glorious reckless abandon.
Heightening emotions, challenging thought processes, and demanding us to firmly grasp what we want out of life with both hands. ‘Come Join Me In Life’ fuels political fires and breaks from convention, as the track roars in solidarity with recent cultural and historical movements. Jones taking centre stage as that pillar so desperately needed, to prop up every single underrepresented voice. Giving much needed encouragement and support at a time where we must stand united to survive.
‘Come Join Me In Life’ is out now via Strap Originals
Horizons are set to embark on their Independent Venue Week Tour of Wales. Between the 25th-31st of January prepare to be enthralled by exciting sets from the incredible new Horizons prodigies, as well as performances by many other Welsh bands, including special appearances from HoldingAbsence and Junior. As sessions from the artists are streamed online, there is a focus on not just marvellous music talent, but also a spotlight on various venues across Wales.
The Horizons tour will celebrate and champion Independent Venues, in need of as much love and support as we can muster, following the unprecedentedly tough backlash of COVID-19. Although we won’t be attending these glorious Welsh venues in person for now, we can certainly be present in spirit, with Horizons streaming sets at 12pm each day for viewers to enjoy at home.
Immerse yourself in the best new musical talent Wales has to offer, right from the heart of our beloved independent venues. From mountain top Neuadd Ogwen in Bethesda, to the west coast’s Queen’s Hall in Narberth. We journey to the modern Galeri in Caernarfon, and flow into inner city hubs Sin City in Swansea and Le Pub in Newport. Across the upcoming days, Horizons Independent Venue Week Tour of Wales will explore some of our most cherished venues. Celebrating and showcasing their crucial role, fostering the next generation of Welsh music talent.
Bethan Elfyn, Project Manager of Horizons for BBC Wales said:
“We’ve been watching helplessly as Covid-19 has kept venues and theatres from opening, keeping communities that need each other apart, keeping us from watching, supporting and growing talent in Wales, and keeping us from the benefits of wellbeing and personal growth that music brings to life.”
“Independent Venue Week is a chance to celebrate everything about our map of venues around Wales, the maverick producers and promoters behind the venues, and the talent that would normally fill the empty buildings with life. The tour is a celebration of what we have, what we miss, and a nod to the future when we can get back to the community that we’ve missed.”
The line-up of musicians to perform, include hip hop artist Mace the Great, r&b singer Faith, rock band Those Damn Crows, urban siblings Leila McKenzie and K(e)nz, country vocalist Jodie Marie, alternative singer-songwriter and producer Rona Mac, low fi enigma Ennio The Little Brother, Gwilym frontman Ifan Pritchard, blues rock pair Alffa, female duo Body Water, and electro pop artist Malan.
In what will be a rather special but poignant week for music, Horizons are taking the opportunity to bring us closer together. Sharing sets from artists, your stories and our memories of music at its very greatest, as emerging talent has thrived through independent venues. Show your love for your favourite venues by streaming and sharing throughout the week, with Horizons.
Cradling tender emotion in the palm of their hands, is a skill that Cardiff indie-pop band Rosehip Teahouse have completely perfected. Boasting a back catalogue of gorgeously cathartic music. Latest EP ‘Fine’ merges old and new tracks, entwining memories, thoughts and feelings into just shy of a blissful 15 minutes.
Swooning vocals from lead singer Faye Rogers glide ever so delicately across a soundscape of lightly placed instruments. Twinkling keyboards shimmer among a subtle pop of synths. While guitars nip, and drums dance, adding just enough grandeur to collate that “full band” sound. Rosehip Teahouse carefully ensure their blend of instruments is not overpowering, but instead provide a sound that is wholesome and pleasant to the palate.
It is a delight to rediscover gems such as ‘No Gloom’ and ‘Summer Sleep’ from very early demo recordings, alongside new singles ‘I Meant What I Said’, ‘A Million Times’ and ‘I’m Not Whole’. We hear a progression in songwriting style as Rosehip Teahouse have grown, yet cherish the emotions forever present within their music. Embodying such poignant pleasure, from their very conception as a band.
Of Rosehip Teahouse’s latest EP, Faye expresses; “The fine EP is a collection of moments that span from 2016 to now. They cover love, losing love, fighting an eating disorder that wanted to take me over completely, my unregulated emotions, dreams (both literal and metaphorical) finding some sort of meaning amongst it all and coming out the other side, slightly stronger as a result of it. A lot of the songs are re-arrangements of the very earliest Rosehip demos and it’s been really cathartic and really special to let them free with the help of the rest of the band. I hope people can relate to the songs, give them a home for a bit and feel at least a little supported in the struggles we all have staying grounded in this overwhelming world.”
‘Fine’ is without doubt, another firm favourite, more than capable of capturing hearts and bottling heartbreak. Exquisite in its fragile delivery of unwavering lyrics, Rosehip Teahouse share a true depiction of our innermost self-doubts and worries. Swathed within the most beautiful music.
Stream ‘Fine’ on all platforms now via Big Indie Records
This year has seenHorizons’ most diverse selection to date, with a record number of female and black musicians awarded funding. Putting a spotlight on the exciting growth of MOBO (music of black origin) throughout Wales.
Musicians from a range of genres have received funding to aid their career development.
If you’re unfamiliar with Horizons and the work they do. Horizons are a Welsh music collective, formed from a partnership between BBC Cymru Wales and the Arts Council of Wales. Focused on supporting Welsh musicians, producers and record labels. Horizons have an active presence on social media, and are advocates for Welsh talent. Investing, supporting, and providing a platform for music in our country to grow.
The Horizons Launchpad established in 2014, has so far helped to support more than 200 Welsh artists, in over 60 towns. Providing £210,000 worth of funding, to pay for the for likes of studio time, music equipment, promotion of releases and a multitude of projects, for the musicians selected each year.
During an extremely tough year for music as a whole. Horizons Launchpad have awarded £40,000 in total, between a mix of musicians, taking the crucial next steps in their careers. Welsh record labels High Grade Grooves (Caernarfon), Recordiau Jingcal (Cardiff) and Something Out of Nothing (Cardiff) also received funding, as Horizons deepened its support of grassroots, who foster and provide a platform for emerging talent.
Deciding which lucky applicants are chosen to receive funding, is a panel of 25 experts from across the Welsh music industry. Made up of musicians, DJs, industry representatives, radio presenters, PR, bloggers, and many more!
This year, I was given the incredible opportunity to be a part of the Horizons Launchpad Panel
Being on the launchpad panel for 2020 has been such a rewarding experience. It was amazing to see a number of applicants that were so passionate about developing their music careers. Showcasing such an innovative flair, while remaining considerate of the implications of COVID-19.
I was moved by musicians who took the DIY approach in hand, and yearned to create something otherworldly. Whether it was recognising the importance of social media self-promotion, or thinking about utilising the skills of Welsh freelancers to help with their creations. Music from all genres are bursting out of Wales, and it is clear to hear the love for music, that every single person who applied has!
The most treasured part of the process for me, was seeing the sheer determination that everyone applying possessed. It’s no secret that 2020 has brought unprecedented challenges to music, but the passion and creativity of so many of YOU, is just completely inspiring.
I want to say a huge congratulations to every artist or label awarded funding, and also a massive well done to everyone who had taken the time to apply to the Horizons Launchpad. You’ve all done yourselves, and Welsh music, extremely proud!
Horizons will be celebrating this years Launchpad Results with a multi-platform virtual festival, highlighting the new artists!
Well, it’s December 1st and Christmas is on its way. For me though, this date marks something rather special on my calendar. Today celebrates 1 year since I started ‘Becky and the Bands’, and what a year it has been!
What was just an idea in my head and a burst of enthusiasm, has grown to become something I could never have imagined. Beginning writing with nothing other than an incredible love of music, putting my thoughts out there was very scary! Yet I received such an overwhelming amount of love and support from you all, and every day since, I remain in complete awe at how much positivity and warmth you continue to show me. I cannot put into words how sincerely grateful I am. ‘Becky and the Bands’ has provided not only amazing opportunities, but also wonderful friendships, experiences and a complete adoration for the music industry.
We are all aware that 2020 has brought unprecedented challenges on the world, but there is no denying that it has hit music so earth-shatteringly hard. However, despite all of the chaos brought upon us. We continue to support, nurture, and provide for one another. Showing bold bravery in the face of uncertainty, and an unbreakable bond — That has brought us all even closer together, despite being so far apart.
Music lives within each and every one of us. It is our passion, and our comfort. It keeps us busy, and calms us down. It is our livelihood, and our lifeline. Music may not be playing as loud as we would love it to be heard right now, but if you listen close enough, then you’ll realise that WE are music. We play the instruments, plug in the speakers. Our voices, our words and our passion are what keep us going right now
Writing has been a tremendous help to me over the past year. Discovering and celebrating brilliant new music, getting to know so many lovely musicians, working with the most incredible companies, publications and individuals. Music has opened my heart to an entirely new outlook on life. However what it has shown me the most, is how hardworking, dedicated and inspiring music, and everyone who is a part of it, really is.
A huge THANK YOU to you all!
Your support this year has meant the world to me, and I’m so grateful for you!
Happy 1st Birthday
Becky and the Bands
I wanted to celebrate the amazing musicians I have written about this year!
As Spring bursts into bloom, our favourite queen of hearts Rebecca Hurn returns with her stunning single, Panic. Due for release on 30th April, but available to pre-save now. The single is a follow-up to the gorgeously festive Something About Christmas and October’s mesmerising Love Like This. Written among the bustling romantic boulevards of New York City, almost 2 years to the…Continue reading »
Mr Bewlay is an eccentric musician, determined to re-define everything that we know about music. From the bright and bubbly Her Name is Juniper to the sombre piano ballads of Fake Yourself. Bewlay is shaking off genres and shaking up our eardrums. Yearning that we explore as many new sounds and styles as possible. Proudly…Continue reading »
An EP from Welsh indie-quintet Campfire Social has been highly anticipated for some time now. Following the stirring buzz that swarmed from singles released throughout 2020 and early 2021. Latest EP release ‘Everything Changed’ encapsulates the excitement and intoxicating energy that has exuded from their music. Taking a big bite out of 90s emo-pop, with a heady…Continue reading »
Expanding on their impressive indie sound. Latest single ‘Early Dreamer’ sees Cardiff-based Twin Stranger introduce a refreshing twist on the genre, with a reflective and brooding, yet melodic breakaway track. As waves of psychedelic rock and power pop burst through, creating music that is both vibrant and immersive. Opening lyrics battle the ever-tempting pull between…Continue reading »
After a hiatus from releasing music, Swansea favourites Trampolene return with rousing spoken-word track ‘Come Join Me In Life’. Fronted by Jack Jones, Trampolene are certainly not a band to shy away from. Boasting music that is unapologetically loud, outspoken, and bold. This 3-piece have garnered a reputation for packed-out, reckless, and brilliant live shows. …Continue reading »
A fresh face in South Wales’ indie music scene, singer-songwriter Alcie Bela is mystifying. Perfectly pairing dark witted lyrics, to a delicate acoustic folk sound. The musician is currently recording her upcoming EP at a studio deep within the heart of Welsh woodland. Ensuring the seeds of her kindled earthy spirit are sown. As debut single ‘Don’t…Continue reading »
Horizons are set to embark on their Independent Venue Week Tour of Wales. Between the 25th-31st of January prepare to be enthralled by exciting sets from the incredible new Horizons prodigies, as well as performances by many other Welsh bands, including special appearances from Holding Absence and Junior. As sessions from the artists are streamed…Continue reading »
Despite the unprecedented challenges that 2020 has brought upon music, I have been incredibly inspired by the continued efforts of musicians and the entire industry. Those who have dedicated so much of themselves to creating. Doing all that they can to bring joy, in the darkest of times. To celebrate their unwavering determination, I am…Continue reading »
2020 has seen Phoebe Green literally “Reinvent” herself. From a striking new single in July, to her current EP release. The Manchester based singer-songwriter has awoken a new persona, and she is certainly not one to be messed with. Possessing flame orange hair, and a dark witty humour, Green is flourishing. All while raining a glorious revenge…Continue reading »
Stepping out of the flamboyance and fun of previous release ‘Her Name Is Juniper’. For new double-A side ‘Fake Yourself’, Mr Bewlay takes on the far more somber role of an eccentric lone pianist, and the results are nothing short of sublime. Stirring vocals and soft piano keys entrance, with Bewlay knowing just how to…Continue reading »
Cradling tender emotion in the palm of their hands, is a skill that Cardiff indie-pop band Rosehip Teahouse have completely perfected. Boasting a back catalogue of gorgeously cathartic music. Latest EP ‘Fine’ merges old and new tracks, entwining memories, thoughts and feelings into just shy of a blissful 15 minutes. Swooning vocals from lead singer…Continue reading »
Horizons Cymru have announced the Welsh musicians and record labels, awarded funding from the Horizons Launchpad 2020. The 33 chosen Welsh artists/record labels awarded funding: Aleighcia Scot Eadyth Faith Foxxglove Hako Hemes High Grade Grooves HVNTER Ifan Pritchard K(E)NZ Kingkhan Leila Mckenzie Los Blancos Mace the Great Madi Magugu Malan Jones Mass Accord Mawpit Minas…Continue reading »
Frosty nights, cosy firesides, mulled wine, and mistletoe. December is here, Christmas is fast approaching, and serenading us this festive season is the gorgeous new single ‘Something About Christmas’ from Welsh singer-songwriter Rebecca Hurn. ‘Something About Christmas’ is mesmerising in its entire composure. From tender emotive pangs, to cosy Christmas references. With vocals as soft…Continue reading »
Bold and charismatic, an intoxicating charm blazes from the flamboyant powerhouse and emerging talent, that is Mr Bewlay. If personality alone is not enough to draw you in, and I dare anyone not to swoon under the spell of this captivating young musician. Latest single ‘Her Name is Juniper’ is the psychedelic spark that will…Continue reading »
With a passion for supporting emerging musicians. The exciting South Wales based initiative Forté Project, have launched their new application process. Giving six lucky individuals, the chance to join their prestigious talent development project. Previously only available to young musicians from South Wales. Following support from the PRS Foundation and the Arts Council of Wales. The Forté Project…Continue reading »
Punk rock is infamous for its love of rebellion. Rule-breaking, non-conformity and an unwavering bold stance in both style and substance. It is a genre that regularly depicts a state of turmoil, and hits back at society with a vengeance. As global politics and the state of the world at large, are currently tipping the…Continue reading »
Meet the Cheshire band, providing all the bite of a classic rock sound, with an intriguing modern twist. The Moondogz tether gritty instrument playing to moody vocal blues, and latest album ‘What’s Done Is Done’ will spark the curiosity of any classic rock fan, and grab the attention of all who dare to listen. No…Continue reading »
With a voice so soothing and tranquil, we find ourselves transported by the breathtaking beauty exuding from Welsh singer-songwriter Rebecca Hurn. Latest single ‘Love Like This’ pairs long, sweeping vocal pitches with an elegant cradle of instruments. Kept strikingly tender, through a subtle and soft musical composure. It is delicate yet daring, hereby its lyrical…Continue reading »
Infusing tender romantic blues with light guitar work. Pascxl (pronounced Pascal) creates an atmospheric soundscape of acoustic pop, that simmers against deep vocal hues. Latest single ‘The Moon Is Not Enough’ is a woefully tender love song, that pairs longing lyrics with a soothing sound. Perhaps a subtle nod to baroque pop. The track dreams of…Continue reading »
As Cardiff continues to produce an array of exciting and talented musicians. Meet Static Inc. A three-piece alternative rock group, who are crossing borders not only musically, but also where language is concerned. Combining both English and native Welsh within their debut track. Latest single ‘Tangelo’ is enriched by its varied blend of tongue, adding…Continue reading »
Bold and charismatic, an intoxicating charm blazes from the flamboyant powerhouse and emerging talent, that is Mr Bewlay. If personality alone is not enough to draw you in, and I dare anyone not to swoon under the spell of this captivating young musician. Latest single ‘Her Name is Juniper’ is the psychedelic spark that will ensure you fall head over heels for this intriguing “mista”.
Owning an eccentric Bowie-esque swagger, Mr Bewlay demands our attention from the very get-go and ‘Her Name is Juniper’ soars with effortless precision. Turning a sharp tongue to lyrics that drip in bubbly lovelorn lust, and pairing them with a melodic soundscape of synths. Showcased is a true showman, impeccably switched on to what sounds good and harnessing the electrifying capabilities of shooting to stardom, with both a driving talent and compelling alter-ego.
Oozing all of the makings of a musical muse, Mr Bewlay is mysterious, wickedly brilliant and devilishly fun. An enchanting character that dominates both their sound and style, ‘Her Name is Juniper’ is the catalyst that will surely send them to the stratosphere.
Having produced a single so strikingly catchy, Mr Bewlay can boast their intent of enchanting any and every listener they ensnare. There is no denying that ‘Her Name is Juniper’ will snake around your mind and invade your brain, nestling itself delightfully into your memory, until its firmly lodged at the top of every playlist and listened to on repeat. It is a chaotically fantastic funhouse, for all of our senses.
For fans of Adam Ant, Mr Bewlay is a musician that exudes such a delectable confidence. Something so inherently appealing is paraded by their utterly compelling uniqueness. A trait that makes them stand out and shine bright, above all others.
There is an overwhelming urge to shout loudly, that Mr Bewlay will soon become the next big thing we will all be talking about, listening to, and loving. Whether it is a result of the magically mesmerising ‘Her Name is Juniper’, or their vibrantly playful personality leading the charge. I for one, cannot wait to watch them skyrocket.
Punk rock is infamous for its love of rebellion. Rule-breaking, non-conformity and an unwavering bold stance in both style and substance. It is a genre that regularly depicts a state of turmoil, and hits back at society with a vengeance. As global politics and the state of the world at large, are currently tipping the scales. There is no denying that punk is the musical outlet we need at the moment.
Eager to shake up society and our music scene, are the fiery Pseudo Cool. Possessing all of the grit and grunge you could desire; this band have a sound that is edgy and untamed. Led by siblings Cathy Bastian (lead vocals, bass) and Lloyd Bastian (backing vocals, guitar), family ties run deep throughout their music. Lead guitarist Dylan Howells, and drummer Shay Bevan complete the lineup.
Bursting out of the South Wales town of Maesteg, Pseudo Cool blazed onto our radar just this year. As 2020 has seen them release not one, but three new singles. All of which have received heavy praise, including backing from BBC Radio Wales and Horizons Cymru, as well as a string of music blogs, publications and podcasts. With tongue-in-cheek lyrical jabs and jangled guitars, Pseudo Cool inject humour into their music. Yet add just enough of that raw punk-bitterness, to sharpen our taste buds.
First single ‘Modern Man’ released in July, gave us a first glimpse of what to expect from Pseudo Cool. Debuting their edgy punk sound to the world, the band certainly kicked off in style. With unapologetic lyrics poking fun at modern 21st century masculinity. ‘Modern Man’ is a satirical quip, that delves into the strives and struggles of your everyday relationship. Delivered in a rhythmic blend of riffs, instruments glide along with Cathy Bastian’s muted almost spoken vocals, which interject that brooding tone we adore. Reminiscent of female punk fiends such as Siouxsie and Debbie Harry.
Progressing only further with sophomore single ‘Wrong’, at the end of September. Pseudo Cool rose the tempo of their music higher, breaking previous vocal and instrument boundaries they had set for themselves. As their muted brooding sound, gave way to a punk-rock charm; Bastian flexed her pitches and flaunted her vocal flair on this track, and it is truly a delectable transformation to behold. Proving her to be a multi-tonal, and very capable vocalist. Seeking influence from the likes of Lily Allen, with the grit of popular Dublin newcomers Fontaines D.C.
Exploring every branch of punk is certainly on this band’s agenda, as they prove their worth yet again on latest track ‘I’d Like To Watch’. Released just this month [October], with a sound so ominous and dark, it sizzles from a sinister twist. Abolishing the punk-rock prowess of the predeceasing ‘Wrong’. Pseudo Cool have built a bass-driven track, that is entirely different to the previous two guitar dominated singles. Raw, grungy and heavy, ‘I’d Like To Watch’ reflects the muted brooding of ‘Modern Man’. Although any satirical comedy that was present, is now long gone. Replaced instead with a sensual, simmering atmosphere. Unnerving, yet so deliriously exciting.
Pseudo Cool break the rules, refuse to conform, and stand bold in both their style and substance. Modern rebels of the music scene, their sound embodies the true spirit of punk, and they are a dose of EXACTLY what we need to hear right now. Set to release more singles before the year is out, it appears that the chaos of 2020 has delivered us a band so chaotically brilliant.
Listen to Pseudo Cool on all platforms now!
All tracks were Produced and Mixed by Cody Reynolds-Shaw of Trenova Sound
With a voice so soothing and tranquil, we find ourselves transported by the breathtaking beauty exuding from Welsh singer-songwriter Rebecca Hurn. Latest single ‘Love Like This’ pairs long, sweeping vocal pitches with an elegant cradle of instruments. Kept strikingly tender, through a subtle and soft musical composure. It is delicate yet daring, hereby its lyrical content.
A thrilling love story, the track proves to be a captivating listen. The tale of two star-crossed lovers, and a seemingly doomed fate. Yet their adoration for one another outshines all odds. ‘Love Like This’ is a whirlwind fairytale romance, embodied though music. Both enchanting and cathartic, the track swells with emotion and a loving grace.
Placing itself gently among the realms of indie-pop. The track straddles elegantly between a cool twinkling pop sound, and an immersion within the growing indie-folk/alternative scene. Echoing vocals reminiscent of both pop sensation Maisie Peters, and folk-queen Laura Marling. Rebecca Hurn’s capability of softly blending these two genres in such a gorgeous way, surely stems the roots for unrivalled future success.
Already making an impact, Rebecca Hurn received an award for earlier single ‘Waves’ at the Independent Music Awards in New York City, and was again nominated upon the release of ‘Homesick’. Making her the only Welsh artist to ever receive the prize, throughout the ceremonies 18 year history, and the only unsigned UK artist to be nominated in the same category consecutively.
Latest single ‘Love Like This’ was released as a result of Rebecca Hurn being one of twenty artists selected for the Re_Balance Programme; a pioneering initiative providing studio and recording space for emerging female musicians. At Old Castle Studios in Leeds, Rebecca Hurn teamed up with award-winning producer and sound engineer Rhiannon Mair, along with studio assistant Laura Williams. It was here, that her own original song ‘Love Like This’, was then recorded and mastered over five days.
A passionate and driven individual, Rebecca Hurn’s music is soothing and comforting, but also incredibly inspiring. With a global reach firmly in her sights. We wait with bated breath, to marvel as to where her voice will take her next.
Music thuds through the walls, and the building shakes from the blaring pulse of the speakers. As doors fly open, and countless people weave in through the darkness. The packed-out gig is hot and humid. Filled with laughter and noise, beer and chanting. Livelier than any stadium, a wall-to-wall show at Fuel promises to please. The band on stage certainly do not disappoint. Gritty guitar work, blaring vocals, and clashing drums engulf the room, delighting the eagerly awaiting crowd.
An atmosphere that is surely engrained within heavy metal band SouthBound, who celebrated the release of their debut EP ‘Even Angels Sin’, to a packed-out show at Cardiff’s Fuel Nightclub in January. Determined not to let lockdown deter their spirits, the band have been working hard on creating their sophomore release. Proudly presenting, latest single ‘Bermuda’ to the world.
A gritty guitar anthem, you can really sink your teeth into. ‘Bermuda’ roars with feminine ferocity. Lead vocalist Megan Jenkins sets the tone, as ravaging guitars and drums whir around her. Choosing to keep pitches low and biting to begin with, the band allude to that sinister tension, building throughout their music.
Providing sublime guitar pitches, substantial enough to satisfy any rock n’ roll fan. Classic influence from giants such as Slipknot, Slayer and Avenged Sevenfold are clear to be heard, and evoke this bands hungry desire. Resulting in the grungy, alternative soundscape that charges ‘Bermuda’.
Rooted within the heart of the Welsh Valleys, a passion for music runs deep in the veins of SouthBound. There is such resonating energy present, that rings clear through their music. Instruments are pushed to breaking-point, with a fearless style of playing. Vocals are steeped in Megan’s rich Welsh accent. It is these bold touches of home, that push SouthBound forward in Cardiff’s metal scene, and ‘Bermuda’ is certainly a promising catapult.
MojoJNR is the alias of South Wales Musician Josh David-Read. Pairing the dreamiest of summer soundscapes, with husky vocal musings. His canvas of creativity spans far and wide, crafting music that will surely delight any listener. With a deep and unique approach to indie-pop, composed from the world around him. Josh harnesses a brave expression of his own thoughts, feelings and emotions. Utilising a vibrant spectrum of personal experience, to share his colourful musical universe with us. Friends and those he meets along the way may play a helping hand in what finally culminates as Mojo JNR. Yet the driving force, evoking and breathing life into the project, truly is Josh himself.
Sophomore single Peach Out is a clever play on words. Written about holistic methods of coping with anxiety. The idea for the track was originally derived from a text sent by Josh, with Peace Out, having been auto-corrected to Peach Out. This little quirk looped around in Josh’s mind, and together with a bit of research, he stumbled upon a crystal called peach aventurine. Discovering its benefits to soothing stress and worry, the concept behind Peach Out was born.
Josh explains how “Peach Out is essentially a light-hearted bedroom-pop track, focusing on how difficult it is to relax, even when you are doing nothing.” With swirling thoughts around anxiety, coupled with lockdown. Josh found himself determined to write the lyrics for the track, record, and self-release it by the end of July. Achieving that and more, Josh has proven himself to be a complex and motivated musician. It is truly awe-inspiring to behold his creative flow, from start to finish.
Peach Out pairs husky soulful vocals with simmering instruments and synths. With lead vocals from Josh harmonising exquisitely with backing vocals of fellow-musician Ci Gofod (Jack ThomasDavies) who features on the track. As the two vocals gently brush off one another, their overall warmth combined with keeping the pitch fairly low, results in a sultry summer-time track. Peach Out will perfectly resonate with fans of folk-rock singer Paolo Nutini, as well as the power-pop musings of an 80s Bowie.
Instruments are not overbearing, but instead infuse with the gorgeous vocal musk concocted, to create a soft yet rousing track. Without being raucous or loud, Peach Out is a woozy exploration of self-expression, evoking imagery of moody sunset blues.
Peach Out swiftly follows Mojo JNR’s debut offering Miles Away, which was released back in May. A brooding and slower guitar-fuelled love song, Miles Away stirs our senses, bringing to the forefront that one person we all need to move on from. With a smooth ability to easily transcribe a breadth of emotions, into lyrics. Josh is a remarkably keen songwriter, and it is clear to hear this talent reflected through his music. Miles Away is a marriage of music to lyrics, and a strikingly beautiful debut.
Mojo JNR is certainly one to watch, and amongst many others, I find myself incredibly excited to behold what the future has in store for this musical muse.
Peach Out and Miles Away are available to stream on Spotify
3:00am. Despite the stillness of the night, you find yourself lying awake. Looking again for the hundredth time, at the hand crawling around the clock. “Tick-Tock, Tick-Tock!” rattles through your brain like a dull ache. Bleary eyed and tired. Your inner monologue just won’t stop tonight. Sleep would be nice, but the thoughts are too loud.
Latest single Thought Number 3 from Rosehip Teahouse embodies those lonely hours we share with the moonlight. Basked in nothing but our own thoughts. Sleep will not come, because we are too exhausted by our minds.
Peering in through the glass of Rosehip Teahouse, we steal a glimpse at the thoughts keeping lead vocalist and songwriter Faye Rodgers awake. What begins as gentle musings, soon spiral.
Wrapping sincere lyrics within soft, delicate sounds. Rosehip Teahouse create emotional music, without any crushing weight to it. Instruments are kept light, and twinkling synths sparkle throughout the track like stars.
The woozy, dreamlike soundscape sets a scene of calm and tranquillity. Lyrics highlight Faye’s gorgeous song-writing abilities, and flawless vocals remain perfectly harmonious. The soft nature of the song, almost for a moment, allows for an escape from the sadness behind the words sung to us. Until we are jolted by the poignant finale.
Pairing opposing elements, of deep sadness and soothing music, together so beautifully. Fragile emotions are cradled and vocals lullaby soft. As though warming us with a comforting glow in the darkness.
At just over a minute and a half long; Thought Number 3 is a tender little indie-pop track, with huge emotional, poetic, and personal reach. For Rosehip Teahouse to have conveyed music so moving and resonate within such a short duration of time, is truly wonderous.
Thought Number 3 is available to stream now via Sad Club Records
Ahead of the release of her strikingly-beautiful Debut EP Open Up, Honey which will be outthis Friday (24th July). GILLIE has shared with me the EPs lead single Winter Girl, which I am beyond delighted to introduce to you today.
Combining rich earthy tones, with a sheer and beautiful whimsicality. GILLIE blends a variance of sound to create the most sublime music.
Winter Girl is heartfelt and staggering. A stunning debut, from a very promising EP.
A lyrical journey of change. The track encapsulates growth from a pained past. Yet bravely explores elements often unspoken, through recognising that progression may not be easy.
Flourishing in the freedom of her self-expression. The track provides hope and clarity, whilst not hurrying past moments of doubt and angst. Recognising that in time, one can move forward with them.
GILLIE’s songwriting is raw and truthful. Encasing this within delicate yet fiercely unwavering vocals, and finessing amongst the gentle strums of a guitar. GILLIE has self-produced a track that is open, and enriching.
Providing a wonderful welcome of what we can expect to hear from Open Up, Honey upon its release on 24th July.
Listen to the first track Winter Girl exclusively here
Spirited and sassy, Welsh rockers Chroma are back with their latest single Head in Transit. Since hearing the powerhouse that is Girls Talk, I have eagerly anticipated and devoured each single released. Head in Transit has certainly not disappointed, in fact I am yearning for more, as my adoration of this band only grows.
Filled with as much fire as I expected. The single begins with a shredding guitar riff, before powerful vocals from front woman Katie Hall scorch their way through. Embodied with all of the richness of her glorious Welsh accent, Katie projects an impressive vocal range, at every possible altitude. Lullaby softness quickly breaks into furious, heartfelt vocals. Screaming through with as much passion as fans had longed for.
Unapologetically loud, Chroma have such a way of clashing together rampant guitars with gorgeous pragmatic vocals. Energetic, with just the right amount of chaos thrown in for good measure. Lead vocalist Katie is surely set to become a fiercely talented icon of female-fronted rock, for the next generation.
Even more admirably so, what really gives Head in Transit the most clout, is the deeply emotional message it conveys. Having written from her own personal experience, Katie has shared in an open letter that the context of Head in Transit surrounds a very poignant time in her life, when she worked in a Call Centre. Emotional phone calls, difficulties of work pressure, cruel bosses, and various other aspects all culminated to have a detrimental impact on her mental health.
In our current time of crisis, Katie has shared Head in Transit in the hopes it will urge people to be more empathetic towards those who are continuing to work hard, ultimately to help us. Treating these individuals as though they are nothing more than just cogs in a machine, is selfish and wrong.
Head in Transit showcases Chroma in all their glory. I applaud Katie for having the courage to share this deeply personal track.
It is undeniable that musically, Head in Transit is brilliant; vocally sublime, rooted and charged by heavy, ‘rock n’ roll’ instrument playing. However, it is ultimately the moving lyrics and fundamental message behind the track that have resonated with me, and I hope others, the most.
Head in Transit is available to stream on all platforms now
Following on from their previous release True Secret to a Happy Life, TJ Roberts are back with yet another slice of indie-rock goodness. Latest single Sinceridipity makes no apologies for its bold entrance, as shredding guitars hurtle us full force into the track. Brooding vocals from front man Tom tear through in the first verse, but there is no hiding from that biting guitar lurking underneath, as the track builds to break in its charged chorus.
Blazing to life, Sinceridipity brands its mark, easily becoming one of the finest indie tracks of the year to date. Instruments stampede in a glorious frenzy but complement one another exquisitely well. The track features Zac White of Buzzard Buzzard Buzzard on guitar. A musical collaboration of dreams, with fellow BBB member Tom Rees having produced the track. The close-knit South Wales Music Community proving yet again, just why it is so good.
Demanding your attention from start to finish. Sinceridipity is undoubtedly a track that needs to be turned up loud. Especially if you really want to enjoy that minute-long guitar solo that powers through to the end. Hushed thought-provoking verses intertwine with the triumphant chorus; showing off impressive combinations of vocal and instrumental prowess that are driving this band to the forefront.
Lyrically Sinceridipity encapsulates adolescence, and those moments of embarrassment, when we somehow find ourselves looking back over an array of fake, but often misinformed, personalities that developed. A time-honoured tradition of barely comprehensible nonsense. Musical inspiration has been sought from the dark-eyed Lou Reed and Eels’ Mark Everett, as well as the rambunctious energy of Dinosaur Jr. and Fugazi.
The track is available to stream on all platforms via Libertino Records.
I could not love Panic Shack any more if I tried. Their fierce bad girl attitude, tongue in cheek humour and adoration for chaos, all creates an impressively powerful emerging punk band. How close they are means they are more like sisters than friends, and they are quickly becoming the band that everyone wants to know. Causing carnage with raucous live shows, and acquiring a cult following. Panic Shack have already supported infamous punks Amyl and the Sniffers, and are tearing up Cardiff’s live music scene as they go. Once you have seen Panic Shack perform at a gig, you certainly won’t forget them. A band that were born to break the rules. Combine crazily good music with an infectious amount of energy, and they are able to command a crowd and deliver a gig like no other.
Panic Shack’s debut single ‘Who’s Got My Lighter?’ was a roaring success. The band are renowned for playing a number of unreleased songs at their gigs, so fans already knew what to expect from their loud and untamed debut, and its popularity has continued to soar ever since. At Panic Shack’s headline gig in March the track had its first live outing since its release. A boisterous crowd and a night fuelled with frenzy, meant their debut hit went down a storm, and blew the roof off Cardiff’s Clwb Ifor Bach. Since its release, the single has received airplay on a number of radio stations, including BBC Radio 1. YouTube views are racing up by the day, and streams are continuing to spiral. A lockdown is not going to reckon with the force of Panic Shack.
Today the band are releasing their latest single ‘Jiu Jits You‘. An unapologetic anthem that is as bold as its title suggests. The track tells the tale of a night out, and the idiots encountered along the way. Not shy in speaking their mind, Panic Shack do not hold back on this brilliant spoken-word story and express in no uncertain terms what they would like to do to anyone causing them trouble. In true Panic Shack style it’s all delivered in good humour, proving they are as fun as they are fierce, but you’d still be a fool to think you could mess with them. Especially if they really do know Jiu-Jitsu!
Their ability to blend spoken word stories with rebellious punk music, provides Panic Shack with a unique edge that certainly makes them memorable. Many punk bands can spit out their lyrics with a harshness and throw themselves around a stage, but Panic Shack have a different appeal. Although rebellious and wild, they also bring in a girlish charm and there is a bubble gum pink theme surrounding them. A female-fronted punk rock band with two personalities, that clash gloriously together.
Bringing in an added element of fun with the song’s catchy chorus and shout-out chants, ensures that ‘Jiu Jits You’ really sparks to become a hit that you can sing along to. It is not for the faint hearted, but is fun and fiery, and I love that they make no apologies for that. Guitars blare, and vocals shout out to pack a punch on this screamer of an anthem.
‘Jiu Jits You’ will plant itself firmly in your mind and knock you out by how good it is. It is a very strong follow-up to Panic Shack’s debut single, that shows listeners exactly what they are all about.
You can follow Panic Shack on their socials below:
Forever entwined in some way or another, Wales’ chaotic but lovable indie rock band Trampolene and music-heavyweight Pete Doherty are certainly no strangers. With Pete initially having taken an interest in the bands front man Jack Jones for his poetic flair way back in 2015. The two formed a firm friendship after Jack became the resident tour poet for The Libertines on their 2016 Arena Tour. Jack and Pete have only grown closer every day since, with the pair working continuously together on a number of musical projects.
Pete Doherty is now a family figure to Jack and the band as a whole, almost acting as a mentor for their musical journey. With immense experience fronting one of the most successful UK bands of all time. For a young indie band like Trampolene with stars in their eyes, he’s certainly a very good connection to have.
Over their five year friendship, Trampolene have supported The Libertines across several tour dates already. Front man Jack is also a guitarist and occasional vocalist within Pete Doherty’s new gypsy-punk band The Puta Madres, and Trampolene drummer Jay Bone is also a member of Carl Barat & The Jackals, which is another band of The Libertine’s co-founder Carl Barat.
It is evident to see that within just a short period of time, their ties run pretty deep. Therefore for Trampolene and Pete Doherty alike, it must have been an exciting and engaging prospect to collaborate on a song with one another. Surely a means of cementing their bond, for all to hear. Asides from Jack’s participation in The Puta Madres, for us fans this will be the first time we have the pleasure of listening to Trampolene and Pete performing together on one track.
It is an adoring ode to how close they all are.
It almost feels as though it is full circle from where they began, with Jack’s poetry being that initial spark to ignite their relationship…
Written and performed entirely in isolation. ‘Uncle Brian’s Abattoir’ was given its first spin on BBC Radio 6 this morning. Radio Presenter Chris Hawkins explained how the track consists of poetry recorded by Jack on his phone in Swansea, which was then forwarded on to their producer Mike Moore in London, and finally over to Pete Doherty in Normandy, who added vocals for the chorus and backing. Jack’s poetry is the main focus of the track, so it almost feels as though it is full circle from where they began, with Jack’s poetry being that initial spark to ignite their relationship way back when. It is a glorious and touching sentiment.
To anyone unfamiliar with the works of Pete Doherty and Trampolene, the track may seem a little eccentric. However, to fans its charm will remain undisputed. Jacks existing poems have grown to become so popular amongst followers of Trampolene and The Libertines, they are chanted out at gigs and recited word for word as though they are anthems. I do not doubt that in time, this song will be no different.
Hailing from Swansea in South Wales. Jack’s Welsh accent always shines beautifully throughout his spoken-word poetry. This is no exception for ‘Uncle Brian’s Abattoir’. There is a delightful rhaspiness to Jack’s vocals on this track, which emphasises the songs emotive lyrical content, whilst rightfully demanding the attention of the listener. Contrasting exquisitely with the high pitched and warped vocals that emerge from Pete Doherty during the chorus. Pete’s vocals somehow pour through, and add a light hearted aspect to the track. The giddy oddness of the style in which they’re delivered allows for this, and showcases that unique spirit and personality that runs between the two joyous and loving individuals that are Jack Jones and Pete Doherty.
The idea behind the new track was curated by the marvellous mind of Jack Jones, who was inspired by a painting created by his young cousin. The little artist had depicted a world where animals and humans live as one in harmony, but as is the innocence of a child, had mistakenly called her “farm” painting an “abattoir”.
Being the keen lyricist he is, it wasn’t long before Jack’s mind pondered over those thoughts and ‘Uncle Brian’s Abattoir’ was born. As Jack’s inspiration wound to seek out the skewed aspects from the painting, in its innocent error. The finished track expresses a harmonious existence inspired by the child’s idea on one hand, but also a caged one on another, due to the harsh truths we know to exist within the title. Additional inspiration was sought from the current UK lockdown.
‘Uncle Brian’s Abattoir’ is being released on Friday 22nd May, as a means of celebrating the creation of new record label, Strap Originals
Well Christmas is almost upon us, and the end of the year is in sight. The festive season is often a period of reflection for many of us. For me, this means an opportunity to look back on all of the amazing gigs I’ve had the pleasure of attending in 2019. Live music is a big part of my life. A couple of years ago I made a promise with myself not to miss out on gigs I wanted to go to. I started going to more gigs in local venues, and it has honestly been one of the most rewarding things I’ve ever done. I’ve gotten to know so many new bands, and discovered some incredible music, along with meeting the loveliest people.
I thought I’d share with you, 5 of my favourite gigs from the past year.
Peter Doherty & The Puta Madres – Sin City, Swansea, February 2019.
Peter Doherty and The Puta Madres are a fantastically talented band of musicians, that perform blissfully well together. They really are a must-see. Their origins as a band derive from playing together during a string of festivals. At which time they whipped up a frenzy with fresh, exciting music, and firmly squashed rumours that they were merely a side project for Peter Doherty.
In February of this year, I was ecstatic to have the opportunity to see them for myself. In typical fashion, the gig was running late, door staff had informed me. Peter was out walking his dogs along the Swansea coastline at sunset, and who could blame him? It is beautiful. Once we were allowed in, I remember being puzzled for a second, as the band were already on stage. It took a moment for me to realise what was going on, and then I noticed Peter moving amps around and Jack tuning his guitar – it was soundcheck. They’d let us walk in on soundcheck. It was such an amazing experience. You could see the band were enjoying the unexpected early attention. With the gig being in the heart of Swansea, it gave Trampolene front man (AKA Puta Madres guitarist) Jack Jones, the opportunity to play up to a home crowd, reciting one of his most popular poems ‘Pound Land’. Pete also treated us to a few chords from beloved Libertines tunes, that really got the crowd going. There was no doubt in my mind then that this was going to be something extraordinary.
When the band came back on for their main performance, it was wonderful to see how chaotically perfect they were together. Resembling a gypsy punk-band, The Puta Madres are a spectacular sight to behold. As their debut single ‘Who’s Been Having You Over’ blared out to the crowd. Keyboard player Katia was a stunning free-spirit on stage. Drummer Rafa was the best kind of crazy. Needless to say, if you have read my previous posts you will know the adoration I have for guitarist Jack. Violinist Miki was kind and gentle amongst the madness. Bass player Miggles was more sensible on stage, but was wonderfully close to them all. I got the impression The Puta Madres are a band of friends, a band of lovers even. They have an adoring relationship with each other, and this is reflected beautifully in their stage performance.
The band sang and laughed, engaging with the boisterous crowd throughout the night. To hold on to my barrier position was hard, but by God there was no way I was giving that up. They introduced us to new single ‘Paradise is Under Your Nose’ and other soon to be album tracks. As well as performing hits from The Libertines and Babyshambles. As a treat for Jack’s birthday, Pete also gave him a moment on the microphone where he performed a stunning song ‘Lighter than Paper’, that is still yet to be released.
Honestly, I cannot explain to you just how much I enjoyed this gig. It was different, it was wild. I cannot recommend The Puta Madres enough.
This is The Kit – Clwb Ifor Bach, Cardiff, August 2019.
This gig was a real standout for me, because believe it or not, before that night I’d never heard a single song of theirs. I went to see This is The Kit with someone who adores them, in Cardiff’s Clwb Ifor Bach, and I decided to treat myself to the rare experience of hearing a band for the first time on stage. No spotify binging desperately trying to learn lyrics, no frantic searches for past set-lists. I just wanted to enjoy seeing them fresh in front of my eyes.
Honestly, the performance was sublime. Kate Stables, singer and founder of the band has an exquisite voice that really shone under the spotlight the night I saw them. Speaking openly, I’d say I was transfixed for most of that evening. Without questioning her vocal talent, she is also a wonderfully gifted songwriter. The lyrics in her songs are beautiful, and work stunningly well when placed against her voice, and the soft soothing playing of her instruments, whether it be the guitar or banjo. I remember being lost in songs such as ‘Bullet Proof’ and ‘Solid Grease’. I was frantically asking the person next to me as soon as they would finish, “What is this song called?” I went into the gig with an open mind, and it was sublimely rewarding. I was met with a beautiful band, in which all members are gloriously talented. Aside from Kate Stables, other band members such as Rozi Plain, are vocally talented in their own rights. Rozi has a growing solo-career ahead of her too, having recently played Cardiff’s Sŵn festival, amongst other locations.
You can clearly see during a This is The Kit gig, how in love with them their fans are. They have a niche cult following, that I’d guess they have acquired from dedicated festival going. This band can silence a room with their purely gorgeous soft songs, and in the next breath make them dance and sing with fan favourites such as ‘Moonshine Freeze’. All of which I had the glory of beholding for the first time. I watched how adored they were by those that knew them, and I too was captivated.
Now, I cannot even begin to tell you how desperate I am to see this band again.
This is The Kit are a gem certainly not to be missed.
The Amazons – Clwb Ifor Bach, Cardiff, February 2019.
Before I begin, I just have to say that this gig really was something special. I’d only managed to find out about it a few days before. The Amazons weren’t playing at many venues and had kept their announcements rather low-key. Probably because they were channelling much of their energy into the new album, but being as dedicated to music as they are, of course they wanted to treat us to a ‘little something’ before the release. I remember frantically searching to see if any tickets were still available, and to my relief, thankfully there were. I was so excited. Especially as I knew the venue was smaller, which makes all the difference. Although, of course I do go and see bands in larger venues, I much prefer a smaller gig, as the band are not lost on the stage and lighting. They are there, right in front of you. No huge barrier gap, no security guards in your way. It’s just you and the band. I think that was what I enjoyed most about that night. The atmosphere was just so intimate. To have the honour of seeing a successful band like The Amazons on a stage at my level, not high in the sky. It was fantastic. Honestly, if you go and see any band you love in Clwb, trust me when I say you will not be disappointed, but The Amazons really took the roof off the place!
I remember the night vividly, the room was awash with dedicated fans, all eagerly waiting for the band to take the stage. On a cold February night, the turnout was brilliant, and it was so great to see. It had been a couple of years since the release of their debut self-entitled album, and at this point in time, us fans had only been graced with new album Future Dust’s first single ‘Mother’. With the new album due in May, anticipation lingered strongly amongst the crowd. We were all anxiously waiting, desperate to hear any new material, and of course the classic tunes that we all knew and loved. The Amazon’s certainly obliged our request, by scattering new songs amongst our favourites. Us fans rejoiced. Any Amazon’s gig would be fantastic, but it really felt exclusive to see them playing in the small but mighty venue that is Clwb. We hung off every word that fell from Matthew’s mouth. Lyrics were sang adoringly back to the band, and they revelled in it. The room was alive, Clwb was alive.
Everyone was there for one reason, to witness the sheer amazing power of The Amazons.
They certainly delivered this, and more.
I remember the ending of this gig was phenomenal. Having kept us waiting, craving throughout the entire setlist. We were hit with it. ‘Junkfood Forever’. Mine, and I’m sure many others, favourite Amazons song. It was fantastic. The room completely blew up, and I’d say going to this gig was worth it just for this song if nothing else. That’s how good it was.
The All-Dayer (Headlined by Matt Maltese) – Clwb Ifor Bach, Cardiff, November 2019.
This all day gig was a real treat. Starting earlier than usual, it was a jam-packed line up born from a collaboration between Council Records and So Young Magazine. Bands including Rosehip Teahouse, Drug Store Romeos, Talk Show and Happyness took to the stage. Headlining last but not least of course was the king of wounded lovers, Matt Maltese.
The first band I saw that evening, Rosehip Teahouse, are a wonder to behold on stage, their performances are beautiful every time, and this gig was certainly no different. Personally, I find them so endearing as a fresh, new band that I’ve written about them in more depth in my post on 10 Emerging Welsh Bands.
Drug Store Romeos were a new band on me, but their sound was so unique and different to anything I had heard before. To put it simply, they were nothing short of mesmerising. Lead single ‘Now You’re Moving’ was stunning, and Sarah was fascinating to watch perform, with her ability to sing and play piano, all whilst dancing and engaging with the crowd at the same time.
Despite this gig having a lengthy line-up, the intervals between each band were kept short and concise. I think this is what made everything run so smoothly, the gig was constantly moving, and there was never a point at which the evening lost momentum. In the intervals where bands were not on stage, I could see it was a fantastic opportunity for networking. Event organisers and representatives from the magazine and label mingled in with the crowd of fans, and band members who were also watching each others’ set. People were chatting, and getting to know each other. It really seemed as though there was a community spirit here, and that this was something more than a gig. Something rather special, I’d say.
The next band to take the stage were Talk Show. The lights were completely dimmed, and it was at that moment I felt the atmosphere change. I could see lead singer Harrison limbering himself up to take to the microphone, as if preparing for an exorcism. Holy hell did the devil take hold. Trust me when I say, I was blown away. Talk Show switched the night up in seconds, turning it into an eery, energy-filled punk show. Honestly, this band ripped my heart out of chest and stuffed it back in again with their music. Possessing a real “hold on for your life” feeling. They dominated that stage, and their performance. Talk Show hail from South London, and are similar in style to Slaves or Idles, but with more of a frightening twist to their lyrics and sound, that makes them so much better.
I wasn’t sure where the night was going to go after this, as Talk Show were so different to what I was expecting, given the style of previous bands and the subsequent headliner to come, Matt Maltese. I think that was the reason why, unfortunately the next band Happyness didn’t do it for me after that. I can understand how the mood needed to be changed, due to the complete contrast between Talk Show and Matt Maltese, but for me Happyness just didn’t work here. I hate to review anything negatively, and this is not a reflection on them as a band at all, as I could see how their sound was fun, and catchy, but it was just not right for this segment of the line-up I’m afraid. This is just my personal taste though; the crowd seemed to love them.
Last in the line-up was Matt Maltese. I absolutely adore this man and his music. I discovered him following the release of his single ‘Greatest Comedian’. Matt’s album ‘Bad Contestant’, dominated my summer last year and was mostly all I listened to for the remainder of 2018 if I’m being honest. On vinyl, it is an absolute masterpiece. Matt was at the top of my lists for artists I needed to see, so I was beyond delighted when I realised he was coming to headline this all-day gig in Cardiff.
Matt’s music is very close to my heart, so to say I was excited would be a sincere understatement. His music means so much to me, to describe how I felt waiting for him to come on stage, well I’d say I felt emotional more than anything else. I’d played his vinyl over and over, I’d cried, I’d laughed. Matt felt like more of a companion to me than a musician. So, to be faced with the fact that any moment now he was going to be performing the songs I adored so much, merely inches away from me, it was completely overwhelming but utterly blissful. It is an unreal sensation, which I’m sure you’re all familiar with, when you know you’re going to be in the same room with someone whose music honesty means that much to you. It could have accompanied you through the happiest or the saddest times in your life. I think this highlights why I feel so passionately about the live music scene. These artists are there for us when we could be completely alone, and to then be able to see them and treasure their songs and the memories attached to them in our own lives, is stunningly beautiful. This is what musicians need to hold on to and cherish about their fanbases.
Matt’s setlist that night was utterly gorgeous. To be able to watch him play piano and sing, so closely. Honestly it took my breath away. Matt played songs from ‘Bad Contestant’ including the incredible ‘Like a Fish’, and mixed in songs from his newly released album ‘Krystal’, which is of course a triumph, and I’d argue more emotional in its content than its predecessor ‘Bad Contestant’. My favourite from this album is the track bearing the same name, which I was also lucky enough to hear him perform live that night.
Matt even made time to run his own merch table, and greet fans after the show. Of course I went bounding over, and introduced myself. How could I not? I really felt as though Matt went the extra mile in this gig, not only with his stunning performance, but all by how approachable and personable he was. It really made me smile, ironic really, with lyrics so heart-breaking.
Massive Wagons – Patti Pavilion, Swansea, October 2019
I just had to choose this gig as one of my favourites! I love a good rock show, and Massive Wagons made sure I experienced one in all its glory. I’ve had the pleasure of seeing this band a couple of times now. The first gig was on a whim, as we had booked tickets for a Saturday night out. A few drinks and some good music. The added bonus was that I got to see this amazing band! Their live music was great, and during the days that followed I listened to their albums and I was hooked. I had to wait a few months to be able to stream the other songs I’d heard live, as they were touring prior to the release of their next album ‘Full Nelson’. It was this album that really cemented my love for Massive Wagons.
When their next headline show was announced a year later, there was no way I was going to miss out! Although I’ll admit I did have some difficulty getting hold of my tickets due to a local disgruntled ticket supplier, but I was determined not to let anything dampen my spirits! Massive Wagons were coming back to Swansea, and I was so looking forward to it. The Lancashire rockers put on an incredible show, as I knew all too well from when I last saw them. This time though, I loved the songs, I knew the lyrics and I couldn’t wait to be down at the front.
Billed as an evening of rock and roll, there were several bands performing before Massive Wagons took to the stage. Ryders Creed, Scarlet Rebels and Ravenbreed got the crowd ready for what was to come. The room wasn’t packed, but it was a Sunday night and to be honest we were having a such a good time. Who needs a boring Sunday in, when you can go to a rock show?
Massive Wagons stormed the stage. Baz’s hat introduced them, by making a perfect landing on the coat stand, which made all of us laugh and cheer even louder! One thing I will say that makes Massive Wagons so great, is how fun they are as a band! So many rock bands take themselves way too seriously, but Massive Wagons are a real down to earth and friendly band. You can see within seconds of them being on stage, that they love being there and they work extremely hard for it too. Baz, lead singer of the band, recently wrote a very touching piece on their Facebook page, explaining just how much dedication it has taken to keep the band going. For me this makes going to their gigs a million times more worthwhile. This band absolutely love what they do, and for the price of a ticket to go and see not only a rock band that care, but a rock band that put on one of the best performances I’ve seen. It is worth so much more, and it keeps the dream alive for not only them but us as fans too.
Massive Wagons have a mixed following of all ages, and this could be seen that night in Swansea. They’re the type of band that I love, and my whole family could love. Their reach spreads far and wide, and this is fantastic. Their music consists of classic rock and roll, punchy guitar solos, and one hell of a voice. Massive Wagons are brilliant, and really make you want to get up and get involved. If you want a taste of how great they are, just listen to ‘Hate Me’ or ‘Ratio’, and then come back and tell me what you think. I promise, you won’t be disappointed. Better yet, if they’re coming to your hometown any time soon – go. You’ll see one of the best rock shows around.
Thank you so much for taking the time to read this, I hope you enjoyed hearing all about my favourite gigs of this past year. Of course there were so many more I enjoyed, and I wish I could write about them all. If you would specifically like to hear about any other gig that I went to, please feel free to get in touch! Alternatively, if there were any gigs you loved in 2019, please share them with me! It would be lovely to hear from you!
I hope you all have a wonderful Christmas, and I wish you lots of love, music and happiness in 2020.